Hall, Marcia B.:Rome. Artistic Centers of the Italian Renaissance.
- hardcover 2005, ISBN: 0521624452
[EAN: 9780521624459], Gebraucht, sehr guter Zustand, [SC: 9.99], [PU: Cambridge University Press.], Jacket, XXI, 358 Seiten / p., Abb. Umschlag leicht berieben und mit Läsur, sonst gutes … More...
[EAN: 9780521624459], Gebraucht, sehr guter Zustand, [SC: 9.99], [PU: Cambridge University Press.], Jacket, XXI, 358 Seiten / p., Abb. Umschlag leicht berieben und mit Läsur, sonst gutes Exemplar / Cover slightly rubbed, otherwise good copy - This volume provides a comprehensive overview of the arts in Rome - architecture, sculpture, painting, and the decorative arts - within their social, religious, and historical contexts from 1300 to 1600. Organized around the patronage of the popes, it examines the decline of the arts during the period of the Great Schism and the exile of the popes in Avignon, and the revival that began with Pope Nicholas V in the middle of the fifteenth century, when Rome began to rebuild itself and reassert its leadership as the center of the Christian world. During the second half of this century, artists and patrons drew inspiration from the ruins of antiquity that inhabited the city. By the first decade of the sixteenth century, under the visionary guidance of Pope Julius II and the humanists of the papal court who surrounded him, Rome reestablished itself as the Christian reembodiment of the Roman Empire. The works created by Bramante, Raphael, and Michelangelo, among others, define the High Renaissance and were to have an enduring influence on the arts throughout Italy and Europe. Despite the challenges posed by the Reformation and the secession of the Protestant churches in the early sixteenth century, the Roman Church and the art establishment transformed themselves. By the last quarter of the century, a new aesthetic inaugurated the Roman baroque and was put into the service of the Counter-Reformation and the Church Triumphant. -- The most up-to-date assessment of the arts of early modern Rome, this volume is richly illustrated with 219 halftones and 32 color plates. ISBN 9780521624459 Sprache: Englisch Gewicht in Gramm: 1714 Originalpappband mit Originalschutzumschlag / Originalhardcover with dust jacket., Books<
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Hall, Marcia B.:Rome. Artistic Centers of the Italian Renaissance.
- hardcover 2005, ISBN: 9780521624459
[PU: Cambridge University Press.], XXI, 358 Seiten / p., Abb. Originalpappband mit Originalschutzumschlag / Originalhardcover with dust jacket.
Umschlag leicht berieben und mit Läsur, son… More...
[PU: Cambridge University Press.], XXI, 358 Seiten / p., Abb. Originalpappband mit Originalschutzumschlag / Originalhardcover with dust jacket.
Umschlag leicht berieben und mit Läsur, sonst gutes Exemplar / Cover slightly rubbed, otherwise good copy - This volume provides a comprehensive overview of the arts in Rome - architecture, sculpture, painting, and the decorative arts - within their social, religious, and historical contexts from 1300 to 1600. Organized around the patronage of the popes, it examines the decline of the arts during the period of the Great Schism and the exile of the popes in Avignon, and the revival that began with Pope Nicholas V in the middle of the fifteenth century, when Rome began to rebuild itself and reassert its leadership as the center of the Christian world. During the second half of this century, artists and patrons drew inspiration from the ruins of antiquity that inhabited the city. By the first decade of the sixteenth century, under the visionary guidance of Pope Julius II and the humanists of the papal court who surrounded him, Rome reestablished itself as the Christian reembodiment of the Roman Empire. The works created by Bramante, Raphael, and Michelangelo, among others, define the High Renaissance and were to have an enduring influence on the arts throughout Italy and Europe. Despite the challenges posed by the Reformation and the secession of the Protestant churches in the early sixteenth century, the Roman Church and the art establishment transformed themselves. By the last quarter of the century, a new aesthetic inaugurated the Roman baroque and was put into the service of the Counter-Reformation and the Church Triumphant. -- The most up-to-date assessment of the arts of early modern Rome, this volume is richly illustrated with 219 halftones and 32 color plates. ISBN 9780521624459, DE, [SC: 5.00], gebraucht; gut, gewerbliches Angebot, [GW: 1714g], Banküberweisung, Offene Rechnung, PayPal, Internationaler Versand<
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(*) Book out-of-stock means that the book is currently not available at any of the associated platforms we search.
Hall, Marcia B.:Rome. Artistic Centers of the Italian Renaissance.
- hardcover 2005, ISBN: 0521624452
[EAN: 9780521624459], Gebraucht, sehr guter Zustand, [SC: 4.0], [PU: Cambridge University Press.], Jacket, XXI, 358 Seiten / p., Abb. Umschlag leicht berieben und mit Läsur, sonst gutes E… More...
