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1
Why Docudrama? - Alan Rosentahl
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Alan Rosentahl:

Why Docudrama? - hardcover

1998, ISBN: 9780809321865

Fact-fiction on Film and TV, Buch, Hardcover, When the 1990 English docudrama ""Who Bombed Birmingham?"" cast serious doubt on the guilt of six men convicted of bombing two British pubs i… More...

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Why Docudrama? : Fact-Fiction on Film and TV
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Why Docudrama? : Fact-Fiction on Film and TV - used book

1990, ISBN: 9780809321865

When the 1990 English docudrama Who Bombed Birmingham? cast serious doubt on the guilt of six men convicted of bombing two British pubs in 1974, Prime Minister Margaret Thatcher declared … More...

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3
Why Docudrama? : Fact Fiction on Film and TV
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Why Docudrama? : Fact Fiction on Film and TV - used book

1990

ISBN: 9780809321865

When the 1990 English docudrama Who Bombed Birmingham? cast serious doubt on the guilt of six men convicted of bombing two British pubs in 1974, Prime Minister Margaret Thatcher declared … More...

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4
Why Docudrama? : Fact Fiction on Film and TV - Rosenthal, Alan
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Rosenthal, Alan:
Why Docudrama? : Fact Fiction on Film and TV - used book

1999, ISBN: 9780809321865

Hardcover book. 416 pages. Published by Southern Illinois University Press (1999) Media >, [PU: Southern Illinois University Press]

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5
Why Docudrama? - Alan Rosentahl
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Alan Rosentahl:
Why Docudrama? - hardcover

1998, ISBN: 9780809321865

Fact-fiction on Film and TV, Hardcover, Buch, [PU: Southern Illinois University Press]

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Why Docudrama?

When the 1990 English docudrama Who Bombed Birmingham? cast serious doubt on the guilt of six men convicted of bombing two British pubs in 1974, Prime Minister Margaret Thatcher declared that a "television program alters nothing". But, as Alan Rosenthal concludes, Thatcher was wrong. The film engendered a new inquiry that led to the release of the convicted men.<P>Rosenthal notes that docudrama wields more influence than the average documentary and that "reality-based stories taken from topical journalism are the most popular drama genre on U.S. and British television today". This three-part collection of diverse and provocative essays addresses the dominant questions and controversies the genre poses.<P>Defining and examining the rationale of docudrama, the nine essayists in the first part discuss the history and development of docudrama on TV and in film; they also consider the place of truth in docudrama, the main critiques of the form, and the audience's susceptibilities and expectations. In investigating the actual filmmaking process, the eight essays in the second part focus on how "docudrama as a 'commodity' is created in the United States and England". Part essay, part case study, and part interview, this section also explores how Hollywood and the commercial networks as well as producers and writers work and think. The final part presents an in-depth critique of a number of controversial docudramas that have helped form and shape public opinion, including Battleship Potemkin, Roots, Reds, JFK, Mississippi Burning, Schindler's List, and In the Name of the Father.<P>In addition to Rosenthal, the contributors are John Corner, George E Custen, David Edgar, Leslie Fishbein, GeorgeMacDonald Fraser, Todd Gitlin, Douglas Gomery, Richard Grenier, Sumiko Higashi, Tom W. Hoffer, Jerry Kuehl, Steve Lipkin, Yosefa Loshitsky, Ian McBride, Richard Alan Nelson, Conor Cruise O'Brien, Derek Paget, Robert A. Rosenstone, Betsy Sharkey, Irene Shubik, Jeff Silverman,

Details of the book - Why Docudrama?


EAN (ISBN-13): 9780809321865
ISBN (ISBN-10): 0809321866
Hardcover
Publishing year: 1998
Publisher: Southern Illinois University Press

Book in our database since 2008-04-13T11:28:45-04:00 (New York)
Detail page last modified on 2024-02-14T08:02:26-05:00 (New York)
ISBN/EAN: 9780809321865

ISBN - alternate spelling:
0-8093-2186-6, 978-0-8093-2186-5
Alternate spelling and related search-keywords:
Book author: alan rosenthal, alan rose, rosenta
Book title: why docudrama fact fiction film


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