ISBN: 9781138356818

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The Nile on eBay   Dealing with the Visual by Edward Winters, Caroline van Eck Can paintings, buildings or installations be 'read' in the way texts are read or deciphered, or do works of visual art ask for their own kind of appreciation? In this anthology, this question is approached from the angles of three disciplines: aesthetics, visual culture and art history. FORMATPaperback CONDITIONBrand New Publisher Description One of the issues underlying current debates between practitioners of art history, visual culture and aesthetics is whether the visual is a unique, irreducible category, or whether it can be assimilated with the textual or verbal without any significant loss. Can paintings, buildings or installations be 'read' in the way texts are read or deciphered, or do works of visual art ask for their own kind of appreciation? This is not only a question of choosing the right method in dealing with visual works of art, but also an issue that touches on the roots of the disciplines involved: can a case be made for the visual as an irreducible category of art, and if so, how is it best studied and appreciated? In this anthology, this question is approached from the angles of three disciplines: aesthetics, visual culture and art history. Unlike many existing overviews of visual culture studies, it includes both painting and architecture, and investigates historical ways of defining and appreciating the visual in their own, contemporary terms. Dealing with the Visual will be of great use to advanced students because it offers an overview of current debates, and to graduate students and professionals in the field because the essays offer in-depth investigations of the methodological issues involved and various historical ways of defining visuality. The topics included range from early modern ways of viewing pictures and sixteenth-century views of Palladio's villas in their landscape settings to contemporary debate about whether there is life yet in painting. Author Biography Dr. Caroline van Eck, University of Ghent, Belgium and Edward Winters, West Dean College, UK. Table of Contents Contents: Introduction, Caroline van Eck and Edward Winters; Part I The experience of the visual in Art History, Aesthetics and Visual Culture: Visual culture and the history of art, David Peters Corbett; Space without hiding places: Merleau-Ponty's remarks on linear perspective, Ren van de Vall; Aesthetics and visual culture: looking at Andrew Pankhurst's Night Painting, Edward Winters; Ought painting be allowed to die?, Derek Matravers; Part II Elucidating the Visual: Marcus Gheeraerdts Captain Thomas Lee, Lucy Gent; Painting and visuality in Van Dyck's Self-portrait with a Sunflower, John Peacock; Sacred contagion: secular jewellery and votive transvaluation at the Santa Casa, Loreto, 1720-1820, Marcia Pointon; Villas and vision: looking at Palladio's villas from the road, Lex Hermans; Staged experiences: the church designs of Nicholas Hawksmoor, Sophie Ploeg; The unreliable eye: the decline of vision as a reliable source of knowledge in Dutch architectural theory of the nineteenth century, Petra Brouwer; Mies van der Rohe - drawing in space, Victoria Watson; Shadow, shading and outline in architectural engraving from Fr t to Letarouilly, Nicholas Savage; Bibliography; Index. Details ISBN1138356816 Author Caroline van Eck Pages 320 Publisher Taylor & Francis Ltd Year 2022 ISBN-10 1138356816 ISBN-13 9781138356818 Publication Date 2022-02-28 UK Release Date 2022-02-28 Format Paperback Imprint Routledge Place of Publication London Country of Publication United Kingdom AU Release Date 2022-02-28 NZ Release Date 2022-02-28 Subtitle Art History, Aesthetics and Visual Culture Alternative 9780815388449 DEWEY 701.17 Audience Professional & Vocational We've got thisAt The Nile, if you're looking for it, we've got it.With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:135653157; , Festpreisangebot, [LT: FixedPrice], Format: Paperback, ISBN-13: 9781138356818, Book Title: Dealing with the Visual<

2022, ISBN: 1138356816

Titel: Dealing with the Visual | Zusatz: Art History, Aesthetics and Visual Culture | Medium: Taschenbuch | Autor: Caroline van Eck (u. a.) | Einband: Kartoniert / Broschiert | Sprache: E… More...

