2007, ISBN: 9780440222811

Hardcover

Italy: Gerffert Company, Inc., [late 20th Century]. Loose_leaf. Fine. 2 3/4 x 4 3/4 inches. Front: text printed within floral border on glossy cream colored cardstock, with printing inf… More...

Italy: Gerffert Company, Inc., [late 20th Century]. Loose_leaf. Fine. 2 3/4 x 4 3/4 inches. Front: text printed within floral border on glossy cream colored cardstock, with printing information. Back: blank. Series: Gerffert 167. Gerffert has been a publisher in Long Island City, New York. The card was lithographed in Italy for Gerffert., Gerffert Company, Inc., 5, Italy: Fratelli Bonella, [late 20th Century]. Loose_leaf. Fine. 2 1/2 x 4 1/4 inches. Front: image on left side and bottom with text printed on right side of glossy cream colored cardstock. Back: blank except for printing information. Series: Omega 7. Fratelli Bonella is a publisher of Catholic devotional materials. It was established by brothers Egidio and Aristide Bonella in the early twentieth century in Italy (ca. 1930). It has continued to be a family-run business for three generations, and remains one of the leading producers of religious images in the world., Fratelli Bonella, 5, Italy: Gerffert Company, Inc., [late 20th Century]. Loose_leaf. Fine. 2 3/4 x 4 3/4 inches. Front: text printed within floral border on glossy cream colored cardstock, with printing information. Back: blank. Series: Gerffert 167. Gerffert has been a publisher in Long Island City, New York. The card was lithographed in Italy for Gerffert., Gerffert Company, Inc., 5, Italy: Fratelli Bonella, [late 20th Century]. Loose_leaf. Fine. 2 1/4 x 4 1/4 inches. Front: image on left side and bottom with text printed on right side of glossy mottled cardstock. Back: blank except for printing information. Series: ETERNA SERIES. Fratelli Bonella is a publisher of Catholic devotional materials. It was established by brothers Egidio and Aristide Bonella in the early twentieth century in Italy (ca. 1930). It has continued to be a family-run business for three generations, and remains one of the leading producers of religious images in the world., Fratelli Bonella, 5, Italy: Fratelli Bonella, [late 20th Century]. Loose_leaf. Fine. 2 1/2 x 4 1/4 inches. Front: image on left side and bottom with text printed on right side of glossy cream colored cardstock. Back: blank except for printing information. Series: Omega 11. Fratelli Bonella is a publisher of Catholic devotional materials. It was established by brothers Egidio and Aristide Bonella in the early twentieth century in Italy (ca. 1930). It has continued to be a family-run business for three generations, and remains one of the leading producers of religious images in the world., Fratelli Bonella, 5, Hardback. Very Good., 3, Puffin Books, Great Britain, 1968. Softcover. Good Condition. Illustrator: Shirley Hughes. PS 358. Growing up in a well-to-do family with strict rules and routines can be tough for a ten-year-old girl who only wants to roller skate. But when Lucinda Wyman's parents go overseas on a trip to Italy and leave her behind in the care of Miss Peters and Miss Nettie in New York City, she suddenly gets all the freedom she wants! Lucinda zips around New York on her roller skates, meeting tons of new friends and having new adventures every day. But Lucinda has no idea what new experiences the city will show her.... Some of which will change her life forever. 176 pages. Pages well browned. Illustrator: Shirley Hughes. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Children's::Children's Fiction; Children; Children's::Puffin. Inventory No: 260903.., Puffin Books, 1968, 2.5, Random House Australia. Good. 200mm / 132mm. Paperback. 2007. 392 pages. Cover worn. <br>Racy, loud and an incorrigible show-of f, he was the epitome of Italian machismo. He showed Peter, his l ess flamboyant companion, another side of Italy tourists rarely s ee. His name was Marcello and like Sophia from Vroom With a View he was a Vespa. Two years after riding from Milan to Rome in sear ch of la dolce vita, Peter Moore's life has changed dramatically. He has married Sally and she is pregnant with their first child. With fatherhood only five months away Peter reacted the way some men facing nappies and travel systems do, he panicked. But man, Peter sure found an understanding wife. Sally gave him the opport unity to go off, just this once more, to be irresponsible. For Pe ter this was a wild, final, two-stroke powered fling - with permi ssion - through some of the most beautiful coastal scenery in the world on a Vespa with white go-fast stripes that brought a smile to peoples' faces everywhere it went. From the wild, untouched c orners of Sardinia and Sicily to the faded fifties glamour of the Amalfi coast, it is a journey that reveals Italy's obsession wit h the sea - and getting a great tan. Like Vroom With a View this is another laugh-out-loud whilst grinding your teeth with jealous y travel memoir and they can sell its go-fast stripes off. ., Random House Australia, 2007, 2.5, Island Books. Good. 4.15 x 1.38 x 6.89 inches. Mass Market Paperback. 1998. 656 pages. Cover very worn.<br>A great thriller: breakneck pacin g, electrifying courtroom scenes, and a cast of richly crafted ch aracters.--People Mark Dooher is a prosperous San Francisco atto rney and a prominent Catholic, the last person anyone would suspe ct of a brutal crime. But Dooher, a paragon of success and a mast er of all he touches, is about to be indicted for murder. Charge d with savagely killing his own wife, Dooher is fighting for his reputation and his life in a high-profile case that is drawing do zens of lives into its wake--from former spouses to former friend s, from a beautiful, naive young attorney to a defense lawyer who se own salvation depends on getting his client off. Now, as the trial builds to a crescendo, as evidence is sifted and witnesses discredited, as a good cop tries to pick up the pieces of his sha ttered life and a D.A. risks her career, the truth about Mark Doo her is about to explode. For in a trial that will change the live s of everyone it touches, there is one thing that no one knows--u ntil it is much too late. . . . Praise for Guilt A well-paced l egal thriller . . . one of the best in this flourishing genre to come along in a while.