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Touchstone: 200 Years of Artists' Lithographs - Cohn, Marjorie B.; Rogan, Clare I.; Agnes Etherington Art Centre; Ackland Art Museum; Arthur M. Sackler Museum
book is out-of-stock
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Cohn, Marjorie B.; Rogan, Clare I.; Agnes Etherington Art Centre; Ackland Art Museum; Arthur M. Sackler Museum:
Touchstone: 200 Years of Artists' Lithographs - Paperback

1998, ISBN: 9780916724993

ID: 958787750

Univ. As New. 1998. Paperback. 0916724999 . IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY - AVAILABLE IMMEDIATELY, WHY WAIT? -- 97 pages, 8 1/2 x 11"; 44 duotones - This catalogue and the exhibition it accompanies mark the 200th anniversary of the invention of lithography. Since its invention in 1798, lithography has developed in every imaginable direction. Its history, perhaps more than that of any other printing technique, has been one equally of technological advancement and artistic and commercial application. Lithography has been adapted to the production of everything from microchip wafers to barn-sized posters The medium’s relative ease of execution, subtle transfer of artistic effects, and sturdy reproducibility made it the print technique of the 19th century. In the 20th century, during the 1960s—an era of sunny optimism, commercial expansion, and social unrest—it was the print technique that fueled the so-called American print renaissance. It was exactly lithography’s adaptability that made it a viable option for artists who disliked, or did not want to learn, traditional print techniques; it was, and is, the only printmaking method to allow artists to use their accustomed tools and materials—brush and paint, pen and ink, crayon and paper—to make prints. An essay by Clare Rogan looks at the influence of lithography on graphic styles during the 30 years following the technique’s invention in 1798. Marjorie Cohn examines the freedom lithography affords the artist, with its capacity to record the artist’s touch, whether expressed in drawn line or brushed tone, or quite literally through a fingerprint. Included are works by such artists as Delacroix, Géricault, Manet, Degas, Kollwitz, Picasso, Klee, Nolde, Miró, Ernst, de Kooning, Rauschenberg, and Johns. -- with a bonus offer ., Univ, 1998

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Touchstone: 200 Years of Artists' Lithographs - Cohn, Marjorie B.; Rogan, Clare I.; Agnes Etherington Art Centre; Ackland Art Museum; Arthur M. Sackler Museum
book is out-of-stock
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Cohn, Marjorie B.; Rogan, Clare I.; Agnes Etherington Art Centre; Ackland Art Museum; Arthur M. Sackler Museum:
Touchstone: 200 Years of Artists' Lithographs - Paperback

1998, ISBN: 9780916724993

ID: 562505661

Univ. New. 1998. Paperback. 0916724999 . IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY - AVAILABLE IMMEDIATELY, WHY WAIT? -- 97 pages, 8 1/2 x 11"; 44 duotones - This catalogue and the exhibition it accompanies mark the 200th anniversary of the invention of lithography. Since its invention in 1798, lithography has developed in every imaginable direction. Its history, perhaps more than that of any other printing technique, has been one equally of technological advancement and artistic and commercial application. Lithography has been adapted to the production of everything from microchip wafers to barn-sized posters The medium’s relative ease of execution, subtle transfer of artistic effects, and sturdy reproducibility made it the print technique of the 19th century. In the 20th century, during the 1960s—an era of sunny optimism, commercial expansion, and social unrest—it was the print technique that fueled the so-called American print renaissance. It was exactly lithography’s adaptability that made it a viable option for artists who disliked, or did not want to learn, traditional print techniques; it was, and is, the only printmaking method to allow artists to use their accustomed tools and materials—brush and paint, pen and ink, crayon and paper—to make prints. An essay by Clare Rogan looks at the influence of lithography on graphic styles during the 30 years following the technique’s invention in 1798. Marjorie Cohn examines the freedom lithography affords the artist, with its capacity to record the artist’s touch, whether expressed in drawn line or brushed tone, or quite literally through a fingerprint. Included are works by such artists as Delacroix, Géricault, Manet, Degas, Kollwitz, Picasso, Klee, Nolde, Miró, Ernst, de Kooning, Rauschenberg, and Johns. -- with a bonus offer ., Univ, 1998