Titel: Dealing with the Visual | Zusatz: Art History, Aesthetics and Visual Culture | Medium: Taschenbuch | Autor: Caroline van Eck (u. a.) | Einband: Kartoniert / Broschiert | Sprache: Englisch | Seiten: 322 | Maße: 234 x 156 x 17 mm | Erschienen: 28.02.2022 | Anbieter: Faboplay. Dealing with the Visual Art History, Aesthetics and Visual CultureTaschenbuch von Caroline van Eck (u. a.) Details Autor: Caroline van Eck und Edward WintersEAN: 9781138356818Einband: Kartoniert / BroschiertSprache: EnglischSeiten: 322Maße: 234 x 156 x 17 mmErschienen: 28.02.2022Schlagworte: Kunst / Kunst: allgemeine Themen / ART / General Beschreibung One of the issues underlying current debates between practitioners of art history, visual culture and aesthetics is whether the visual is a unique, irreducible category, or whether it can be assimilated with the textual or verbal without any significant loss. Can paintings, buildings or installations be 'read' in the way texts are read or deciphered, or do works of visual art ask for their own kind of appreciation? This is not only a question of choosing the right method in dealing with visual works of art, but also an issue that touches on the roots of the disciplines involved: can a case be made for the visual as an irreducible category of art, and if so, how is it best studied and appreciated? In this anthology, this question is approached from the angles of three disciplines: aesthetics, visual culture and art history. Unlike many existing overviews of visual culture studies, it inclu*es both painting and architecture, and investigates historical ways of defining and appreciating the visual in their own, contemporary terms. Dealing with the Visual will be of great use to advanced students because it offers an overview of current debates, and to graduate students and professionals in the field because the essays offer in-depth investigations of the methodological issues involved and various historical ways of defining visuality. The topics inclu*ed range from early modern ways of viewing pictures and sixteenth-century views of Palladio's villas in their landscape settings to contemporary debate about whether there is life yet in painting. Kurzbeschreibung Titel: Dealing with the Visual | Zusatz: Art History, Aesthetics and Visual Culture | Medium: Taschenbuch | Autor: Caroline van Eck (u. a.) | Einband: Kartoniert / Broschiert | Sprache: Englisch | Seiten: 322 | Maße: 234 x 156 x 17 mm | Erschienen: 28.02.2022 | Anbieter: Faboplay Das erwartet Sie bei Faboplay Schnelle & professionelle Abwicklung Kompetenter & unkomplizierter Service Rechnung bequem per Email Versand per Deutsche Post oder DHL Interne Faboplay Artikelnummer: 121-378-082 , von Profianbieter, Neu, Festpreisangebot, [LT: FixedPrice], Buchtitel: Dealing with the Visual, Anzahl der Seiten: 322, Marke: Routledge, Hersteller: Routledge, Format: Taschenbuch, Genre: Importe, Titelzusatz: Art History, Aesthetics and Visual Culture, Schlagworte: Kunst, Kunst: allgemeine Themen, ART, General, Herstellungsland und -region: Deutschland, Routledge, 2022<

2022, ISBN: 1138356816

[EAN: 9781138356818], New book, [PU: Taylor & Francis Ltd, London], Paperback. One of the issues underlying current debates between practitioners of art history, visual culture and aesthe… More...

