2020, ISBN: 9781350088405

It argues that artworks created for specific places or conditions structure a reciprocal encounter, which is completed by the presence of a beholder. The book establishes a transhistorica… More...

It argues that artworks created for specific places or conditions structure a reciprocal encounter, which is completed by the presence of a beholder. The book establishes a transhistorical notion of the spatially situated encounter, and considers the role of the architectural host in bringing the beholder?s orientation into play. Weitere detailsTitel: BeholdingZustand: NeuSubtitle: Situated Art and the Aesthetics of ReceptionAutor: Ken WilderFormat: Gebundene AusgabeProduktart: Gebundene AusgabeISBN-10: 1350088404EAN: 9781350088405ISBN: 9781350088405Verlag: Bloomsbury Visual ArtsGenre: Arts & PhotographyErscheinungsdatum: 14.05.2020Erscheinungsjahr: 2020Description: Beholding considers the spatially situated encounter between artwork and spectator. It argues that artworks created for specific places or conditions structure a reciprocal encounter, which is completed by the presence of a beholder. These are works which demand the 'beholder's share', but not, as Ernst Gombrich famously claimed, to sustain an illusion. Rather, Beholding reconfigures Gombrich's notion of the beholder's share as a set of 'licensed' imaginative and cognitive projections.Each chapter frames a particular work of art from the remit of a complementary theoretical text. The book establishes a transhistorical notion of the spatially situated encounter, and considers the role of the architectural host in bringing the beholder?s orientation into play. The book engages a diverse range of practices: from Renaissance painting and group portraiture to intermedia practices of installation and performance art. Written within the broad remit of reception aesthetics, the book proposes a phenomenological theory of beholding, argued through an in-depth examination of artworks and their spatial contexts, selected for their explanatory potential. These various encounters allocate different constitutive roles to the beholder, bringing not only spatial and temporal orientation into play, but also a repertoire of anticipated ideas and beliefs.Sprache: EnglischHerstellungsland und -region: GBHöhe: 234mmLänge: 156mmGewicht: 680g Information fehlt?Bitte kontaktieren Sie uns, wenn Details fehlen und wir werden diese solange möglich zu unserer Beschreibung hinzufügen., Festpreisangebot, [LT: FixedPrice], Buchtitel: Beholding, Publikationsname: Beholding, Title: Beholding, Subtitle: Situated Art and the Aesthetics of Reception, Format: Gebundene Ausgabe, Produktart: Gebundene Ausgabe, ISBN-10: 1350088404, EAN: 9781350088405, Genre: Arts & Photography, Erscheinungsdatum: 14.05.2020, Sprache: Englisch, Herstellungsland und -region: GB, Höhe: 234mm, Länge: 156mm, Gewicht: 680g, Bloomsbury Visual Arts, 2020<

2021, ISBN: 9781350088405

Hardcover

CITIC Publishing Group Co.. Ltd., 2021-04-01. paperback. New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Language:Chinese.Pa… More...

CITIC Publishing Group Co.. Ltd., 2021-04-01. paperback. New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Language:Chinese.Paperback. Pub Date: 2021-04-01 Pages: 160 Publisher: CITIC Publishing Group Co.. Ltd. Xin Haicheng Animation Film Your Name.?New work by background illustrator and Polish artist Urbanowis!?The second best-selling book Tokyo Old Shop in the same series. Tokyo Hand-painted watercolor illustration collection!?The dialogue between the author and Xin Haicheng's creation is specially included.?With unique watercolor techniques and five spatial themes of city tall buildings. wonder... Satisfaction guaranteed,or money back., CITIC Publishing Group Co.. Ltd., 2021-04-01, 6, Hardback. New. Beholding considers the spatially situated encounter between artwork and spectator. It argues that artworks created for specific places or conditions structure a reciprocal encounter, which is completed by the presence of a beholder. These are works which demand the 'beholder's share', but not, as Ernst Gombrich famously claimed, to sustain an illusion. Rather, Beholding reconfigures Gombrich's notion of the beholder's share as a set of 'licensed' imaginative and cognitive projections. Each chapter frames a particular work of art from the remit of a complementary theoretical text. The book establishes a transhistorical notion of the spatially situated encounter, and considers the role of the architectural host in bringing the beholder's orientation into play. The book engages a diverse range of practices: from Renaissance painting and group portraiture to intermedia practices of installation and performance art. Written within the broad remit of reception aesthetics, the book proposes a phenomenological theory of beholding, argued through an in-depth examination of artworks and their spatial contexts, selected for their explanatory potential. These various encounters allocate different constitutive roles to the beholder, bringing not only spatial and temporal orientation into play, but also a repertoire of anticipated ideas and beliefs., 6<

ISBN: 9781350088405

Beholding considers the spatially situated encounter between artwork and spectator. It argues that artworks created for specific places or conditions structure a reciprocal encounter, whi… More...