--The Washington Post Book World Begin [Gu ilt] over a weekend . . . If you start during the workweek, you w ill be up very late, and your pleasure will be tainted with, well , guilt.--The Philadelphia Inquirer A wonderful novel . . . remi niscent of Scott Turow. John Lescroart isn't a lawyer, but he wri tes like one.--Dayton Daily News Crackling legal action . . . ro bust and intelligent entertainment.--Publishers Weekly Editorial Reviews Review No one is above the law. A great thriller: brea kneck pacing, electrifying courtroom scenes, and a cast of richly crafted characters. --People A well-paced legal thriller...one of the best in this flourishing genre to come along in a while. - -The Washington Post Book World Begin [Guilt] over a weekend...i f you start during the work week, you will be up very very late, and your pleasure will be tainted with, well, guilt. --The Philad elphia Inquirer From the Author If you read John Grisham and Sco tt Turow, you'll devour John Lescroart. Lescroart looks like a mo uthful to pronounce. In fact, the last name of the New York Times bestselling author of The 13th Juror and Guilt rolls off the ton gue easily. It's Less' kwah. Try it. Less'-Kwah. A decidedly Fren ch name for a red-headed Californian of three-fourths Irish herit age. What makes Lescroart's 10 novels stand out from other legal thrillers is his cultivated skill at entertaining. The Davis, Cal ifornia author may have abandoned his guitar-playing/singing care er when he turned 30. But he employs at the computer keyboard the same audience-grabbing skills he learned on the stage. Pick up a Lescroart book--escape into the San Francisco world of Dismas Ha rdy and Abe Glitsky--and you'll know why John consistently earns starred reviews from Publishers Weekly. From the Back Cover Mark Dooher is a prosperous San Francisco attorney and a prominent Ca tholic, the last person anyone would suspect of a brutal crime. B ut Dooher, a paragon of success and a master of all he touches, i s about to be indicted for murder. Charged with savagely killing his own wife, Dooher is fighting for his reputation and his life in a high-profile case that is drawing dozens of lives into its wake--from former spouses to former friends, from a beautiful, na ive young attorney to a defense lawyer whose own salvation depend s on getting his client off. Now, as the trial builds to a cresc endo, as evidence is sifted and witnesses discredited, as a good cop tries to pick up the pieces of his shattered life and a D.A. risks her career, the truth about Mark Dooher is about to explode . For in a trial that will change the lives of everyone it touche s, there is one thing that no one knows--until it is much too lat e.... About the Author John Lescroart is the New York Times best selling author of numerous legal thrillers and mysteries, most of them set in contemporary San Francisco. Among his novels are The Fall, The Keeper, The Ophelia Cut, The Hunt Club, The Second Cha ir, The First Law, Nothing but the Truth, and Dead Irish, as well as two novels featuring Auguste Lupa, the reputed son of Sherloc k Holmes. Excerpt. ® Reprinted by permission. All rights reserve d. Mark Dooher couldn't take his eyes off the young woman who had just entered the dining room at Fior d'Italia and was being seat ed, facing them, at a table ten feet away. His companion for lun ch was, like Dooher, an attorney. His name was Wes Farrell and he generally practiced in a different stratum--lower--than Dooher d id. The two men had been best friends since they were kids. Farre ll glanced up from his calamari, his baleful eyes glinting with h umor, trying to be subtle as he took in the goddess across the ro om. Too young, he said. My foot, Wes. All parts of you, not jus t your foot. Besides which, Farrell went on, you're married. I a m married. Farrell nodded. Keep repeating it. It's good for you. I, on the other hand, am getting divorced. I can never get divo rced. Sheila would never divorce me. You could divorce her if yo u wanted to... Impossible. Then, amending: Not that I'd ever wan t to, of course, but impossible. Why? Dooher went back to his p asta for a moment. Because, my son, even in our jaded age, when n inety percent of your income derives from your work as counsel to the Archdiocese of San Francisco, when you are in fact a promine nt player in the Roman Catholic community, as I am, a divorce wou ld play some havoc with your business. Across the board. Not just the Church itself, but all the ancillary... Farrell broke off a bite-sized piece of Italian bread and dipped it into the little dish of extra virgin olive oil that rested between them. I doubt it. People get divorced all the time. Your best friend, for examp le, is getting divorced right now. Have I mentioned that? Lydia' s divorcing you, Wes. You're not divorcing her. It's different. G od, he said, look at her. Farrell glanced up again. She looks go od. Good? Dooher feasted for another moment on the vision. That woman is so far beyond 'good' that the light from 'good' is going to take a year to get to her. At which time, you'll be a year o lder and forever out of her reach. Pass the butter. Butter will kill you, you know. Farrell nodded. Either that or something els e. This calamari milleottocentoottantasei, for example. Or prono uncing it. A handsome young man