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Aby Warburg and the Image in Motion - Philippe-Alain Michaud, Sophie Hawkes, Georges Didi-Huberman
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Philippe-Alain Michaud, Sophie Hawkes, Georges Didi-Huberman:
Aby Warburg and the Image in Motion - Paperback

ISBN: 1890951404

[SR: 1303559], Paperback, [EAN: 9781890951405], Zone Books, Zone Books, Book, [PU: Zone Books], Zone Books, The purposeful discontinuities and juxtapositions of Aby Warburg's iconography and how they can be used to analyze other imagery. Aby Warburg (1866-1929) is best known as the originator of the discipline of iconology and as the founder of the institute that bears his name. His followers included such celebrated art historians of the twentieth century as Erwin Panofsky, Edgar Wind, and Fritz Saxl. But his heirs developed, for the most part, a domesticated iconology based on the interpretation of symbolic material. As Phillippe-Alain Michaud shows in this important book, Warburg's own project was remote from any positivist or neo-Kantian ambitions. Nourished on the work of Nietzsche and Burckhardt, Warburg fashioned a "critical iconology" to reveal the irrationality of the image in Western culture. Opposing the grand teleological narratives of art inaugurated by Vasari, Warburg's method operated through historical anachronisms and discontinuities. Using "montage-collision" to create textless collections of images, he brought together pagan artifacts and masterpieces of Florentine Renaissance art, ancient Near East astrology and the Lutheran Reformation, Mannerist festivals and the sacred dances of Native Americans. Michaud insists that for Warburg, the practice of art history was the discovery within the art work itself of fracture, contradictions, tensions, and the energies of magic, empathy, totemism, and animism. Challenging normative accounts of Western European classicism, Warburg located the real sources of the Renaissance in the Dionysian spirit, in the expression of movement and dance, in the experience of trance personified in the frenzied nymph or ecstatic maenad. Aby Warburg and the Image in Motion is not only a book about Warburg but a book written with him; Michaud uses Warburg's intuitions and discoveries to analyze other categories of imagery, including the daguerreotype, the chronophotography of Etienne-Jules Marey, early cinema, and the dances of Loie Fuller. It will be essential reading for anyone concerned with the origins of modern art history and the visual culture of modernity., 1104, Individual Artists, 8947733011, Artists' Books, 8947734011, Essays, 8947735011, Monographs, 1, Arts & Photography, 1000, Subjects, 283155, Books, 10825731, Criticism, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 713036011, History, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books

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Aby Warburg and the Image in Motion - Philippe-Alain Michaud, Sophie Hawkes, Georges Didi-Huberman
book is out-of-stock
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Philippe-Alain Michaud, Sophie Hawkes, Georges Didi-Huberman:
Aby Warburg and the Image in Motion - Paperback

ISBN: 1890951404

[SR: 1303559], Paperback, [EAN: 9781890951405], Zone Books, Zone Books, Book, [PU: Zone Books], Zone Books, The purposeful discontinuities and juxtapositions of Aby Warburg's iconography and how they can be used to analyze other imagery. Aby Warburg (1866-1929) is best known as the originator of the discipline of iconology and as the founder of the institute that bears his name. His followers included such celebrated art historians of the twentieth century as Erwin Panofsky, Edgar Wind, and Fritz Saxl. But his heirs developed, for the most part, a domesticated iconology based on the interpretation of symbolic material. As Phillippe-Alain Michaud shows in this important book, Warburg's own project was remote from any positivist or neo-Kantian ambitions. Nourished on the work of Nietzsche and Burckhardt, Warburg fashioned a "critical iconology" to reveal the irrationality of the image in Western culture. Opposing the grand teleological narratives of art inaugurated by Vasari, Warburg's method operated through historical anachronisms and discontinuities. Using "montage-collision" to create textless collections of images, he brought together pagan artifacts and masterpieces of Florentine Renaissance art, ancient Near East astrology and the Lutheran Reformation, Mannerist festivals and the sacred dances of Native Americans. Michaud insists that for Warburg, the practice of art history was the discovery within the art work itself of fracture, contradictions, tensions, and the energies of magic, empathy, totemism, and animism. Challenging normative accounts of Western European classicism, Warburg located the real sources of the Renaissance in the Dionysian spirit, in the expression of movement and dance, in the experience of trance personified in the frenzied nymph or ecstatic maenad. Aby Warburg and the Image in Motion is not only a book about Warburg but a book written with him; Michaud uses Warburg's intuitions and discoveries to analyze other categories of imagery, including the daguerreotype, the chronophotography of Etienne-Jules Marey, early cinema, and the dances of Loie Fuller. It will be essential reading for anyone concerned with the origins of modern art history and the visual culture of modernity., 1104, Individual Artists, 8947733011, Artists' Books, 8947734011, Essays, 8947735011, Monographs, 1, Arts & Photography, 1000, Subjects, 283155, Books, 10825731, Criticism, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 713036011, History, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books

