2013, ISBN: 1230360441

[EAN: 9781230360447], Neubuch, [PU: Theclassics.Us, United States], Language: English . Brand New Book ***** Print on Demand *****. This historic book may have numerous typos and missing … More...

[EAN: 9781230360447], Neubuch, [PU: Theclassics.Us, United States], Language: English . Brand New Book ***** Print on Demand *****. This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 edition. Excerpt: . CHAPTER IX. THE PINACOTECA Until after the peace of Tolentirto there was no real picture-gallery in the Vatican. When the treasures Napoleon had filched during his years of triumph were once more returned to the papal states, Pius VII. retained in Rome many of the paintings that before their pilgrimage to France had belonged to various churches and monasteries in Italy. The collection, compared with most of the picture-galleries of Europe, is small, and with a very few exceptions of minor importance. Among the exceptions, however, are some masterpieces of the Italian Renaissance, one of them the work that for generations has been called the greatest picture in the world. Raphael s Transfiguration occupies, with his Madonna di Foligno and the St. Jerome of Domenichino, one of the four rooms of the Pinacoteca. The very last work achieved by the genius of Urbino, there is still doubt as to whether the Transfiguration was actually finished when Raphael died. Vasari states decidedly that it was, and that it was placed at the head of the painter s bier. At all events it is absolutely sure that Giulio Romano is responsible for parts of the picture. It is known that Raphael intended to paint this composition without any assistance. If he adhered to his determination, then Giulio merely finished what his master left incomplete. It is probable, however, that even in this case the young Urbinate found himself so pressed for time that he was obliged to fall back on his right-hand man, as Giulio had long since become. The subject of the picture was given to Raphael by the Cardinal de Medici, for whom it was painted. Critics who have found fault with its double perspective, its two halves, etc., have apparently forgotten this fact. He was obliged to.<

2013, ISBN: 1230360441

[EAN: 9781230360447], Neubuch, [PU: Theclassics.Us, United States], Language: English . Brand New Book ***** Print on Demand *****.This historic book may have numerous typos and missing t… More...

[EAN: 9781230360447], Neubuch, [PU: Theclassics.Us, United States], Language: English . Brand New Book ***** Print on Demand *****.This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 edition. Excerpt: . CHAPTER IX. THE PINACOTECA Until after the peace of Tolentirto there was no real picture-gallery in the Vatican. When the treasures Napoleon had filched during his years of triumph were once more returned to the papal states, Pius VII. retained in Rome many of the paintings that before their pilgrimage to France had belonged to various churches and monasteries in Italy. The collection, compared with most of the picture-galleries of Europe, is small, and with a very few exceptions of minor importance. Among the exceptions, however, are some masterpieces of the Italian Renaissance, one of them the work that for generations has been called the greatest picture in the world. Raphael s Transfiguration occupies, with his Madonna di Foligno and the St. Jerome of Domenichino, one of the four rooms of the Pinacoteca. The very last work achieved by the genius of Urbino, there is still doubt as to whether the Transfiguration was actually finished when Raphael died. Vasari states decidedly that it was, and that it was placed at the head of the painter s bier. At all events it is absolutely sure that Giulio Romano is responsible for parts of the picture. It is known that Raphael intended to paint this composition without any assistance. If he adhered to his determination, then Giulio merely finished what his master left incomplete. It is probable, however, that even in this case the young Urbinate found himself so pressed for time that he was obliged to fall back on his right-hand man, as Giulio had long since become. The subject of the picture was given to Raphael by the Cardinal de Medici, for whom it was painted. Critics who have found fault with its double perspective, its two halves, etc., have apparently forgotten this fact. He was obliged to.<

2013, ISBN: 1230360441

[EAN: 9781230360447], Neubuch, [PU: Theclassics.Us, United States], Language: English Brand New Book ***** Print on Demand *****.This historic book may have numerous typos and missing tex… More...

[EAN: 9781230360447], Neubuch, [PU: Theclassics.Us, United States], Language: English Brand New Book ***** Print on Demand *****.This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 edition. Excerpt: . CHAPTER IX. THE PINACOTECA Until after the peace of Tolentirto there was no real picture-gallery in the Vatican. When the treasures Napoleon had filched during his years of triumph were once more returned to the papal states, Pius VII. retained in Rome many of the paintings that before their pilgrimage to France had belonged to various churches and monasteries in Italy. The collection, compared with most of the picture-galleries of Europe, is small, and with a very few exceptions of minor importance. Among the exceptions, however, are some masterpieces of the Italian Renaissance, one of them the work that for generations has been called the greatest picture in the world. Raphael s Transfiguration occupies, with his Madonna di Foligno and the St. Jerome of Domenichino, one of the four rooms of the Pinacoteca. The very last work achieved by the genius of Urbino, there is still doubt as to whether the Transfiguration was actually finished when Raphael died. Vasari states decidedly that it was, and that it was placed at the head of the painter s bier. At all events it is absolutely sure that Giulio Romano is responsible for parts of the picture. It is known that Raphael intended to paint this composition without any assistance. If he adhered to his determination, then Giulio merely finished what his master left incomplete. It is probable, however, that even in this case the young Urbinate found himself so pressed for time that he was obliged to fall back on his right-hand man, as Giulio had long since become. The subject of the picture was given to Raphael by the Cardinal de Medici, for whom it was painted. Critics who have found fault with its double perspective, its two halves, etc., have apparently forgotten this fact. He was obliged to.<

ISBN: 9781230360447

Mary Knight Potter, Paperback, English-language edition, Pub by General Books LLC Books, , The-art-of-the-Vatican-bring-a-brief-history-of-the-palace-and-an-account-of-the-principal-art-t… More...

Mary Knight Potter, Paperback, English-language edition, Pub by General Books LLC Books, , The-art-of-the-Vatican-bring-a-brief-history-of-the-palace-and-an-account-of-the-principal-art-treasures-within-its-walls~~Mary-Knight-Potter, , , , , , , , , , General Books LLC<

2013, ISBN: 9781230360447

Theclassics.Us, Taschenbuch, Publiziert: 2013-09-12T00:00:01Z, Produktgruppe: Buch, Hersteller-Nr.: black & white illustrations, 0.27 kg, Kategorien, Bücher, Theclassics.Us, 2013