in a business suit--every male c ustomer in the restaurant wore a business suit--was approaching t he woman's table. He pulled a chair out across from her, smiling, saying something. She was looking up at him, her expression cool , reserved. Farrell noted it, and something else. Don't look now , he said, but isn't the guy sitting down with her--doesn't he wo rk for you? Wes Farrell was on his schlumpy way up toward Columb us and the North Beach walk-up out of which he ran his law busine ss. Dooher lingered in the doorway at Fior d'Italia, then turned and went back inside to the bar, where he ordered a Pellegrino. He sipped the bottled water and considered his reflection in the bar's mirror. He still looked good. He had his hair--the light br own streaked with blond, camouflaging the hint of gray that was o nly just beginning to appear around the temples. The skin of his face was as unlined as it had been at thirty. Now, at forty-six, he knew he looked ten years younger, which was enough--any more youth would be bad for business. His body carried a hundred and e ighty pounds on a six-foot frame. Today he wore a tailored Italia n double-breasted suit in a refined shade of green that picked up the flecks in his eyes. From where he sat at the bar, he could watch her in profile. She had loosened up somewhat, but Wes had b een right--there was a tension in the way she sat, in her body la nguage. The man with her was Joe Avery--again, Wes had nailed it- -a sixth-year associate at McCabe & Roth, the firm Dooher managed . (McCabe and Roth both had been forced to retire during the down sizing of the past two years. Now, in spite of the name, it was D ooher's firm, beginning to show profit again.) He drank his Ital ian water, looked at himself in the mirror over the bar. What was he doing here? He couldn't allow himself to leave. This was som ething he thought he'd outgrown long ago--such an overwhelming ph ysical attraction. Oh sure, when he'd been younger...in college a couple of times...even the first few years of the marriage, the occasional dalliance, stepping out, somebody coming on to him, u sually on a business trip or one of the firm retreats. But that had stopped after the one crisis, Sheila getting wind of what was going on with one of them. She wasn't going to have it. Infideli ty wasn't going to be part of their lives. Dooher had better deci de whether he wanted to sleep around or keep the kids. A hundred times since, he wished he'd let Sheila go, taking the kids with her. But in truth, back then, fifteen years ago, he was already unable to risk a divorce, already working with some of the charit ies, the Archdiocese itself. There was big money there, clean wor k. And Sheila would have scotched it if things had gotten ugly. He knew she would have. As she would today. So he'd simply put h is hormones out of his mind, put all of his effort into real life --work, the wife, the kids, the house. He would be satisfied with the ten-fifteen-twenty days of vacation, the new car. Everyone else seemed to survive in that secure between-the-lines adult exi stence. It wasn't so bad. Except Mark Dooher hated it. He never got over hating it. He had never had to play by the same rules as everyone else. He was simply better at everything, smarter, more charismatic. He deserved more. He deserved better. That couldn 't be all there was. Do your job, live the routine, get old, die. That couldn't be it. Not for him. He couldn't get the woman off his mind. Well, he would just have to do it, that was all. He'd call up his fabled discipline and simply will her out of his con sciousness. There was nothing to be done with her anyway. Dooher didn't trust the dynamic of lust, that hormonal rush and then the long regret. Well, he wasn't about to get involved with all that . It was better just to stop thinking about her. Or at least not get confused, keep it in the realm of fantasy. It wasn't as if h e knew anything about her, as if there could be real attraction. In fact, if that turned out to be the case, it would be far more complicated. Then what? Leave Sheila...? No, it was better not to pursue it at all. He was just in one of his funks, believing t hat the opportunity that would give his life new meaning was pass ing him by. He knew better. In reality, everything disappointed. Nothing turned out as you hoped. He'd just suck it up and put h er out of his mind, do nothing about the fantasy. He didn't even want to take one step, because who knew where that could lead? He 'd forget all about her. He wasn't going to do anything. It was stupid to consider. Joe Avery looked up from the clutter of pape r littering his desk, a legal brief that was already anything but brief. Sir? Dooher, the friendliest boss on the planet, was in the doorway, one hand extended up to the sill, the other on his b elt, coat open, sincere smile. A Mardi Gras party. Feast before f ast. Unless you've got other plans... Well, I... You'll enjoy i t. Sheila and I do it every year. Just casual, no costumes, masks , taking to the streets afterwards, none of that. And pretty good food if you like Cajun. Anyway, eight o'clock, if you're free... Avery was young and gung-ho and hadn't spoken to Dooher more th an a hundred times in his six years with the firm, had never spen t any time with him socially. His mouth hung open in surprise at the invitation, but he was nodding, already planning to be there, wondering what was happening. Dooher was going on. If you've go t other plans, don't worry about it, but you've paid your dues ar ound here--you're up for shareholder this year if I'm not mistake n? Avery nodded. Next, actually. Dooher waved that off. Well, w e'll see. But come on up. Bring your girlfriend, you got one. Or not. Your call. Just let us know. Then Dooher was gone. ., Island Books, 1998, 2.5<