Beholding considers the spatially situated encounter between artwork and spectator. It argues that artworks created for specific places or conditions structure a reciprocal encounter, which is completed by the presence of a beholder. These are works which demand the 'beholder's share', but not, as Ernst Gombrich famously claimed, to sustain an illusion. Rather, Beholding reconfigures Gombrich's notion of the beholder's share as a set of 'licensed' imaginative and cognitive projections.Each chapter frames a particular work of art from the remit of a complementary theoretical text. The book establishes a transhistorical notion of the spatially situated encounter, and considers the role of the architectural host in bringing the beholder's orientation into play. The book engages a diverse range of practices: from Renaissance painting and group portraiture to intermedia practices of installation and performance art. Written within the broad remit of reception aesthetics, the book proposes a phenomenological theory of beholding, argued through an in-depth examination of artworks and their spatial contexts, selected for their explanatory potential. These various encounters allocate different constitutive roles to the beholder, bringing not only spatial and temporal orientation into play, but also a repertoire of anticipated ideas and beliefs. Trade Books>Hardcover>Art,Design & Photography>Art Crit,Theory>Art Crit,Theory, Bloomsbury Visual Arts Core >2<

ISBN: 9781350088405

Beholding considers the spatially situated encounter between artwork and spectator. It argues that artworks created for specific places or conditions structure a reciprocal encounter, whi… More...

Beholding considers the spatially situated encounter between artwork and spectator. It argues that artworks created for specific places or conditions structure a reciprocal encounter, which is completed by the presence of a beholder. These are works which demand the 'beholder's share', but not, as Ernst Gombrich famously claimed, to sustain an illusion. Rather, Beholding reconfigures Gombrich's notion of the beholder's share as a set of 'licensed' imaginative and cognitive projections.Each chapter frames a particular work of art from the remit of a complementary theoretical text. The book establishes a transhistorical notion of the spatially situated encounter, and considers the role of the architectural host in bringing the beholder's orientation into play. The book engages a diverse range of practices: from Renaissance painting and group portraiture to intermedia practices of installation and performance art. Written within the broad remit of reception aesthetics, the book proposes a phenomenological theory of beholding, argued through an in-depth examination of artworks and their spatial contexts, selected for their explanatory potential. These various encounters allocate different constitutive roles to the beholder, bringing not only spatial and temporal orientation into play, but also a repertoire of anticipated ideas and beliefs. Trade Books>Hardcover>Art,Design & Photography>Art Crit,Theory>Art Crit,Theory, Bloomsbury Academic Core >2<

ISBN: 9781350088405

Hardback. New. Beholding considers the spatially situated encounter between artwork and spectator. It argues that artworks created for specific places or conditions structure a reciproca… More...

Hardback. New. Beholding considers the spatially situated encounter between artwork and spectator. It argues that artworks created for specific places or conditions structure a reciprocal encounter, which is completed by the presence of a beholder. These are works which demand the 'beholder's share', but not, as Ernst Gombrich famously claimed, to sustain an illusion. Rather, Beholding reconfigures Gombrich's notion of the beholder's share as a set of 'licensed' imaginative and cognitive projections. Each chapter frames a particular work of art from the remit of a complementary theoretical text. The book establishes a transhistorical notion of the spatially situated encounter, and considers the role of the architectural host in bringing the beholder's orientation into play. The book engages a diverse range of practices: from Renaissance painting and group portraiture to intermedia practices of installation and performance art. Written within the broad remit of reception aesthetics, the book proposes a phenomenological theory of beholding, argued through an in-depth examination of artworks and their spatial contexts, selected for their explanatory potential. These various encounters allocate different constitutive roles to the beholder, bringing not only spatial and temporal orientation into play, but also a repertoire of anticipated ideas and beliefs., 6<