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Touchstone: 200 Years of Artists' Lithographs - Cohn, Marjorie B.; Rogan, Clare I.; Agnes Etherington Art Centre; Ackland Art Museum; Arthur M. Sackler Museum
book is out-of-stock
(*)
Cohn, Marjorie B.; Rogan, Clare I.; Agnes Etherington Art Centre; Ackland Art Museum; Arthur M. Sackler Museum:
Touchstone: 200 Years of Artists' Lithographs - Paperback

1998, ISBN: 9780916724993

ID: 562505661

Univ. New. 1998. Paperback. 0916724999 . IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY - AVAILABLE IMMEDIATELY, WHY WAIT? -- 97 pages, 8 1/2 x 11"; 44 duotones - This catalogue and the exhibition it accompanies mark the 200th anniversary of the invention of lithography. Since its invention in 1798, lithography has developed in every imaginable direction. Its history, perhaps more than that of any other printing technique, has been one equally of technological advancement and artistic and commercial application. Lithography has been adapted to the production of everything from microchip wafers to barn-sized posters The medium’s relative ease of execution, subtle transfer of artistic effects, and sturdy reproducibility made it the print technique of the 19th century. In the 20th century, during the 1960s—an era of sunny optimism, commercial expansion, and social unrest—it was the print technique that fueled the so-called American print renaissance. It was exactly lithography’s adaptability that made it a viable option for artists who disliked, or did not want to learn, traditional print techniques; it was, and is, the only printmaking method to allow artists to use their accustomed tools and materials—brush and paint, pen and ink, crayon and paper—to make prints. An essay by Clare Rogan looks at the influence of lithography on graphic styles during the 30 years following the technique’s invention in 1798. Marjorie Cohn examines the freedom lithography affords the artist, with its capacity to record the artist’s touch, whether expressed in drawn line or brushed tone, or quite literally through a fingerprint. Included are works by such artists as Delacroix, Géricault, Manet, Degas, Kollwitz, Picasso, Klee, Nolde, Miró, Ernst, de Kooning, Rauschenberg, and Johns. -- with a bonus offer ., Univ, 1998

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Touchstone: 200 Years of Artists' Lithographs - Marjorie B. Cohn
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Marjorie B. Cohn:
Touchstone: 200 Years of Artists' Lithographs - Paperback

1998, ISBN: 9780916724993

Hardcover, ID: 246507161

Phaidon Press Ltd, 1997. Hardcover,ex-library, with usual stamps and markings, in fair all round condition. pp., Phaidon Press Ltd, 1997, Harvard Univ Art Museum, 1998. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Dust Jacket in good condition., Harvard Univ Art Museum, 1998

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Touchstone: 200 Years of Artists' Lithographs - Marjorie B. Cohn
book is out-of-stock
(*)
Marjorie B. Cohn:
Touchstone: 200 Years of Artists' Lithographs - Paperback

1998, ISBN: 9780916724993

ID: 791429351

Harvard Univ Art Museum, 1998. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Dust Jacket in good condition., Harvard Univ Art Museum, 1998

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Details of the book

Details of the book - Touchstone: 200 Years of Artists' Lithographs


EAN (ISBN-13): 9780916724993
ISBN (ISBN-10): 0916724999
Hardcover
Paperback
Publishing year: 1998
Publisher: Harvard University Art Museums, Cambridge, Massachusetts

Book in our database since 16.06.2007 18:21:22
Book found last time on 19.11.2017 10:45:22
ISBN/EAN: 0916724999

ISBN - alternate spelling:
0-916724-99-9, 978-0-916724-99-3


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