2006, ISBN: 9780440222811

Herz auf Taille/Heart on Waist (German)by Erich Kästner (Author)Cover design, illustrations and drawings by Erich OhserPublisher: Atrium Publishing, ZurichLanguage: GermanPaperbackDimens… More...

Herz auf Taille/Heart on Waist (German)by Erich Kästner (Author)Cover design, illustrations and drawings by Erich OhserPublisher: Atrium Publishing, ZurichLanguage: GermanPaperbackDimensions: 4.8 x 0.4 x 7.6 inches, 128 pagesHeart on waist, Erich Kästner's first book, brought him overnight success and recognition - and a large, loyal readership. The poem is full of bite, wit and warmth & has not lost its validity to this day -------------------------The early work of Erich Kästner conveys, understands and intensifies. It escapes the sense that behind the seal is not the layman. Erich Kästner rhymes with people and humanity; That's why people understand him. Sometimes sensitive and gruff, but he always finds the peculiar rhythm of a thing, and captivates him on poetry. Erich Kästner is one of the great German poets, and his stamina, especially in times that were heavy for Germany, he distinguishes himself. He was once asked why he did not emigrate when it became uncomfortable for people in Germany.--------------------In 1927, Erich Kästner published his first volume of poetry "Heart on Waist". I was thirteen years old. From what I read, I was entranced, although I did not understand everything. I stalked the lyrics of Rilke and Stefan George, but with little success. Her verses were too esoteric for me, I preferred the saucy use-lyrics of the young Dresdener, whose cynical realism in the vicinity of the equally admired Bertolt Brecht impressed me much more. In the journal "Der Bücherwurm" a special issue was published in 1931 under the title "Der Lyrik ein Bresche", in which I expressed the enthusiasm of the youth for Kästner at the age of seventeen under the collective title "Voices of Young People". Was I right? Anyway, my estimate for Kästner has not diminished over the years, on the contrary. When the war was over, the US State Department decided to publish an illustrated weekly in Munich, thereby contributing to denazification-a terrible word for a good cause-of the German population. Fresh from the US Army, I was assigned to work in this journal, an exciting and honorable task. The magazine was called "Today" and was designed after the American hit magazine "Life". To my surprise, I learned that one of the editors who came to us was none other than the author of the novel "Fabian, the History of a Moralist," so dear to me. Kästner was a quiet, gentle gentleman with the best manners, unobtrusive and modest. We had many interesting conversations, about "inner emigration," about the ambiguous existence of a banned writer who had been present at the burning of his own books in Berlin by the new rulers and felt like a living corpse. In the long bitter years of the write ban, he tried, not always successful to keep afloat through various literary activities, such as production of scripts and the like, of course, under a pseudonym. We talked a lot about the future. How could you restore normalcy to a morally and economically ruined country? Kästner was sensitive and thoughtful; every conversation with him was an enrichment. In the early thirties, when the clouds of hate became more and more dense, and words like lightness and humor had lost all meaning, I felt like taking a dip in the lyrical cheerfulness of the Dresden poet. German literature is always looking for depth, and if a poet makes the choice to move on easier tracks, but without sinking into the cabaret, then that is immediately suspect., Atrium Publishing, 3, NY: Mira, 2006. MMPB 4.25"x6.75. LikeNew. 4.25"x6.75" 394 pgs. Spine straight, binding tight, pages clean and bright. Not x-library, unclipped, & unmarked. Secure ship w/track #. Christmas news! Read all about it! Christmas is a time for...fruitcake. Rookie reporter Emma Collins hates fruitcake; for that matter, she hates Christmas, too. When three Washington State women are finalists in a national fruitcake contest, the story is assigned to her. That's bad enough. It gets worse when she has to fly in a small plane (scary!) with a smart-aleck pilot named Oliver Hamilton (sexy!) and his scruffy dog (cute!). In the end she meets three wise women, falls in love and learns There's Something About Christmas. This is also a time for families, for togetherness, for memories. On Christmas Eve, Maryanne and Nolan Adams tell their kids the story they most want to hear-how Mom and Dad met and fell in love. It all started when they were reporters on rival Seattle papers...and next thing you know, Here Comes Trouble! Source: Goodreads., Mira, 2006, 0, Island Books. Good. 4.15 x 1.38 x 6.89 inches. Mass Market Paperback. 1998. 656 pages. Cover very worn.<br>A great thriller: breakneck pacin g, electrifying courtroom scenes, and a cast of richly crafted ch aracters.--People Mark Dooher is a prosperous San Francisco atto rney and a prominent Catholic, the last person anyone would suspe ct of a brutal crime. But Dooher, a paragon of success and a mast er of all he touches, is about to be indicted for murder. Charge d with savagely killing his own wife, Dooher is fighting for his reputation and his life in a high-profile case that is drawing do zens of lives into its wake--from former spouses to former friend s, from a beautiful, naive young attorney to a defense lawyer who se own salvation depends on getting his client off. Now, as the trial builds to a crescendo, as evidence is sifted and witnesses discredited, as a good cop tries to pick up the pieces of his sha ttered life and a D.A. risks her career, the truth about Mark Doo her is about to explode. For in a trial that will change the live s of everyone it touches, there is one thing that no one knows--u ntil it is much too late. . . . Praise for Guilt A well-paced l egal thriller . . . one of the best in this flourishing genre to come along in a while.