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Remington and Russell - Fisher, Leonard Everett
book is out-of-stock
(*)
Fisher, Leonard Everett:
Remington and Russell - Paperback

2008, ISBN: 9780831773755

Hardcover, ID: 340088806

New York, NY: Associated American Artists. Good copy paper ex. cat. price list laid in 28 pp, 166 works listed, illustrated in B/W . Good. Paper. 1984., Associated American Artists, 1984, New York: National Art Galleries, Inc.. Very Good- with no dust jacket. 1932. Softcover. Light foxing to last (blank) page, slight foxing to first (blank) page. Number "12" written on front cover. ; 73 pages ., National Art Galleries, Inc., 1932, 1990. Softbound. VG. Color wraps. 24 pp. 19 bw, 5 color plates. Includes a foreword, a 5-page essay by Ronny Cohen, "Drawing as Reflective Image" with 9 notes, exhibition checklist of 50+ works by 50 artists, such as Isabel Bishop, Paul Cadmus, Jack Levine, Edward Hopper, Lee Jackson, and others, and alphabetical list of artists., 1990, New York: Berry-Hill Galleries, 2002. Softcover. New. BASEMENT. Color wraps. 146 pp. 59 color, 71 bw plates. Text by Mark D. Mitchell, with an introduction by John Wilmerding. Includes a catalogue of known works by this American artist, with provenance. Luminism as a style of later 19th Century landscape painting, first identified by John Baur and later by Barbara Novak and John Wilmerding (who curated the landmark exhibition American Light at the National Gallery), is devoted to light and water. Francis A. Silva followed and continued the tradition established notably by Fitz Hugh Lane, Martin J. Heade, John F. Kensett and Sanford Gifford. This exhibition consists of approximately 50 works, some of which are well known examples on loan from museums, and offers newly-discovered treasures that have been lost to sight for decades. Silva is particularly admired for his Hudson River and New England Coastal scenes that combine glowing, diffuse light and subtle color harmonies, such as Two Unidentified Coasting Vessels, circa 1870, from the Peabody Essex Museum, On the Hudson River, Nyack circa 1874 (Private Collection) and Schooner Passing Castle Island, Boston Harbor, 1874, from The Bostonian Society. Not only the style, but also the subject, place these paintings firmly in the tradition exemplified by the work of the preeminent Gloucester native Fitz Hugh Lane. The Schooner "Progress" Wrecked at Coney Island, July 4, 1874, 1875, from the Manoogian Collection, illustrates another phase in Silva's development, a shift from the purely geographic to the more narrative., Berry-Hill Galleries, 2002, 1989. Softcover. VG. Grey wraps. appx. 50 pp. 25 color plates. 24 works of better quality listed and illustrated in color. Includes works by many lesser known artists., 1989, Anderson Galleries, New York, 1919. First Edition. Softcover. Good Condition/No Dust Jacket. 503 Items listed for sale. Rubbed, little soiled, staples rusted. For detailed information on the individual items in this and other auction catalogs, go to the Rare Book Hub. They have created a searchable database of literally millions of auction records, going back to the 1800's. Size: Octavo (standard book size). 50 pages. Quantity Available: 1. Shipped Weight: 1 pound or less. Category: Reference; Books on Books. Pictures of this item not already displayed here available upon request. Inventory No: 13549. ., Anderson Galleries, 1919, Gallery Books. Very Good in Very Good dust jacket. 2008. First Edition; First Printing. Hardcover. 9781416964056 . A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. Minor rubbing to DJ. ; 8.30 X 5.60 X 1 inches; 223 pages ., Gallery Books, 2008, New York: Midtown Galleries, 1988. Softcover. VG. Gray wraps. 39 pp. 16 color, 50 bw plates. Introductory essay written by Janet Marqusee. Catalogue lists 80 preparatory studies, almost all of which were for sale. Artists whose works are represented in this catalogue include James Daugherty (5), Paul Cadmus, William C. Palmer, Balcomb Greene, Mitchell Siporin, Judson Smith, Bernarda Bryson Shahn, Clarence Holbrook Carter, Jenne Magafan, Ethel Magafan, Robert Lepper, Emil Bitstram, Reginald Marsh, Alfred Crimi, Marion Greenwood, Andrew Karoly & Louis P. Szantos, Thomas Hart Benton, George Pickin, Rockwell Kent, Simka Simkhovitch, Fred Shane, Ernest Halberstadt, Ben Shahn, Saul Levine, Arnold Blanch, Lewis Rubenstein, Isabel Bishop, Edward Laning, Anatol Shulkin, Sarah Blakeslee, Francis Speight, Louis Schanker, Paul Meltsner, Bernard Gussow, Stuyvesant Van Veen, Hanariah Harari, Michael Lenson, Philip Reisman, Harry Sternberg. These artists are also mentioned, but their works are not illustrated: Mervin Jules, Theresa Bertstein, James Penney, A. Raymond Katz, Mervin JulesSuggested reading list at end. Price list laid-in. Published in conjunction with Janet Marqusee Fine Arts, and to accompany an exhibition held at Midtown Galleries, NY: Mar. 2 to Apr. 9, 1988., Midtown Galleries, 1988, New York: Spanierman Gallery, 1998. Softcover. VG, slight nick at spine foot.. Color wraps. [117] pp. 57 color plates. No introductory text; arranged alphabetically by over 50 artists. Each full-page color plate has a page of details including provenance, exhibited, literature, and notes. Includes price list ($3500-290,000)., Spanierman Gallery, 1998, New York: Hudson Hills Press, 1987. Softbound. VG-, ex-library with small spine label and bookplate.. Color wraps. 