[EAN: 9780521624459], Gebraucht, sehr guter Zustand, [SC: 4.0], [PU: Cambridge University Press.], Jacket, XXI, 358 Seiten / p., Abb. Umschlag leicht berieben und mit Läsur, sonst gutes Exemplar / Cover slightly rubbed, otherwise good copy - This volume provides a comprehensive overview of the arts in Rome - architecture, sculpture, painting, and the decorative arts - within their social, religious, and historical contexts from 1300 to 1600. Organized around the patronage of the popes, it examines the decline of the arts during the period of the Great Schism and the exile of the popes in Avignon, and the revival that began with Pope Nicholas V in the middle of the fifteenth century, when Rome began to rebuild itself and reassert its leadership as the center of the Christian world. During the second half of this century, artists and patrons drew inspiration from the ruins of antiquity that inhabited the city. By the first decade of the sixteenth century, under the visionary guidance of Pope Julius II and the humanists of the papal court who surrounded him, Rome reestablished itself as the Christian reembodiment of the Roman Empire. The works created by Bramante, Raphael, and Michelangelo, among others, define the High Renaissance and were to have an enduring influence on the arts throughout Italy and Europe. Despite the challenges posed by the Reformation and the secession of the Protestant churches in the early sixteenth century, the Roman Church and the art establishment transformed themselves. By the last quarter of the century, a new aesthetic inaugurated the Roman baroque and was put into the service of the Counter-Reformation and the Church Triumphant. -- The most up-to-date assessment of the arts of early modern Rome, this volume is richly illustrated with 219 halftones and 32 color plates. ISBN 9780521624459 Sprache: Englisch Gewicht in Gramm: 1714 Originalpappband mit Originalschutzumschlag / Originalhardcover with dust jacket., Books<
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(*) Book out-of-stock means that the book is currently not available at any of the associated platforms we search.
Hall, Marcia B.:Rome. Artistic Centers of the Italian Renaissance.
- hardcover 2005, ISBN: 9780521624459
XXI, 358 Seiten / p., Abb. Originalpappband mit Originalschutzumschlag / Originalhardcover with dust jacket. Umschlag leicht berieben und mit Läsur, sonst gutes Exemplar / Cover slightly … More...
XXI, 358 Seiten / p., Abb. Originalpappband mit Originalschutzumschlag / Originalhardcover with dust jacket. Umschlag leicht berieben und mit Läsur, sonst gutes Exemplar / Cover slightly rubbed, otherwise good copy - This volume provides a comprehensive overview of the arts in Rome - architecture, sculpture, painting, and the decorative arts - within their social, religious, and historical contexts from 1300 to 1600. Organized around the patronage of the popes, it examines the decline of the arts during the period of the Great Schism and the exile of the popes in Avignon, and the revival that began with Pope Nicholas V in the middle of the fifteenth century, when Rome began to rebuild itself and reassert its leadership as the center of the Christian world. During the second half of this century, artists and patrons drew inspiration from the ruins of antiquity that inhabited the city. By the first decade of the sixteenth century, under the visionary guidance of Pope Julius II and the humanists of the papal court who surrounded him, Rome reestablished itself as the Christian reembodiment of the Roman Empire. The works created by Bramante, Raphael, and Michelangelo, among others, define the High Renaissance and were to have an enduring influence on the arts throughout Italy and Europe. Despite the challenges posed by the Reformation and the secession of the Protestant churches in the early sixteenth century, the Roman Church and the art establishment transformed themselves. By the last quarter of the century, a new aesthetic inaugurated the Roman baroque and was put into the service of the Counter-Reformation and the Church Triumphant. -- The most up-to-date assessment of the arts of early modern Rome, this volume is richly illustrated with 219 halftones and 32 color plates. ISBN 9780521624459 Versand D: 5,50 EUR , [PU:Cambridge University Press.,]<
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(*) Book out-of-stock means that the book is currently not available at any of the associated platforms we search.
Hall, Marcia B:Rome. Artistic Centers of the Italian Renaissance.
- hardcover 2005, ISBN: 9780521624459
Cambridge, University Press, XXI, 358 Seiten / p., Abb. Originalpappband mit Originalschutzumschlag / Originalhardcover with dust jacket. Umschlag leicht berieben und mit Läsur, sonst gut… More...
Cambridge, University Press, XXI, 358 Seiten / p., Abb. Originalpappband mit Originalschutzumschlag / Originalhardcover with dust jacket. Umschlag leicht berieben und mit Läsur, sonst gutes Exemplar / Cover slightly rubbed, otherwise good copy - This volume provides a comprehensive overview of the arts in Rome - architecture, sculpture, painting, and the decorative arts - within their social, religious, and historical contexts from 1300 to 1600. Organized around the patronage of the popes, it examines the decline of the arts during the period of the Great Schism and the exile of the popes in Avignon, and the revival that began with Pope Nicholas V in the middle of the fifteenth century, when Rome began to rebuild itself and reassert its leadership as the center of the Christian world. During the second half of this century, artists and patrons drew inspiration from the ruins of antiquity that inhabited the city. By the first decade of the sixteenth century, under the visionary guidance of Pope Julius II and the humanists of the papal court who surrounded him, Rome reestablished itself as the Christian reembodiment of the Roman Empire. The works created by Bramante, Raphael, and Michelangelo, among others, define the High Renaissance and were to have an enduring influence on the arts throughout Italy and Europe. Despite the challenges posed by the Reformation and the secession of the Protestant churches in the early sixteenth century, the Roman Church and the art establishment transformed themselves. By the last quarter of the century, a new aesthetic inaugurated the Roman baroque and was put into the service of the Counter-Reformation and the Church Triumphant. -- The most up-to-date assessment of the arts of early modern Rome, this volume is richly illustrated with 219 halftones and 32 color plates. ISBN 9780521624459Renaissance 2005, [PU: Cambridge University Press]<
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