--The Washington Post Book World Begin [Gu ilt] over a weekend . . . If you start during the workweek, you w ill be up very late, and your pleasure will be tainted with, well , guilt.--The Philadelphia Inquirer A wonderful novel . . . remi niscent of Scott Turow. John Lescroart isn't a lawyer, but he wri tes like one.--Dayton Daily News Crackling legal action . . . ro bust and intelligent entertainment.--Publishers Weekly Editorial Reviews Review No one is above the law. A great thriller: brea kneck pacing, electrifying courtroom scenes, and a cast of richly crafted characters. --People A well-paced legal thriller...one of the best in this flourishing genre to come along in a while. - -The Washington Post Book World Begin [Guilt] over a weekend...i f you start during the work week, you will be up very very late, and your pleasure will be tainted with, well, guilt. --The Philad elphia Inquirer From the Author If you read John Grisham and Sco tt Turow, you'll devour John Lescroart. Lescroart looks like a mo uthful to pronounce. In fact, the last name of the New York Times bestselling author of The 13th Juror and Guilt rolls off the ton gue easily. It's Less' kwah. Try it. Less'-Kwah. A decidedly Fren ch name for a red-headed Californian of three-fourths Irish herit age. What makes Lescroart's 10 novels stand out from other legal thrillers is his cultivated skill at entertaining. The Davis, Cal ifornia author may have abandoned his guitar-playing/singing care er when he turned 30. But he employs at the computer keyboard the same audience-grabbing skills he learned on the stage. Pick up a Lescroart book--escape into the San Francisco world of Dismas Ha rdy and Abe Glitsky--and you'll know why John consistently earns starred reviews from Publishers Weekly. From the Back Cover Mark Dooher is a prosperous San Francisco attorney and a prominent Ca tholic, the last person anyone would suspect of a brutal crime. B ut Dooher, a paragon of success and a master of all he touches, i s about to be indicted for murder. Charged with savagely killing his own wife, Dooher is fighting for his reputation and his life in a high-profile case that is drawing dozens of lives into its wake--from former spouses to former friends, from a beautiful, na ive young attorney to a defense lawyer whose own salvation depend s on getting his client off. Now, as the trial builds to a cresc endo, as evidence is sifted and witnesses discredited, as a good cop tries to pick up the pieces of his shattered life and a D.A. risks her career, the truth about Mark Dooher is about to explode . For in a trial that will change the lives of everyone it touche s, there is one thing that no one knows--until it is much too lat e.... About the Author John Lescroart is the New York Times best selling author of numerous legal thrillers and mysteries, most of them set in contemporary San Francisco. Among his novels are The Fall, The Keeper, The Ophelia Cut, The Hunt Club, The Second Cha ir, The First Law, Nothing but the Truth, and Dead Irish, as well as two novels featuring Auguste Lupa, the reputed son of Sherloc k Holmes. Excerpt. ® Reprinted by permission. All rights reserve d. Mark Dooher couldn't take his eyes off the young woman who had just entered the dining room at Fior d'Italia and was being seat ed, facing them, at a table ten feet away. His companion for lun ch was, like Dooher, an attorney. His name was Wes Farrell and he generally practiced in a different stratum--lower--than Dooher d id. The two men had been best friends since they were kids. Farre ll glanced up from his calamari, his baleful eyes glinting with h umor, trying to be subtle as he took in the goddess across the ro om. Too young, he said. My foot, Wes. All parts of you, not jus t your foot. Besides which, Farrell went on, you're married. I a m married. Farrell nodded. Keep repeating it. It's good for you. I, on the other hand, am getting divorced. I can never get divo rced. Sheila would never divorce me. You could divorce her if yo u wanted to... Impossible. Then, amending: Not that I'd ever wan t to, of course, but impossible. Why? Dooher went back to his p asta for a moment. Because, my son, even in our jaded age, when n inety percent of your income derives from your work as counsel to the Archdiocese of San Francisco, when you are in fact a promine nt player in the Roman Catholic community, as I am, a divorce wou ld play some havoc with your business. Across the board. Not just the Church itself, but all the ancillary... Farrell broke off a bite-sized piece of Italian bread and dipped it into the little dish of extra virgin olive oil that rested between them. I doubt it. People get divorced all the time. Your best friend, for examp le, is getting divorced right now. Have I mentioned that? Lydia' s divorcing you, Wes. You're not divorcing her. It's different. G od, he said, look at her. Farrell glanced up again. She looks go od. Good? Dooher feasted for another moment on the vision. That woman is so far beyond 'good' that the light from 'good' is going to take a year to get to her. At which time, you'll be a year o lder and forever out of her reach. Pass the butter. Butter will kill you, you know. Farrell nodded. Either that or something els e. This calamari milleottocentoottantasei, for example. Or prono uncing it. A handsome young man in a business suit--every male c ustomer in the restaurant wore a business suit--was approaching t he