228 pp. 116 bw, 123 color plates. This is a comprehensive critical biography, based on exhaustive research by Charles F. Stuckey, of this least known and least appreciated of the great French Impressionist artists. This volume reproduces in full color every work in this historic exhibition-104 in all-and ten of these are repeated in oversize detail. Includes bw illustrations of more than 50 additional works by Morisot, along with family photographs and works of art by her teachers, friends, and colleagues. Exhibition held at the National Gallery of Art, Washington, D.C.: Sept. 6 to Nov. 29, 1987, and two other locations/times., Hudson Hills Press, 1987, NY: Andre Emmerich Gallery. Good with no dust jacket. 1970. softcover. cover lightly foxed ., Andre Emmerich Gallery, 1970, NY: Harper. Near Fine in Near Fine dust jacket. 2008. First Edition; 1st Printing (A). Hardcover. Near Fine. Hardcover: 368 pages, Publisher: Harper; First Edition edition (June 3, 2008) Language: English, ISBN-10: 006117601X, ISBN-13: 978-0061176012, Product Dimensions: 5.5 x 1.3 x 8.2 inches, Shipping Weight: 12 ounces; At the height of the Vietnam War protests, twenty-eight-year-old Judith Nies and her husband lived a seemingly idyllic life. Both were building their respective careers in Washington—Nies as the speechwriter and chief staffer to a core group of antiwar congressmen, her husband as a Treasury department economist. They lived in the carriage house of the famed Marjorie Merriweather Post estate. But when her husband brought home a list of questions from an FBI file with Judith's name on the front, Nies soon realized that her life was about to take a radical turn. Shocked to find herself the focus of an FBI investigation into her political activities, Nies began to reevaluate her role as grateful employee and dutiful wife. In The Girl I Left Behind, she chronicles the experiences of those women who, like herself, reinvented their lives in the midst of a wildly shifting social and political landscape. In a fresh, candid look at the 1960s, Nies pairs illuminating descriptions of feminist leaders, women's liberation protests, and other pivotal social developments with the story of her own transformation into a staunch activist and writer. From exposing institutionalized sexism on Capitol Hill in her first published article to orchestrating the removal of a separate "Ladies Gallery" on the House floor to taking leadership of the Women in Fellowships Committee, Nies discusses her own efforts to enlarge women's choices and to change the workplace—and how the repercussions of those efforts in the sixties can still be felt today. A heartfelt memoir and piercing social commentary, The Girl I Left Behind recounts one woman's courageous journey toward independence and equality. It also evaluates the consequences of the feminist movement on the same women who made it happen—and on the daughters born in their wake. ; 8.20 X 5.60 X 1.50 inches; 368 pages ., Harper, 2008, Calif. & Ny: Circle Gallery. 1990. F First Edition Used. Paperback. Very Good. Brochure from Circle Gallery exhibitions held in San Franciso, Beverly Hills, San Diego, California and Soho New York, Nov-Dec. 1990. In pictorial wraps, 4to, 47pp. Illustrated., Circle Gallery, 1990, New York: Museum of Modern Art. 1962. 4to - over 9¾" - 12" tall. F First Edition Used. S Paperback. Good+. 55, [1] pages. Catalogue of the exhibition at the Museum of Modern Art, New York (in collaboration with the Washington Gallery of Modern Art). Foreword by Julian Levy; includes chronology and bibliographical references. Freitag #3754. Slight rubbing to wrappers; slight internal browning to edges; corners lightly bumped., Museum of Modern Art, 1962, Wolfeboro, New Hampshire: Bowers & Merena Galleries, Inc., 1988. This book has 288 pages and is profusely illustrated.. Not Given. Pictorial Softcover. Fair. 4to - over 9¾" - 12" Tall., Bowers & Merena Galleries, Inc., 1988, [New York]: [Witkin Gallery]. 1993. F First Edition. S Paperback. Near Fine. Slight rubbing to wrappers; else a near fine copy as issued. [48] pages (unpaginated). Upper wrapper title. Includes several plates from Flattau' s "Eau de la Seine" series; apparently unconnected with any exhibition., [Witkin Gallery], 1993, New York: Gallery Books. As New/Very Good. 1985. Cloth Hardback. 0831773758 Oversized 128pp including index Lavishly illustrated volume containing over fifty reproductions of the paintings and scuptures of these two geniuses in full color Dust jacket has a tear on the front cover near bottom Because of the size of this book-DOMESTIC ORDERS ONLY and only regular mailing is available ., Gallery Books, 1985

