1994, ISBN: 0440900867

[EAN: 9780440900863], Gebraucht, [PU: Yearling], Yearling 1994 Fair/ Ex-library with usual markings, light wear to glossy cover, knife cut accross cover and 3/4 of pages, clean tanned ill… More...

[EAN: 9780440900863], Gebraucht, [PU: Yearling], Yearling 1994 Fair/ Ex-library with usual markings, light wear to glossy cover, knife cut accross cover and 3/4 of pages, clean tanned illustrated text. From The devastating effects of the bombing of Japan described in Coerr's Sadako and the Thousand Paper Cranes are evoked here in the stirring story of Mieko, a gifted calligrapher and artist. After her hand is badly injured in the bombing, the frightened and embittered girl is sent to stay with her grandparents in the country. Mieko fears she has lost the fifth treasure, the "beauty in the heart" which holds the key to her artwork. At her new school, she is taunted by some cruel classmates, and the anger she feels only deepens her sense of misery and loss. Eventually, she is lifted from her dark state by the patience and wisdom of her comforting grandparents and through the friend of Yoshi, a gentle classmate. Mieko's recovery is further aided by Yoshi's Aunt Hisako, a stern but generous woman who goads Mieko into picking up her brushes once more. (Hisako's disappearance from the story proves mildly confusing, leaving her more of a device than a fleshed-out character.) Overall, this is a sensitively and beautifully crafted story that juxtaposes the strength of Japanese art and philosophy with the complex emotional wake of the bombing. Once again, this author has created a vivid portrait of courage, drawn from a time that deserves to be remembered. Ages 7-11. 1993 From School Grade 3-5-- The four treasures of traditional East Asian calligraphy are brush, inkstick, inkstone, and paper. The "fifth treasure," as Mieko's art teacher has told her, is beauty in the heart, which breathes life into writing word-pictures (characters). Mieko lived in a village outside Nagasaki when the atom bomb was dropped. Flying glass badly damaged her writing hand and now, a few months later, she has been sent to live with her grandparents. Ashamed of her scars and certain she has lost the fifth treasure, Mieko withdraws into herself, rejecting school and her grandparents' efforts to help her heal psychologically. It is the subtle, beneficial influence of her new friend, Yoshi, and her overbearing aunt that helps Mieko overcome her fears and start to face life again. The child's inner and outer conflicts are believably handled, and readers will identify with her struggle towards normalcy after trauma. Much of the plot is obvious, but satisfying. The meeting with Yoshi's aunt is especially heavy-handed. With the plot unfolding in the months immediately after surrender, with Tokyo in ashes, rationing for nearly a decade, the collapse of the economy, and U. S. occupation forces just settling in, the fact that she blithely orders (and receives) luxury writing paper is a strain on credibility. Otherwise, this is a warm, sensitive, and well-written story with wide appeal. --John Philbrook, San Francisco Public Library 1993<

1994, ISBN: 0440900867

[EAN: 9780440900863], Gebraucht, [PU: Yearling], Yearling 1994 Fair/ Ex-library with usual markings, light wear to glossy cover, knife cut accross cover and 3/4 of pages, clean tanned ill… More...

[EAN: 9780440900863], Gebraucht, [PU: Yearling], Yearling 1994 Fair/ Ex-library with usual markings, light wear to glossy cover, knife cut accross cover and 3/4 of pages, clean tanned illustrated text. From The devastating effects of the bombing of Japan described in Coerr's Sadako and the Thousand Paper Cranes are evoked here in the stirring story of Mieko, a gifted calligrapher and artist. After her hand is badly injured in the bombing, the frightened and embittered girl is sent to stay with her grandparents in the country. Mieko fears she has lost the fifth treasure, the "beauty in the heart" which holds the key to her artwork. At her new school, she is taunted by some cruel classmates, and the anger she feels only deepens her sense of misery and loss. Eventually, she is lifted from her dark state by the patience and wisdom of her comforting grandparents and through the friend of Yoshi, a gentle classmate. Mieko's recovery is further aided by Yoshi's Aunt Hisako, a stern but generous woman who goads Mieko into picking up her brushes once more. (Hisako's disappearance from the story proves mildly confusing, leaving her more of a device than a fleshed-out character.) Overall, this is a sensitively and beautifully crafted story that juxtaposes the strength of Japanese art and philosophy with the complex emotional wake of the bombing. Once again, this author has created a vivid portrait of courage, drawn from a time that deserves to be remembered. Ages 7-11. 1993 From School Grade 3-5-- The four treasures of traditional East Asian calligraphy are brush, inkstick, inkstone, and paper. The "fifth treasure," as Mieko's art teacher has told her, is beauty in the heart, which breathes life into writing word-pictures (characters). Mieko lived in a village outside Nagasaki when the atom bomb was dropped. Flying glass badly damaged her writing hand and now, a few months later, she has been sent to live with her grandparents. Ashamed of her scars and certain she has lost the fifth treasure, Mieko withdraws into herself, rejecting school and her grandparents' efforts to help her heal psychologically. It is the subtle, beneficial influence of her new friend, Yoshi, and her overbearing aunt that helps Mieko overcome her fears and start to face life again. The child's inner and outer conflicts are believably handled, and readers will identify with her struggle towards normalcy after trauma. Much of the plot is obvious, but satisfying. The meeting with Yoshi's aunt is especially heavy-handed. With the plot unfolding in the months immediately after surrender, with Tokyo in ashes, rationing for nearly a decade, the collapse of the economy, and U. S. occupation forces just settling in, the fact that she blithely orders (and receives) luxury writing paper is a strain on credibility. Otherwise, this is a warm, sensitive, and well-written story with wide appeal. --John Philbrook, San Francisco Public Library 1993<