woman's table. He pulled a chair out across from her, smiling, saying something. She was looking up at him, her expression cool , reserved. Farrell noted it, and something else. Don't look now , he said, but isn't the guy sitting down with her--doesn't he wo rk for you? Wes Farrell was on his schlumpy way up toward Columb us and the North Beach walk-up out of which he ran his law busine ss. Dooher lingered in the doorway at Fior d'Italia, then turned and went back inside to the bar, where he ordered a Pellegrino. He sipped the bottled water and considered his reflection in the bar's mirror. He still looked good. He had his hair--the light br own streaked with blond, camouflaging the hint of gray that was o nly just beginning to appear around the temples. The skin of his face was as unlined as it had been at thirty. Now, at forty-six, he knew he looked ten years younger, which was enough--any more youth would be bad for business. His body carried a hundred and e ighty pounds on a six-foot frame. Today he wore a tailored Italia n double-breasted suit in a refined shade of green that picked up the flecks in his eyes. From where he sat at the bar, he could watch her in profile. She had loosened up somewhat, but Wes had b een right--there was a tension in the way she sat, in her body la nguage. The man with her was Joe Avery--again, Wes had nailed it- -a sixth-year associate at McCabe & Roth, the firm Dooher managed . (McCabe and Roth both had been forced to retire during the down sizing of the past two years. Now, in spite of the name, it was D ooher's firm, beginning to show profit again.) He drank his Ital ian water, looked at himself in the mirror over the bar. What was he doing here? He couldn't allow himself to leave. This was som ething he thought he'd outgrown long ago--such an overwhelming ph ysical attraction. Oh sure, when he'd been younger...in college a couple of times...even the first few years of the marriage, the occasional dalliance, stepping out, somebody coming on to him, u sually on a business trip or one of the firm retreats. But that had stopped after the one crisis, Sheila getting wind of what was going on with one of them. She wasn't going to have it. Infideli ty wasn't going to be part of their lives. Dooher had better deci de whether he wanted to sleep around or keep the kids. A hundred times since, he wished he'd let Sheila go, taking the kids with her. But in truth, back then, fifteen years ago, he was already unable to risk a divorce, already working with some of the charit ies, the Archdiocese itself. There was big money there, clean wor k. And Sheila would have scotched it if things had gotten ugly. He knew she would have. As she would today. So he'd simply put h is hormones out of his mind, put all of his effort into real life --work, the wife, the kids, the house. He would be satisfied with the ten-fifteen-twenty days of vacation, the new car. Everyone else seemed to survive in that secure between-the-lines adult exi stence. It wasn't so bad. Except Mark Dooher hated it. He never got over hating it. He had never had to play by the same rules as everyone else. He was simply better at everything, smarter, more charismatic. He deserved more. He deserved better. That couldn 't be all there was. Do your job, live the routine, get old, die. That couldn't be it. Not for him. He couldn't get the woman off his mind. Well, he would just have to do it, that was all. He'd call up his fabled discipline and simply will her out of his con sciousness. There was nothing to be done with her anyway. Dooher didn't trust the dynamic of lust, that hormonal rush and then the long regret. Well, he wasn't about to get involved with all that . It was better just to stop thinking about her. Or at least not get confused, keep it in the realm of fantasy. It wasn't as if h e knew anything about her, as if there could be real attraction. In fact, if that turned out to be the case, it would be far more complicated. Then what? Leave Sheila...? No, it was better not to pursue it at all. He was just in one of his funks, believing t hat the opportunity that would give his life new meaning was pass ing him by. He knew better. In reality, everything disappointed. Nothing turned out as you hoped. He'd just suck it up and put h er out of his mind, do nothing about the fantasy. He didn't even want to take one step, because who knew where that could lead? He 'd forget all about her. He wasn't going to do anything. It was stupid to consider. Joe Avery looked up from the clutter of pape r littering his desk, a legal brief that was already anything but brief. Sir? Dooher, the friendliest boss on the planet, was in the doorway, one hand extended up to the sill, the other on his b elt, coat open, sincere smile. A Mardi Gras party. Feast before f ast. Unless you've got other plans... Well, I... You'll enjoy i t. Sheila and I do it every year. Just casual, no costumes, masks , taking to the streets afterwards, none of that. And pretty good food if you like Cajun. Anyway, eight o'clock, if you're free... Avery was young and gung-ho and hadn't spoken to Dooher more th an a hundred times in his six years with the firm, had never spen t any time with him socially. His mouth hung open in surprise at the invitation, but he was nodding, already planning to be there, wondering what was happening. Dooher was going on. If you've go t other plans, don't worry about it, but you've paid your dues ar ound here--you're up for shareholder this year if I'm not mistake n? Avery nodded. Next, actually. Dooher waved that off. Well, w e'll see. But come on up. Bring your girlfriend, you got one. Or not. Your call. Just let us know. Then Dooher was gone. ., Island Books, 1998, 2.5<