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Aby Warburg and the Image in Motion - Philippe-alain Michaud
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Philippe-alain Michaud:
Aby Warburg and the Image in Motion - new book

ISBN: 9781890951405

ID: 978189095140

The purposeful discontinuities and juxtapositions of Aby Warburg''s iconography and how they can be used to analyze other imagery. Aby Warburg (1866-1929) is best known as the originator of the discipline of iconology and as the founder of the institute that bears his name. His followers included such celebrated art historians of the twentieth century as Erwin Panofsky, Edgar Wind, and Fritz Saxl. But his heirs developed, for the most part, a domesticated iconology based on the interpretation of symbolic material. As Phillippe-Alain Michaud shows in this important book, Warburg''s own project was remote from any positivist or neo-Kantian ambitions. Nourished on the work of Nietzsche and Burckhardt, Warburg fashioned a critical iconology to reveal the irrationality of the image in Western culture. Opposing the grand teleological narratives of art inaugurated by Vasari, Warburg''s method operated through historical anachronisms and discontinuities. Using montage-collision to create textless collections of images, he brought together pagan artifacts and masterpieces of Florentine Renaissance art, ancient Near East astrology and the Lutheran Reformation, Mannerist festivals and the sacred dances of Native Americans. Michaud insists that for Warburg, the practice of art history was the discovery within the art work itself of fracture, contradictions, tensions, and the energies of magic, empathy, totemism, and animism. Challenging normative accounts of Western European classicism, Warburg located the real sources of the Renaissance in the Dionysian spirit, in the expression of movement and dance, in the experience of trance personified in the frenzied nymph or ecstatic maenad.Aby Warburg and the Image in Motion is not only a book about Warburg but a book written with him; Michaud uses Warburg''s intuitions and discoveries to analyze other categories of imagery, including the daguerreotype, the chronophotography of Etienne-Jules Marey, early cinema, and the dances of Loie Fuller. It will be essential reading for anyone concerned with the origins of modern art history and the visual culture of modernity. Philippe-alain Michaud, Books, Art and Architecture, Art History, Aby Warburg and the Image in Motion Books>Art and Architecture>Art History, Zone Books

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Aby Warburg and the Image in Motion - Philippe-Alain Michaud, Georges Didi-Huberman, Sophie Hawkes
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Philippe-Alain Michaud, Georges Didi-Huberman, Sophie Hawkes:
Aby Warburg and the Image in Motion - Paperback

2007, ISBN: 1890951404

[SR: 567744], Paperback, [EAN: 9781890951405], Zone Books - MIT, Zone Books - MIT, Book, [PU: Zone Books - MIT], 2007-04-03, Zone Books - MIT, The purposeful discontinuities and juxtapositions of Aby Warburg's iconography and how they can be used to analyze other imagery., 266898, History of Art & Architecture, 758890, Miscellaneous Biographies, 267815, Styles & Movements, 91, Art, Architecture & Photography, 1025612, Subjects, 266239, Books, 512778, Modernism, 512776, Criticism & Theory, 91, Art, Architecture & Photography, 1025612, Subjects, 266239, Books

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Aby Warburg and the Image in Motion - Philippe-Alain Michaud
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Philippe-Alain Michaud:
Aby Warburg and the Image in Motion - Paperback

2007, ISBN: 9781890951405

ID: 7719103

Softcover, Buch, [PU: Zone Books]

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