2007, ISBN: 9780847829934

Brussel Mercatorfonds 2006. hardcover met stofomslag, 256 pp, 28x24 cm., 250 illustraties in kleur, ISBN 9789061536895. De kust heeft altijd een sterke aantrekkingskracht uitgeoefend op… More...

Brussel Mercatorfonds 2006. hardcover met stofomslag, 256 pp, 28x24 cm., 250 illustraties in kleur, ISBN 9789061536895. De kust heeft altijd een sterke aantrekkingskracht uitgeoefend op de kunstenaars. Heel wat avant-gardes hebben dan ook een vertrekpunt, zoniet een aanwezigheid gehad aan de Vlaamse kust. De tentoonstelling in het PMMK, het Museum voor Moderne Kunst - aan - Zee, te Oostende de Ensorstad - wil vooral dat aspect beklemtonen.Middelpunt van de tentoonstelling is James Ensor, die een belangrijke bijdrage leverde tot de avant-garde van de kunst in eigen land en tevens daarbuiten.Een uitgelezen selectie topwerken van James Ensor wordt omringd met zo'n honderdvijftig werken van kunstenaars die een leidende rol hebben gespeeld in de evolutie van de kunstgeschiedenis, van realisme tot surrealisme over symbolisme en expressionisme naar Cobra.De afgebeelde werken onder meer van Leon Spilliaert, Constant Permeke, Paul Delvaux, Rene Magritte, Auguste Daumier, Edvard Munch, Vincent Van Gogh, Giorgio De Chirico, Salvador Dali, Asger Jorn, Pierre Alechinsky en Max Ernst zijn van hoogstaande kwaliteit en komen uit belangrijke openbare en privecollecties uit de hele wereld., Brussel Mercatorfonds 2006, 0, New York Rizzoli 2007. Hardcover with orig. dustjacket, 383pp., 22.5x28.5cm., richly illustr. in col., as new. ISBN 9780847829934. This important, groundbreaking publication contains the illustrated letters between two great modern artists?Vincent van Gogh and Emile Bernard. The original letters were previously in private hands and have not been seen for approximately seventy years. Here they are published in association with the Van Gogh Museum in Amsterdam and an exhibit at The Morgan Library and Museum in New York. In addition to the letters, the book also includes paintings, photographs, and drawings by both artists, as well as works by artists of the period, such as Paul Gauguin and Jean-Francois Millet. These letters, written between 1887 and 1889, are among the most important and relevant sources of insight into van Gogh?s life and art. They bridge the time when van Gogh was living and working in Paris, where he painted most of his self-portraits (mainly because he was unable to afford models), to the small town of Arles, in Provence. Here he adopted new types of compositions and developed new ideas about color?all of which he describes in detail in letters to his friend and fellow painter Bernard. Only a year later, in July 1890, van Gogh died, at the age of thirty-seven. The authors have carefully placed each letter in context of relevant events and have written authoritative commentaries on the content of the letters., New York Rizzoli 2007, 0<

2007, ISBN: 9780847829934

[SC: 12.5], [PU: New York Rizzoli 2007], KUNST ART PEINTRE PAINTINGS PAINTER SCHILDERKUNST NEDERLAND BIOGRAFIE BIOGRAPHY BRIEFWISSELING BRIEVEN CORRESPONDENTIE, Jacket, Hardcover with ori… More...

[SC: 12.5], [PU: New York Rizzoli 2007], KUNST ART PEINTRE PAINTINGS PAINTER SCHILDERKUNST NEDERLAND BIOGRAFIE BIOGRAPHY BRIEFWISSELING BRIEVEN CORRESPONDENTIE, Jacket, Hardcover with orig. dustjacket, 383pp., 22.5x28.5cm., richly illustr. in col., as new. ISBN 9780847829934. This important, groundbreaking publication contains the illustrated letters between two great modern artists?Vincent van Gogh and Emile Bernard. The original letters were previously in private hands and have not been seen for approximately seventy years. Here they are published in association with the Van Gogh Museum in Amsterdam and an exhibit at The Morgan Library and Museum in New York. In addition to the letters, the book also includes paintings, photographs, and drawings by both artists, as well as works by artists of the period, such as Paul Gauguin and Jean-Francois Millet. These letters, written between 1887 and 1889, are among the most important and relevant sources of insight into van Gogh?s life and art. They bridge the time when van Gogh was living and working in Paris, where he painted most of his self-portraits (mainly because he was unable to afford models), to the small town of Arles, in Provence. Here he adopted new types of compositions and developed new ideas about color?all of which he describes in detail in letters to his friend and fellow painter Bernard. Only a year later, in July 1890, van Gogh died, at the age of thirty-seven. The authors have carefully placed each letter in context of relevant events and have written authoritative commentaries on the content of the letters. 0 g.<