1998, ISBN: 9780440222811

Pan Books. Fair. 180mm / 120mm. Paperback. 1987. 910 pages. Cover very worn. Spine split. Text tanned<br>Master bi ographer Robert Lacey tells the fascinating, authoritative accoun … More...

Pan Books. Fair. 180mm / 120mm. Paperback. 1987. 910 pages. Cover very worn. Spine split. Text tanned<br>Master bi ographer Robert Lacey tells the fascinating, authoritative accoun t of the ambitious men and glamorous women behind the world's lar gest family-controlled business empire. From Henry Ford -- the or iginal in every sense of the word -- whose revolutionary standard s created a new way of life for America and the world, to Henry F ord II, old Henry's grandson, who rose from a frivolous playboy t o become an industrial giant in his own right, to the tragic figu re of Edsel Ford, old Henry's son and young Henry's father, smoth ered by the one and overshadowed by the other, to brash Lee Iacoc ca, whose visionary plans for the company would put him in confli ct with Henry Ford II. Richly anecdotal and wonderfully readable . . . irresistable. The Washington Post Book World Reviews Po pular historian and biographer of dynasties ( Majesty, The Kingdo m ), Lacey focuses on the public and private lives of the automak ers: Henry Ford, the founder; his son Edsel; his grandson Henry I I. Thoroughly researched, well-illustrated, this volume is balanc ed and readable and will have broad appeal. Allen Nevins and Jame s Hill's three-volume Ford (Ayer, 1976. reprint) is the standard scholarly history of founder and firm, but this is a livelier, mo re current family history, including the Iaccoca feud. Recommende d for public libraries. BOMC main selection. John Cudd, Sch. of L ibrary & Informational Science, Univ. of Missouri, Columbia ., Pan Books, 1987, 2, Island Books. Good. 4.15 x 1.38 x 6.89 inches. Mass Market Paperback. 1998. 656 pages. Cover very worn.<br>A great thriller: breakneck pacin g, electrifying courtroom scenes, and a cast of richly crafted ch aracters.--People Mark Dooher is a prosperous San Francisco atto rney and a prominent Catholic, the last person anyone would suspe ct of a brutal crime. But Dooher, a paragon of success and a mast er of all he touches, is about to be indicted for murder. Charge d with savagely killing his own wife, Dooher is fighting for his reputation and his life in a high-profile case that is drawing do zens of lives into its wake--from former spouses to former friend s, from a beautiful, naive young attorney to a defense lawyer who se own salvation depends on getting his client off. Now, as the trial builds to a crescendo, as evidence is sifted and witnesses discredited, as a good cop tries to pick up the pieces of his sha ttered life and a D.A. risks her career, the truth about Mark Doo her is about to explode. For in a trial that will change the live s of everyone it touches, there is one thing that no one knows--u ntil it is much too late. . . . Praise for Guilt A well-paced l egal thriller . . . one of the best in this flourishing genre to come along in a while.--The Washington Post Book World Begin [Gu ilt] over a weekend . . . If you start during the workweek, you w ill be up very late, and your pleasure will be tainted with, well , guilt.--The Philadelphia Inquirer A wonderful novel . . . remi niscent of Scott Turow. John Lescroart isn't a lawyer, but he wri tes like one.--Dayton Daily News Crackling legal action . . . ro bust and intelligent entertainment.--Publishers Weekly Editorial Reviews Review No one is above the law. A great thriller: brea kneck pacing, electrifying courtroom scenes, and a cast of richly crafted characters. --People A well-paced legal thriller...one of the best in this flourishing genre to come along in a while. - -The Washington Post Book World Begin [Guilt] over a weekend...i f you start during the work week, you will be up very very late, and your pleasure will be tainted with, well, guilt. --The Philad elphia Inquirer From the Author If you read John Grisham and Sco tt Turow, you'll devour John Lescroart. Lescroart looks like a mo uthful to pronounce. In fact, the last name of the New York Times bestselling author of The 13th Juror and Guilt rolls off the ton gue easily. It's Less' kwah. Try it. Less'-Kwah. A decidedly Fren ch name for a red-headed Californian of three-fourths Irish herit age. What makes Lescroart's 10 novels stand out from other legal thrillers is his cultivated skill at entertaining. The Davis, Cal ifornia author may have abandoned his guitar-playing/singing care er when he turned 30. But he employs at the computer keyboard the same audience-grabbing skills he learned on the stage. Pick up a Lescroart book--escape into the San Francisco world of Dismas Ha rdy and Abe Glitsky--and you'll know why John consistently earns starred reviews from Publishers Weekly. From the Back Cover Mark Dooher is a prosperous San Francisco attorney and a prominent Ca tholic, the last person anyone would suspect of a brutal crime. B ut Dooher, a paragon of success and a master of all he touches, i s about to be indicted for murder. Charged with savagely killing his own wife, Dooher is fighting for his reputation and his life in a high-profile case that is drawing dozens of lives into its wake--from former spouses to former friends, from a beautiful, na ive young attorney to a defense lawyer whose own salvation depend s on getting his client off. Now, as the trial builds to a cresc endo, as evidence is sifted and witnesses discredited, as a good cop tries to pick up the pieces of his shattered life and a D.A. risks her career, the truth about Mark Dooher is about to explode . For in a trial that will change the lives of everyone it touche s, there is one thing that no one knows--until it is much too lat e.... About the Author John Lescroart is the New York Times best selling author of numerous legal thrillers and mysteries, most of them set in contemporary San Francisco. Among his novels are The Fall, The Keeper, The Ophelia Cut, The Hunt Club, The Second Cha ir, The First Law, Nothing but the Truth, and Dead Irish, as well as two novels featuring Auguste Lupa, the reputed son of Sherloc k Holmes. Excerpt. ® Reprinted by permission. All rights reserve d. Mark Dooher couldn't take his eyes off the young woman who had just entered the dining room at Fior d'Italia and was being seat ed, facing them, at a table ten feet away. His companion for lun ch was, like Dooher, an attorney. His name was Wes Farrell and he generally practiced in a different stratum--lower--than Dooher d id. The two men had been best friends since they were kids. Farre ll glanced up from his calamari, his baleful eyes glinting with h umor, trying to be subtle as he took in the goddess across the ro om. Too young, he said. My foot, Wes. All parts of you, not jus t your foot. Besides which, Farrell went on, you're married. I a m married. Farrell nodded. Keep repeating it. It's good for you. I, on the other hand, am getting divorced. I can never get divo rced. Sheila would never divorce me. You could divorce her if yo u wanted to... Impossible. Then, amending: Not that I'd ever wan t to, of course, but impossible. Why? Dooher went back to his p asta for a moment. Because, my son, even in our jaded age, when n inety percent of your income derives from your work as counsel to the Archdiocese of San Francisco, when you are in fact a promine nt player in the Roman Catholic community, as I am, a divorce wou ld play some havoc with your business. Across the board. Not just the