[EAN: 9781138356818], New book, [PU: Taylor & Francis Ltd, London], Paperback. One of the issues underlying current debates between practitioners of art history, visual culture and aesthetics is whether the visual is a unique, irreducible category, or whether it can be assimilated with the textual or verbal without any significant loss. Can paintings, buildings or installations be 'read' in the way texts are read or deciphered, or do works of visual art ask for their own kind of appreciation? This is not only a question of choosing the right method in dealing with visual works of art, but also an issue that touches on the roots of the disciplines involved: can a case be made for the visual as an irreducible category of art, and if so, how is it best studied and appreciated? In this anthology, this question is approached from the angles of three disciplines: aesthetics, visual culture and art history. Unlike many existing overviews of visual culture studies, it includes both painting and architecture, and investigates historical ways of defining and appreciating the visual in their own, contemporary terms. Dealing with the Visual will be of great use to advanced students because it offers an overview of current debates, and to graduate students and professionals in the field because the essays offer in-depth investigations of the methodological issues involved and various historical ways of defining visuality. The topics included range from early modern ways of viewing pictures and sixteenth-century views of Palladio's villas in their landscape settings to contemporary debate about whether there is life yet in painting. Can paintings, buildings or installations be 'read' in the way texts are read or deciphered, or do works of visual art ask for their own kind of appreciation? In this anthology, this question is approached from the angles of three disciplines: aesthetics, visual culture and art history. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability., Books<

ISBN: 9781138356818

One of the issues underlying current debates between practitioners of art history, visual culture and aesthetics is whether the visual is a unique, irreducible category, or whether it can… More...

One of the issues underlying current debates between practitioners of art history, visual culture and aesthetics is whether the visual is a unique, irreducible category, or whether it can be assimilated with the textual or verbal without any significant loss. Can paintings, buildings or installations be 'read' in the way texts are read or deciphered, or do works of visual art ask for their own kind of appreciation? This is not only a question of choosing the right method in dealing with visual works of art, but also an issue that touches on the roots of the disciplines involved: can a case be made for the visual as an irreducible category of art, and if so, how is it best studied and appreciated? In this anthology, this question is approached from the angles of three disciplines: aesthetics, visual culture and art history. Unlike many existing overviews of visual culture studies, it includes both painting and architecture, and investigates historical ways of defining and appreciating the visual in their own, contemporary terms. Dealing with the Visual will be of great use to advanced students because it offers an overview of current debates, and to graduate students and professionals in the field because the essays offer in-depth investigations of the methodological issues involved and various historical ways of defining visuality. The topics included range from early modern ways of viewing pictures and sixteenth-century views of Palladio's villas in their landscape settings to contemporary debate about whether there is life yet in painting. von Profianbieter, Neu, Festpreisangebot, [LT: FixedPrice], EAN: 9781138356818, UPC: 9781138356818, Format: Paperback, 320 pages, Breite: 15.5 cm, Gewicht: 0.45 kg, Höhe: 1.8 cm, Länge: 23.4 cm, Sprache: Eng<

ISBN: 9781138356818

One of the issues underlying current debates between practitioners of art history, visual culture and aesthetics is whether the visual is a unique, irreducible category, or whether it can… More...

One of the issues underlying current debates between practitioners of art history, visual culture and aesthetics is whether the visual is a unique, irreducible category, or whether it can be assimilated with the textual or verbal without any significant loss. Can paintings, buildings or installations be 'read' in the way texts are read or deciphered, or do works of visual art ask for their own kind of appreciation? This is not only a question of choosing the right method in dealing with visual works of art, but also an issue that touches on the roots of the disciplines involved: can a case be made for the visual as an irreducible category of art, and if so, how is it best studied and appreciated? In this anthology, this question is approached from the angles of three disciplines: aesthetics, visual culture and art history. Unlike many existing overviews of visual culture studies, it includes both painting and architecture, and investigates historical ways of defining and appreciating the visual in their own, contemporary terms. Dealing with the Visual will be of great use to advanced students because it offers an overview of current debates, and to graduate students and professionals in the field because the essays offer in-depth investigations of the methodological issues involved and various historical ways of defining visuality. The topics included range from early modern ways of viewing pictures and sixteenth-century views of Palladio's villas in their landscape settings to contemporary debate about whether there is life yet in painting. Trade Books>Trade Paperback>Art,Design & Photography>Art>Surveys, Taylor & Francis Core >1<