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Theatre and Consciousness: Explanatory Scope and Future Potential - Daniel Meyer-Dinkgrafe
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Daniel Meyer-Dinkgrafe:
Theatre and Consciousness: Explanatory Scope and Future Potential - used book

1994, ISBN: 9781841501307

ID: 9781841501307

For the last ten to fifteen years, many disciplines of scholarship have been involved in the study of consciousness, often on an interdisciplinary basis. They include philosophy, neurosciences, psychology, physics and biology, and approaches focusing on human experience. The Centre for Consciousness Studies at the University of Arizona in Tucson spearheaded this development with its bi-annual conferences since 1994, and a wide range of associations, journals and book publications bear For the last ten to fifteen years, many disciplines of scholarship have been involved in the study of consciousness, often on an interdisciplinary basis. They include philosophy, neurosciences, psychology, physics and biology, and approaches focusing on human experience. The Centre for Consciousness Studies at the University of Arizona in Tucson spearheaded this development with its bi-annual conferences since 1994, and a wide range of associations, journals and book publications bear witness to its importance. Over the same number of years, scholarly interest in the relationship of consciousness to theatre has equally grown. The book discusses a range of questions relevant to understanding the phenomenon of theatre against a consciousness studies background. Those questions include: What inspires the dramatist to write a play? This question addresses the nature of the creative process. How do different plays reflect human consciousness? What kinds of new ideas did major directors or theatre makers, such as Artaud, Grotowski, Barba, and Brook introduce? Should actors be personally involved with the emotions they have to portray? Are puppets or marionettes superior to actors? How to account for the designer's combination of creativity and practical skill? What part does mental imagination play in the design process? How do designers get their own spatial awareness across to their spectators? How does theatre affect the spectator? Why do spectators react as they do? How do distance and suspension of disbelief 'work'?An improved and expanded understanding of theatre, resulting from answering the questions above in the context of consciousness studies, should inspire new developments in theatre practice. Books, Performing Arts~~Theater~~History & Criticism, Theatre-and-Consciousness~~Daniel-Meyer-Dinkgrafe, 999999999, Theatre and Consciousness: Explanatory Scope and Future Potential, Daniel Meyer-Dinkgrafe, 1841501301, Intellect, Limited, , , , , Intellect, Limited

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Theatre and Consciousness: Explanatory Scope and Future Potential (Intellect Books - Theatre and Consciousness) - Meyer-Dinkgrafe, Daniel
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Meyer-Dinkgrafe, Daniel:
Theatre and Consciousness: Explanatory Scope and Future Potential (Intellect Books - Theatre and Consciousness) - Paperback

1994, ISBN: 1841501301

ID: 1354909902

[EAN: 9781841501307], Neubuch, [PU: Intellect Ltd], 1841501301 BRAND NEW, Theatre and Consciousness: Explanatory Scope and Future Potential, Daniel Meyer-Dinkgr+?fe, For the last ten to fifteen years, many disciplines of scholarship have been involved in the study of consciousness, often on an interdisciplinary basis. They include philosophy, neurosciences, psychology, physics and biology, and approaches focusing on human experience. The Centre for Consciousness Studies at the University of Arizona in Tucson spearheaded this development with its bi-annual conferences since 1994, and a wide range of associations, journals and book publications bear witness to its importance. Over the same number of years, scholarly interest in the relationship of consciousness to theatre has equally grown. The book discusses a range of questions relevant to understanding the phenomenon of theatre against a consciousness studies background. Those questions include: What inspires the dramatist to write a play. This question addresses the nature of the creative process. How do different plays reflect human consciousness? What kinds of new ideas did major directors or theatre makers, such as Artaud, Grotowski, Barba, and Brook introduce? Should actors be personally involved with the emotions they have to portray? Are puppets or marionettes superior to actors?How to account for the designer's combination of creativity and practical skill? What part does mental imagination play in the design process? How do designers get their own spatial awareness across to their spectators? How does theatre affect the spectator? Why do spectators react as they do? How do distance and suspension of disbelief 'work'? An improved and expanded understanding of theatre, resulting from answering the questions above in the context of consciousness studies, should inspire new developments in theatre practice.

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(*) Book out-of-stock means that the book is currently not available at any of the associated platforms we search.
Theatre and Consciousness: Explanatory Scope and Future Potential - Meyer-Dinkgrafe, Daniel
book is out-of-stock
(*)
Meyer-Dinkgrafe, Daniel:
Theatre and Consciousness: Explanatory Scope and Future Potential - used book

1994, ISBN: 9781841501307

ID: 7464001

For the last ten to fifteen years, many disciplines of scholarship have been involved in the study of consciousness, often on an interdisciplinary basis. They include philosophy, neurosciences, psychology, physics and biology, and approaches focusing on human experience. The Centre for Consciousness Studies at the University of Arizona in Tucson spearheaded this development with its bi-annual conferences since 1994, and a wide range of associations, journals and book publications bear witness to its importance. Over the same number of years, scholarly interest in the relationship of consciousness to theatre has equally grown. The book discusses a range of questions relevant to understanding the phenomenon of theatre against a consciousness studies background. Those questions include: - What inspires the dramatist to write a play? This question addresses the nature of the creative process. - How do different plays reflect human consciousness? - What kinds of new ideas did major directors or theatre makers, such as Artaud, Grotowski, Barba, and Brook introduce? - Should actors be personally involved with the emotions they have to portray? - Are puppets or marionettes superior to actors? - How to account for the designer's combination of creativity and practical skill? What part does mental imagination play in the design process? How do designers get their own spatial awareness across to their spectators? - How does theatre affect the spectator? Why do spectators react as they do? How do distance and suspension of disbelief 'work'? An improved and expanded understanding of theatre, resulting from answering the questions above in the context of consciousnessstudies, should inspire new developments in theatre practice. Theatre and Consciousness: Explanatory Scope and Future Potential Meyer-Dinkgrafe, Daniel, Intellect (UK)

Used or antiquarian book Betterworldbooks.com
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Theatre and Consciousness: Explanatory Scope and Future Potential - Daniel Meyer-Dinkgrafe
book is out-of-stock
(*)
Daniel Meyer-Dinkgrafe:
Theatre and Consciousness: Explanatory Scope and Future Potential - Paperback

ISBN: 9781841501307

ID: 9781841501307

Theatre and Consciousness: Explanatory Scope and Future Potential Theatre-and-Consciousness~~Daniel-Meyer-Dinkgrafe Theater Arts And Drama>Drama>Drama Crit/Prof Paperback, Intellect, Limited

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Theatre and Consciousness - Meyer-Dinkgrafe, Daniel
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Meyer-Dinkgrafe, Daniel:
Theatre and Consciousness - new book

ISBN: 9781841501307

ID: 283089

The book discusses a range of questions relevant to understanding the phenomenon of theatre against a consciousness studies background. Drama Drama eBook, Intellect

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