2004, ISBN: 9781231200773

Paperback, Hardcover

Tucson, Arizona: Firsts Magazine. 2004. First. First edition. Complete set of ten for the year 2004, Volume Fourteen, without July/August as issued. Quartos. Stapled wrappers. Fine. Usefu… More...

Tucson, Arizona: Firsts Magazine. 2004. First. First edition. Complete set of ten for the year 2004, Volume Fourteen, without July/August as issued. Quartos. Stapled wrappers. Fine. Useful to the collector of these authors: John Fowles, C.S. Forester, James Ellroy, Cornell Woolrich, Virginia Woolf, Faulkner, Agatha Christie, Tobias Wolff, Sinclair Lewis, Jack Williamson, Philo Vance, Louisa May Alcott, Brian Jacques, and others. Other topics included in this set are: For the Holidays, Mystery Issue, Fantasy & Science Fiction, The Loeb Classical Library, Egypt in Fact & Fiction, Mint in Wrapper, C.S. Forester: Parts One and Two, and more. ., Firsts Magazine, 2004, Harvard University Press. Hardcover. 0434992399 1980 Reprint - Light shelf-wear ~ We Ship within 24 Hours + FREE Tracking, answer emails fast, accept returns & work hard to deliver 100% customer satisfaction! . New., Harvard University Press, Taylor & Francis Group. U. New., Taylor & Francis Group, Willaim Heinemann Ltd. / Harvard University Press , 1967. Loeb Classical Library #'s 121 & 122. Minimal underlining - light soiling to page edges. Spot from sticker removal on front boards. Dustjackets have esome light edge & corner wear, soiling, small tears - in brodart. A nice set. (bx 116). Hard Cover. Good/Good., Willaim Heinemann Ltd. / Harvard University Press, 1967, New York: Albert Loeb & Krugier Gallery, 1969. 1st Edition . Paper in Folder. Near Fine/Issued Without Jacket. Another of the Krugier Gallery folders, this one with an engraving of his "Entry of Christ into Brussels" on texured paper enclosed in similar paper on which the essay is printed; a separate 16-page portfolio of various works (Scenes from the Life of Christ, Landscapes and Marines, Genre Scenes, Scenes from History, and Deadly Sins), a six-panel foldout of "La Gamme D'Amour"; another four-panel foldout with three engravings; and a ten-page folder listing the complete graphic works, including those reproduced in this portfolio and the rest in the exhibition. All reproduced from plates engraved by Ensor. Fabulous. The enclosures are in Fine condition with perhaps a bit of bumping to some corners; the outer portfolio is toned to theinside, and has light wear to edges and corners and soiling to the white ground., Albert Loeb & Krugier Gallery, 1969, Library of America. Hardcover. New. Hardcover. 900 pages. Dimensions: 8.2in. x 5.9in. x 1.9in.Americans have had an uneasy fascination with crime since the earliest European settlements in the New World, and right from the start true crime writing became a dominant genre in American writing. True Crime: An American Anthology offers the first comprehensive look at the many ways in which American writers have explored crime in a multitude of aspects: the dark motives that spur it, the shock of its impact on society, the effort to make sense of the violent extremes of human behavior. Here is the full spectrum of the true crime genre, including accounts of some of the most notorious criminal cases in American history: the Helen Jewett murder and the once-notorious Kentucky tragedy of the 1830s, the assassination of President Garfield, the Snyder- Gray murder that inspired Double Indemnity, the Lindbergh kidnapping, the Black Dahlia, Leopold and Loeb, and the Manson family. True Crime draws upon the writing of literary figures as diverse as Nathaniel Hawthorne (reporting on a visit to a waxworks exhibit of notorious crimes), Ambrose Bierce, Mark Twain, Theodore Dreiser (offering his views on a 1934 murder that some saw as a copycat version of An American Tragedy), James Thurber, Joseph Mitchell, and Truman Capote and sources as varied as execution sermons, murder ballads, early broadsides and trial reports, and tabloid journalism of many different eras. It also features the influential true crime writing of best-selling contemporary practitioners like James Ellroy, Gay Talese, Dominick Dunne, and Ann Rule. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN., Library of America, RareBooksClub. Paperback. New. This item is printed on demand. Paperback. 296 pages. Dimensions: 9.7in. x 7.4in. x 0.6in.This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1919 Excerpt: . . . New York City, was incorporated in 1900 by the board of regents of the University of the State of New York for the purpose of amalgamating the several educational interests of the Metropolitan College of Music (1891), the Metropolitan Conservatory of Music (1886), the Synthetic Piano School (1887), and the American Institute of Normal Methods. The institute has a strong faculty and offers practical and theoretical courses leading to the degrees of Bachelor and Doctor of Music. The Institute of Musical Art of New York, 120 Claremont Ave. , New York City, Frank Damrosch, Director, was founded and liberally endowed in 1905 by James Loeb, which has made it possible to conduct it free from commercial motive. The object of its establishment was to give serious and talented music students a thorough, all-round musical education at moderate cost. Students who follow the prescribed courses of study share in the endowment. Franz Kneisel, of the celebrated Kneisel Quartet, is at the head of the department of stringed instruments, and Percy Goetschius, whose works on harmony and counterpoint are of international celebrity and use, is at the head of the department of theory. The David Mannes Music School, 154 E. 70th St. , New York City, under the direction of Mr. and Mrs. David Mannes, offers instruction in vocal and instrumental music, and a special teachers course. All courses include theory and ensemble. The Elinor Comstock School of Music, 41 E. 80th St. , New York City, was opened in 1914. Miss Comstock, a pupil of Leschetizky, has for eighteen years been a teacher of music in New York. The members of her school have opportunities for carrying on academic as well as musical study. The von Ende School of Music, 44 W. 85th St. , New York City, founded in 1910 and direc. . . This item ships from La Vergne,TN., RareBooksClub<