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Remington and Russell
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Remington and Russell - hardcover

1985, ISBN: 9780831773755

ID: c117a4a6871f6d57c5f9ac2c0c844a88

Binding:Gebundene Ausgabe,Edition:1st Edition,Label:Gallery Books/ Smith Publishing,Publisher:Gallery Books/ Smith Publishing,NumberOfItems:1,medium:Gebundene Ausgabe,publicationDate:1985-01-01,ISBN:0831773758 Gebundene Ausgabe, Gallery Books/ Smith Publishing

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Remington and Russell. - Fisher, Leonard Everett
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Fisher, Leonard Everett:
Remington and Russell. - hardcover

1985, ISBN: 0831773758

ID: 3932997491

[EAN: 9780831773755], [SC: 3.0], [PU: New York, Gallery Books], Jacket, Originalkartoniert. Sehr gut erhaltenes Exemplar mit Schutzumschlag. Mit vielen teils doppelseitigen Abbildungen. Very good condition. 128 Seiten Englisch 1g

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ACADEMIA Antiquariat an der Universität, Freiburg, Germany [3310654] [Rating: 5 (von 5)]
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Remington and Russell. - Fisher, Leonard Everett
book is out-of-stock
(*)
Fisher, Leonard Everett:
Remington and Russell. - hardcover

1985, ISBN: 0831773758

ID: 3932997491

[EAN: 9780831773755], [PU: New York, Gallery Books], Jacket, Originalkartoniert. Sehr gut erhaltenes Exemplar mit Schutzumschlag. Mit vielen teils doppelseitigen Abbildungen. Very good condition. 128 Seiten Englisch 1g

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ACADEMIA Antiquariat an der Universität, Freiburg, Germany [3310654] [Rating: 5 (von 5)]
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Remington and Russell - Fisher, Leonard Everett
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Fisher, Leonard Everett:
Remington and Russell - used book

ISBN: 9780831773755

ID: 645457457

Gallery Books/ Smith Publishing. Used - Good. Former Library book. Shows some signs of wear, and may have some markings on the inside., Gallery Books/ Smith Publishing

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Details of the book
Remington and Russell
Author:

Leonard Everett Fisher

Title:

Remington and Russell

ISBN:

Details of the book - Remington and Russell


EAN (ISBN-13): 9780831773755
ISBN (ISBN-10): 0831773758
Hardcover
Paperback
Publishing year: 1985
Publisher: New York, Gallery Books

Book in our database since 12.04.2007 14:25:33
Book found last time on 06.06.2017 14:08:27
ISBN/EAN: 9780831773755

ISBN - alternate spelling:
0-8317-7375-8, 978-0-8317-7375-5


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