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Monument, Moment, And Memory
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ISBN: 9781611482751

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By the end of the nineteenth century, a mode of painting that captured 'instantaneity' had come to be seen as an appropriate and characteristically Impressionist means of depicting its subject, when that subject was understood to be our variable perception in nature. In May of 1895, however, Monet turned capriciously it seemed to some, to the immutable facade of a Gothic cathedral. Struck by. By the end of the nineteenth century, a mode of painting that captured 'instantaneity' had come to be seen as an appropriate and characteristically Impressionist means of depicting its subject, when that subject was understood to be our variable perception in nature. In May of 1895, however, Monet turned capriciously it seemed to some, to the immutable facade of a Gothic cathedral. Struck by the curious choice of a medieval monument as subject matter, critics, used to talking about 'instantaneity,' continued to lay emphasis on the theme of temporality, and this was addressed in two distinct but related ways. First, there was the matter of perception - the temporality that is involved in engaging visually with the near impenetrable surfaces of individual canvases, suggesting the dense complexity - the nuances - of our 'momentary' perception. Then, there was the temporality involved in the real historical character of the motif itself; an awareness of the persistence of memory embedded in the medieval edifice and its significations of history and nation. It is the critical discourse and its complex negotiations - aesthetic, philosophical, and literary - that this book examines. Books, Reference~~Encyclopedias & Reference Works~~Reference Works, Monument, Moment, And Memory~~Book~~9781611482751~~Ronald R. Bernier, , , , , , , , , ,

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Monument, Moment, and Memory: Monet's Cathedral In Fin-de-siècle France - Ronald R. Bernier
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Monument, Moment, and Memory: Monet's Cathedral In Fin-de-siècle France - new book

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By the end of the nineteenth century, a mode of painting that captured ''instantaneity'' had come to be seen as an appropriate and characteristically Impressionist means of depicting its subject, when that subject was understood to be our variable perception in nature. In May of 1895, however, Monet turned capriciously it seemed to some, to the immutable façade of a Gothic cathedral. Struck by the curious choice of a medieval monument as subject matter, critics, used to talking about ''instantaneity,'' continued to lay emphasis on the theme of temporality, and this was addressed in two distinct but related ways. First, there was the matter of perception - the temporality that is involved in engaging visually with the near impenetrable surfaces of individual canvases, suggesting the dense complexity - the nuances - of our ''momentary'' perception. Then, there was the temporality involved in the real historical character of the motif itself; an awareness of the persistence of memory embedded in the medieval edifice and its significations of history and nation. It is the critical discourse and its complex negotiations - aesthetic, philosophical, and literary - that this book examines. Ronald R. Bernier, Books, History, Monument, Moment, and Memory: Monet's Cathedral In Fin-de-siècle France Books>History, Bucknell University Press

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Monument, Moment, and Memory - Ronald R. Bernier
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Monument, Moment, and Memory - new book

ISBN: 9781611482751

ID: 181397242

By the end of the nineteenth century, a mode of painting that captured ´´instantaneity´´ had come to be seen as an appropriate and characteristically Impressionist means of depicting its subject, when that subject was understood to be our variable perception in nature. In May of 1895, Monet turned capriciously, it seemed to some, to the immutable facade of a Gothic cathedral. Struck by the curious choice of a medieval monument as subject matter, critics, used to talking about ´´instantaneity,´´ continued to lay emphasis on the theme of temporality, and this was addressed in two distinct but related ways. First, there was the matter of perception--the temporality that is involved in engaging visually with the near impenetrable surfaces of individual canvases, suggesting the dense complexity--the nuances--of our ´´momentary´´ perception. Then, there was the temporality involved in the real historical character of the motif itself; an awareness of the persistence of memory embedded in the medieval edifice and its significations of history and nation. It is the critical discourse and its complex negotiations--aesthetic, philosophical, and literary--that this book examines. Monument, Moment, and Memory Buch (fremdspr.) Bücher>Schule & Lernen>Lexika & Wörterbücher>Fachlexika & Enzyklopädien, Bucknell University Press

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Monument, Moment, and Memory: Monet's Cathedral in Fin-de-Siecle France - Bernier, Ronald R.
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[ED: Hardcover], [PU: ASSOCIATED UNIV PRESSES], By the end of the nineteenth century, a mode of painting that captured "instantaneity" had come to be seen as an appropriate and characteristically Impressionist means of depicting its subject, when that subject was understood to be our variable perception in nature. In May of 1895, Monet turned capriciously, it seemed to some, to the immutable facade of a Gothic cathedral. Struck by the curious choice of a medieval monument as subject matter, critics, used to talking about "instantaneity," continued to lay emphasis on the theme of temporality, and this was addressed in two distinct but related ways. First, there was the matter of perception--the temporality that is involved in engaging visually with the near impenetrable surfaces of individual canvases, suggesting the dense complexity--the nuances--of our "momentary" perception. Then, there was the temporality involved in the real historical character of the motif itself an awareness of the persistence of memory embedded in the medieval edifice and its significations of history and nation. It is the critical discourse and its complex negotiations--aesthetic, philosophical, and literary--that this book examines. Versandfertig in über 4 Wochen, Neuware, gewerbliches Angebot

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Monument, Moment, and Memory Monet's Cathedral in Fin-de-Si+Cle France - Ronald R  Bernier
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Monument, Moment, and Memory: Monet's Cathedral in Fin-de-Siecle France

By the end of the nineteenth century, a mode of painting that captured 'instantaneity' had come to be seen as an appropriate and characteristically Impressionist means of depicting its subject, when that subject was understood to be our variable perception in nature. In May of 1895, however, Monet turned capriciously it seemed to some, to the immutable facade of a Gothic cathedral. Struck by the curious choice of a medieval monument as subject matter, critics, used to talking about 'instantaneity,' continued to lay emphasis on the theme of temporality, and this was addressed in two distinct but related ways. First, there was the matter of perception - the temporality that is involved in engaging visually with the near impenetrable surfaces of individual canvases, suggesting the dense complexity - the nuances - of our 'momentary' perception. Then, there was the temporality involved in the real historical character of the motif itself; an awareness of the persistence of memory embedded in the medieval edifice and its significations of history and nation. It is the critical discourse and its complex negotiations - aesthetic, philosophical, and literary - that this book examines.

Details of the book - Monument, Moment, and Memory: Monet's Cathedral in Fin-de-Siecle France


EAN (ISBN-13): 9781611482751
ISBN (ISBN-10): 1611482755
Hardcover
Publishing year: 2007
Publisher: ASSOCIATED UNIV PRESSES
Language: eng/Englisch

Book in our database since 04.09.2008 10:15:00
Book found last time on 12.02.2017 12:21:29
ISBN/EAN: 9781611482751

ISBN - alternate spelling:
1-61148-275-5, 978-1-61148-275-1


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