1980, ISBN: 9781231200773

Paperback, Hardcover

Harvard University Press. Hardcover. 0434992399 1980 Reprint - Light shelf-wear ~ We Ship within 24 Hours + FREE Tracking, answer emails fast, accept returns & work hard to deliver 1… More...

Harvard University Press. Hardcover. 0434992399 1980 Reprint - Light shelf-wear ~ We Ship within 24 Hours + FREE Tracking, answer emails fast, accept returns & work hard to deliver 100% customer satisfaction! . New., Harvard University Press, Taylor & Francis Group. U. New., Taylor & Francis Group, Willaim Heinemann Ltd. / Harvard University Press , 1967. Loeb Classical Library #'s 121 & 122. Minimal underlining - light soiling to page edges. Spot from sticker removal on front boards. Dustjackets have esome light edge & corner wear, soiling, small tears - in brodart. A nice set. (bx 116). Hard Cover. Good/Good., Willaim Heinemann Ltd. / Harvard University Press, 1967, New York: Albert Loeb & Krugier Gallery, 1969. 1st Edition . Paper in Folder. Near Fine/Issued Without Jacket. Another of the Krugier Gallery folders, this one with an engraving of his "Entry of Christ into Brussels" on texured paper enclosed in similar paper on which the essay is printed; a separate 16-page portfolio of various works (Scenes from the Life of Christ, Landscapes and Marines, Genre Scenes, Scenes from History, and Deadly Sins), a six-panel foldout of "La Gamme D'Amour"; another four-panel foldout with three engravings; and a ten-page folder listing the complete graphic works, including those reproduced in this portfolio and the rest in the exhibition. All reproduced from plates engraved by Ensor. Fabulous. The enclosures are in Fine condition with perhaps a bit of bumping to some corners; the outer portfolio is toned to theinside, and has light wear to edges and corners and soiling to the white ground., Albert Loeb & Krugier Gallery, 1969, Library of America. Hardcover. New. Hardcover. 900 pages. Dimensions: 8.2in. x 5.9in. x 1.9in.Americans have had an uneasy fascination with crime since the earliest European settlements in the New World, and right from the start true crime writing became a dominant genre in American writing. True Crime: An American Anthology offers the first comprehensive look at the many ways in which American writers have explored crime in a multitude of aspects: the dark motives that spur it, the shock of its impact on society, the effort to make sense of the violent extremes of human behavior. Here is the full spectrum of the true crime genre, including accounts of some of the most notorious criminal cases in American history: the Helen Jewett murder and the once-notorious Kentucky tragedy of the 1830s, the assassination of President Garfield, the Snyder- Gray murder that inspired Double Indemnity, the Lindbergh kidnapping, the Black Dahlia, Leopold and Loeb, and the Manson family. True Crime draws upon the writing of literary figures as diverse as Nathaniel Hawthorne (reporting on a visit to a waxworks exhibit of notorious crimes), Ambrose Bierce, Mark Twain, Theodore Dreiser (offering his views on a 1934 murder that some saw as a copycat version of An American Tragedy), James Thurber, Joseph Mitchell, and Truman Capote and sources as varied as execution sermons, murder ballads, early broadsides and trial reports, and tabloid journalism of many different eras. It also features the influential true crime writing of best-selling contemporary practitioners like James Ellroy, Gay Talese, Dominick Dunne, and Ann Rule. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN., Library of America, RareBooksClub. Paperback. New. This item is printed on demand. Paperback. 296 pages. Dimensions: 9.7in. x 7.4in. x 0.6in.This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1919 Excerpt: . . . New York City, was incorporated in 1900 by the board of regents of the University of the State of New York for the purpose of amalgamating the several educational interests of the Metropolitan College of Music (1891), the Metropolitan Conservatory of Music (1886), the Synthetic Piano School (1887), and the American Institute of Normal Methods. The institute has a strong faculty and offers practical and theoretical courses leading to the degrees of Bachelor and Doctor of Music. The Institute of Musical Art of New York, 120 Claremont Ave. , New York City, Frank Damrosch, Director, was founded and liberally endowed in 1905 by James Loeb, which has made it possible to conduct it free from commercial motive. The object of its establishment was to give serious and talented music students a thorough, all-round musical education at moderate cost. Students who follow the prescribed courses of study share in the endowment. Franz Kneisel, of the celebrated Kneisel Quartet, is at the head of the department of stringed instruments, and Percy Goetschius, whose works on harmony and counterpoint are of international celebrity and use, is at the head of the department of theory. The David Mannes Music School, 154 E. 70th St. , New York City, under the direction of Mr. and Mrs. David Mannes, offers instruction in vocal and instrumental music, and a special teachers course. All courses include theory and ensemble. The Elinor Comstock School of Music, 41 E. 80th St. , New York City, was opened in 1914. Miss Comstock, a pupil of Leschetizky, has for eighteen years been a teacher of music in New York. The members of her school have opportunities for carrying on academic as well as musical study. The von Ende School of Music, 44 W. 85th St. , New York City, founded in 1910 and direc. . . This item ships from La Vergne,TN., RareBooksClub<

