ISBN: 1230733795

Paperback, [EAN: 9781230733791], TheClassics.us, TheClassics.us, Book, [PU: TheClassics.us], TheClassics.us, This historic book may have numerous typos and missing text. Purchasers can us… More...

Paperback, [EAN: 9781230733791], TheClassics.us, TheClassics.us, Book, [PU: TheClassics.us], TheClassics.us, This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1920 edition. Excerpt: ...disturb the peace of the earth. The statue now facing us is tall in height, and with a slight hip-swing the pose is fine. The armor and other decorative appendices are carved in relief and most exquisitely finished. Such works of art have never been produced after early Heian period. The Japanese author of this must have directly learned the art from the T'ang masters. The Twelve Gods, in twelve kakemono (Fig. 87). These were originally deities of Brahmanism who were supposed to be governing the world. They were adopted by the Shingon Buddhists. Necessitated by the spirits of the-time, however, they were later converted into the handsome forms as we see them now before us. The pose is tender and graceful, and moreover all the figures are elaborately colored, garments are designed with Hrikane in various forms, and they all sit on most beautifully colored cushions. We see here the height of delicate workmanship as samples of refined Fujiwara art. According to the old records, they were probably produced in 1127 (cir.). The Five Myowo, in five kakemono. These were produced synchronously as those twelve gods just mentioned, and are to be appreciated from the same standpoint. But the artist belongs to a different school, and the colorings were so thick and heavy as to make them considerably come off with time. As all those gods belong to the class called "Gods of Wrath," they are naturally not supposed to be so tender and graceful as the Twelve Gods just mentioned, but the profuse application of gorgeous colors shows where lies the artistic taste of the Fujiwara p3riod. The Five Kokuzo, wood, in Kivanchi-in, (Fig. 88). Those Shingon Fathers who went to China brought back many Buddhist sufcras, pictures, and sculptures, but most of..., 1000, Subjects, 1, Arts & Photography, 2, Biographies & Memoirs, 3, Business & Money, 3248857011, Calendars, 4, Children's Books, 12290, Christian Books & Bibles, 4366, Comics & Graphic Novels, 5, Computers & Technology, 6, Cookbooks, Food & Wine, 48, Crafts, Hobbies & Home, 8975347011, Education & Teaching, 173507, Engineering & Transportation, 301889, Gay & Lesbian, 10, Health, Fitness & Dieting, 9, History, 86, Humor & Entertainment, 10777, Law, 17, Literature & Fiction, 173514, Medical Books, 18, Mystery, Thriller & Suspense, 20, Parenting & Relationships, 3377866011, Politics & Social Sciences, 21, Reference, 22, Religion & Spirituality, 23, Romance, 75, Science & Math, 25, Science Fiction & Fantasy, 4736, Self-Help, 26, Sports & Outdoors, 28, Teen & Young Adult, 27, Travel, 283155, Books<

ISBN: 1230733795

[EAN: 9781230733791], Neubuch, [PU: TheClassics.us], JAPAN MONBUSH SH KY KYOKU,SUBJECTS, This item is printed on demand. Paperback. 50 pages. Dimensions: 9.7in. x 7.4in. x 0.1in.This hist… More...

[EAN: 9781230733791], Neubuch, [PU: TheClassics.us], JAPAN MONBUSH SH KY KYOKU,SUBJECTS, This item is printed on demand. Paperback. 50 pages. Dimensions: 9.7in. x 7.4in. x 0.1in.This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1920 edition. Excerpt: . . . disturb the peace of the earth. The statue now facing us is tall in height, and with a slight hip-swing the pose is fine. The armor and other decorative appendices are carved in relief and most exquisitely finished. Such works of art have never been produced after early Heian period. The Japanese author of this must have directly learned the art from the Tang masters. The Twelve Gods, in twelve kakemono (Fig. 87). These were originally deities of Brahmanism who were supposed to be governing the world. They were adopted by the Shingon Buddhists. Necessitated by the spirits of the-time, however, they were later converted into the handsome forms as we see them now before us. The pose is tender and graceful, and moreover all the figures are elaborately colored, garments are designed with Hrikane in various forms, and they all sit on most beautifully colored cushions. We see here the height of delicate workmanship as samples of refined Fujiwara art. According to the old records, they were probably produced in 1127 (cir. ). The Five Myowo, in five kakemono. These were produced synchronously as those twelve gods just mentioned, and are to be appreciated from the same standpoint. But the artist belongs to a different school, and the colorings were so thick and heavy as to make them considerably come off with time. As all those gods belong to the class called Gods of Wrath, they are naturally not supposed to be so tender and graceful as the Twelve Gods just mentioned, but the profuse application of gorgeous colors shows where lies the artistic taste of the Fujiwara p3riod. The Five Kokuzo, wood, in Kivanchi-in, (Fig. 88). Those Shingon Fathers who went to China brought back many Buddhist sufcras, pictures, and sculptures, but most of. . . This item ships from La Vergne,TN.<

ISBN: 9781230733791

Paperback, [PU: Theclassics.Us], This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from… More...

Paperback, [PU: Theclassics.Us], This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1920 edition. Excerpt: ...disturb the peace of the earth. The statue now facing us is tall in height, and with a slight hip-swing the pose is fine. The armor and other decorative appendices are carved in relief and most exquisitely finished. Such works of art have never been produced after early Heian period. The Japanese author of this must have directly learned the art from the T'ang masters. The Twelve Gods, in twelve kakemono (Fig. 87). These were originally deities of Brahmanism who were supposed to be governing the world. They were adopted by the Shingon Buddhists. Necessitated by the spirits of the-time, however, they were later converted into the handsome forms as we see them now before us. The pose is tender and graceful, and moreover all the figures are elaborately colored, garments are designed with Hrikane in various forms, and they all sit on most beautifully colored cushions. We see here the height of delicate workmanship as samples of refined Fujiwara art. According to the old records, they were probably produced in 1127 (cir.). The Five Myowo, in five kakemono. These were produced synchronously as those twelve gods just mentioned, and are to be appreciated from the same standpoint. But the artist belongs to a different school, and the colorings were so thick and heavy as to make them considerably come off with time. As all those gods belong to the class called "Gods of Wrath," they are naturally not supposed to be so tender and graceful as the Twelve Gods just mentioned, but the profuse application of gorgeous colors shows where lies the artistic taste of the Fujiwara p3riod. The Five Kokuzo, wood, in Kivanchi-in, (Fig. 88). Those Shingon Fathers who went to China brought back many Buddhist sufcras, pictures, and sculptures, but most of...<

ISBN: 9781230733791

Paperback, [PU: Theclassics.Us]