Church itself, but all the ancillary... Farrell broke off a bite-sized piece of Italian bread and dipped it into the little dish of extra virgin olive oil that rested between them. I doubt it. People get divorced all the time. Your best friend, for examp le, is getting divorced right now. Have I mentioned that? Lydia' s divorcing you, Wes. You're not divorcing her. It's different. G od, he said, look at her. Farrell glanced up again. She looks go od. Good? Dooher feasted for another moment on the vision. That woman is so far beyond 'good' that the light from 'good' is going to take a year to get to her. At which time, you'll be a year o lder and forever out of her reach. Pass the butter. Butter will kill you, you know. Farrell nodded. Either that or something els e. This calamari milleottocentoottantasei, for example. Or prono uncing it. A handsome young man in a business suit--every male c ustomer in the restaurant wore a business suit--was approaching t he woman's table. He pulled a chair out across from her, smiling, saying something. She was looking up at him, her expression cool , reserved. Farrell noted it, and something else. Don't look now , he said, but isn't the guy sitting down with her--doesn't he wo rk for you? Wes Farrell was on his schlumpy way up toward Columb us and the North Beach walk-up out of which he ran his law busine ss. Dooher lingered in the doorway at Fior d'Italia, then turned and went back inside to the bar, where he ordered a Pellegrino. He sipped the bottled water and considered his reflection in the bar's mirror. He still looked good. He had his hair--the light br own streaked with blond, camouflaging the hint of gray that was o nly just beginning to appear around the temples. The skin of his face was as unlined as it had been at thirty. Now, at forty-six, he knew he looked ten years younger, which was enough--any more youth would be bad for business. His body carried a hundred and e ighty pounds on a six-foot frame. Today he wore a tailored Italia n double-breasted suit in a refined shade of green that picked up the flecks in his eyes. From where he sat at the bar, he could watch her in profile. She had loosened up somewhat, but Wes had b een right--there was a tension in the way she sat, in her body la nguage. The man with her was Joe Avery--again, Wes had nailed it- -a sixth-year associate at McCabe & Roth, the firm Dooher managed . (McCabe and Roth both had been forced to retire during the down sizing of the past two years. Now, in spite of the name, it was D ooher's firm, beginning to show profit again.) He drank his Ital ian water, looked at himself in the mirror over the bar. What was he doing here? He couldn't allow himself to leave. This was som ething he thought he'd outgrown long ago--such an overwhelming ph ysical attraction. Oh sure, when he'd been younger...in college a couple of times...even the first few years of the marriage, the occasional dalliance, stepping out, somebody coming on to him, u sually on a business trip or one of the firm retreats. But that had stopped after the one crisis, Sheila getting wind of what was going on with one of them. She wasn't going to have it. Infideli ty wasn't going to be part of their lives. Dooher had better deci de whether he wanted to sleep around or keep the kids. A hundred times since, he wished he'd let Sheila go, taking the kids with her. But in truth, back then, fifteen years ago, he was already unable to risk a divorce, already working with some of the charit ies, the Archdiocese itself. There was big money there, clean wor k. And Sheila would have scotched it if things had gotten ugly. He knew she would have. As she would today. So he'd simply put h is hormones out of his mind, put all of his effort into real life --work, the wife, the kids, the house. He would be satisfied with the ten-fifteen-twenty days of vacation, the new car. Everyone else seemed to survive in that secure between-the-lines adult exi stence. It wasn't so bad. Except Mark Dooher hated it. He never got over hating it. He had never had to play by the same rules as everyone else. He was simply better at everything, smarter, more charismatic. He deserved more. He deserved better. That couldn 't be all there was. Do your job, live the routine, get old, die. That couldn't be it. Not for him. He couldn't get the woman off his mind. Well, he would just have to do it, that was all. He'd call up his fabled discipline and simply will her out of his con sciousness. There was nothing to be done with her anyway. Dooher didn't trust the dynamic of lust, that hormonal rush and then the long regret. Well, he wasn't about to get involved with all that . It was better just to stop thinking about her. Or at least not get confused, keep it in the realm of fantasy. It wasn't as if h e knew anything about her, as if there could be real attraction. In fact, if that turned out to be the case, it would be far more complicated. Then what? Leave Sheila...? No, it was better not to pursue it at all. He was just in one of his funks, believing t hat the opportunity that would give his life new meaning was pass ing him by. He knew better. In reality, everything disappointed. Nothing turned out as you hoped. He'd just suck it up and put h er out of his mind, do nothing about the fantasy. He didn't even want to take one step, because who knew where that could lead? He 'd forget all about her. He wasn't going to do anything. It was stupid to consider. Joe Avery looked up from the clutter of pape r littering his desk, a legal brief that was already anything but brief. Sir? Dooher, the friendliest boss on the planet, was in the doorway, one hand extended up to the sill, the other on his b elt, coat open, sincere smile. A Mardi Gras party. Feast before f ast. Unless you've got other plans... Well, I... You'll enjoy i t. Sheila and I do it every year. Just casual, no costumes, masks , taking to the streets afterwards, none of that. And pretty good food if you like Cajun. Anyway, eight o'clock, if you're free... Avery was young and gung-ho and hadn't spoken to Dooher more th an a hundred times in his six years with the firm, had never spen t any time with him socially. His mouth hung open in surprise at the invitation, but he was nodding, already planning to be there, wondering what was happening. Dooher was going on. If you've go t other plans, don't worry about it, but you've paid your dues ar ound here--you're up for shareholder this year if I'm not mistake n? Avery nodded. Next, actually. Dooher waved that off. Well, w e'll see. But come on up. Bring your girlfriend, you got one. Or not. Your call. Just let us know. Then Dooher was gone. ., Island Books, 1998, 2.5<

ISBN: 9780440222811

Island Books. Used - Good. . Former Library book.. All orders guaranteed and ship within 24 hours. Your purchase supports More Than Words, a nonprofit job training program for youth, em… More...

Island Books. Used - Good. . Former Library book.. All orders guaranteed and ship within 24 hours. Your purchase supports More Than Words, a nonprofit job training program for youth, empowering youth to take charge of their lives by taking charge of a business., Island Books, 2.5<

1998, ISBN: 9780440222811

[ Edition: Reprint ]. Good Condition. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] Publisher: Island Books Pub Date: 8/10/1998 Bin… More...

[ Edition: Reprint ]. Good Condition. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] Publisher: Island Books Pub Date: 8/10/1998 Binding: Paperback Pages: 622, 2.5<