ISBN: 9781231200773

RareBooksClub. Paperback. New. This item is printed on demand. Paperback. 296 pages. Dimensions: 9.7in. x 7.4in. x 0.6in.This historic book may have numerous typos and missing text. Pur… More...

RareBooksClub. Paperback. New. This item is printed on demand. Paperback. 296 pages. Dimensions: 9.7in. x 7.4in. x 0.6in.This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1919 Excerpt: . . . New York City, was incorporated in 1900 by the board of regents of the University of the State of New York for the purpose of amalgamating the several educational interests of the Metropolitan College of Music (1891), the Metropolitan Conservatory of Music (1886), the Synthetic Piano School (1887), and the American Institute of Normal Methods. The institute has a strong faculty and offers practical and theoretical courses leading to the degrees of Bachelor and Doctor of Music. The Institute of Musical Art of New York, 120 Claremont Ave. , New York City, Frank Damrosch, Director, was founded and liberally endowed in 1905 by James Loeb, which has made it possible to conduct it free from commercial motive. The object of its establishment was to give serious and talented music students a thorough, all-round musical education at moderate cost. Students who follow the prescribed courses of study share in the endowment. Franz Kneisel, of the celebrated Kneisel Quartet, is at the head of the department of stringed instruments, and Percy Goetschius, whose works on harmony and counterpoint are of international celebrity and use, is at the head of the department of theory. The David Mannes Music School, 154 E. 70th St. , New York City, under the direction of Mr. and Mrs. David Mannes, offers instruction in vocal and instrumental music, and a special teachers course. All courses include theory and ensemble. The Elinor Comstock School of Music, 41 E. 80th St. , New York City, was opened in 1914. Miss Comstock, a pupil of Leschetizky, has for eighteen years been a teacher of music in New York. The members of her school have opportunities for carrying on academic as well as musical study. The von Ende School of Music, 44 W. 85th St. , New York City, founded in 1910 and direc. . . This item ships from La Vergne,TN., RareBooksClub<