2018, ISBN: 9780870705410

Hardcover

Galison Books, 2018. Other printed item. New. box ncr edition. 192 pages. 6.00x4.50x1.50 inches., Galison Books, 2018, 6, New York: Harper, 2009. First printing. Hardcover. pp. xv, 509… More...

Galison Books, 2018. Other printed item. New. box ncr edition. 192 pages. 6.00x4.50x1.50 inches., Galison Books, 2018, 6, New York: Harper, 2009. First printing. Hardcover. pp. xv, 509. 8vo. Silver lettering to spine. Black and white and colour illustrations. Light general shelfwear, bumping to spine ends; very good+ in very good dustjacket., Harper, 2009, 0, New York: Museum of Modern Art, 1980. 144 pages, illustrations (some colour); 23 cm. Firm binding, clean inside copy. Foreedge lightly soiled. Age toning. OVERSIZE! No priority/international, except by special arrangement. "The explosive development of the practice and technology of printed art has been a fundamental characteristic of the art of the 1960s and 1970s. Never in the past have had so many artists devoted so much of their creative energy to the production of fine prints and to innovative work with printed materials, to the media of multiplication rather than the arts of the unique work. This book is an international survey of diverse styles and techniques of the period: the revival of traditional lithography and etching; the development and intensive use of silkscreen processes; the refinement of aquatint; adaptations of photographically induced images; experimentation with Xerox, rubber stamp, blueprint, and other commercial methods. Miss Castleman discusses the effect of new scientific processes, new papers and materials, and the growth of the audience for printed art, along with the establishment of fine workshop facilities and close collaboration between artists and technicians. She considers the intellectual influence of minimalist and conceptual art and comments upon the political and social implications of the artist's search for widespread communication of creative expression. More than a hundred works are illustrated, representing such artists as Jennifer Bartlett, Joseph Beuys, David Hockney, Jasper Johns, Ellsworth Kelly, Joan Miro, and Andy Warhol." - Publisher.. Paperback. Very Good. 8vo., Museum of Modern Art, 1980, 3<

2018, ISBN: 9780870705410

Galison Books, 2018. Other printed item. New. box ncr edition. 192 pages. 6.00x4.50x1.50 inches., Galison Books, 2018, 6, New York: Museum of Modern Art, 1980. 144 pages, illustrations … More...

Galison Books, 2018. Other printed item. New. box ncr edition. 192 pages. 6.00x4.50x1.50 inches., Galison Books, 2018, 6, New York: Museum of Modern Art, 1980. 144 pages, illustrations (some colour); 23 cm. Firm binding, clean inside copy. Foreedge lightly soiled. Age toning. OVERSIZE! No priority/international, except by special arrangement. "The explosive development of the practice and technology of printed art has been a fundamental characteristic of the art of the 1960s and 1970s. Never in the past have had so many artists devoted so much of their creative energy to the production of fine prints and to innovative work with printed materials, to the media of multiplication rather than the arts of the unique work. This book is an international survey of diverse styles and techniques of the period: the revival of traditional lithography and etching; the development and intensive use of silkscreen processes; the refinement of aquatint; adaptations of photographically induced images; experimentation with Xerox, rubber stamp, blueprint, and other commercial methods. Miss Castleman discusses the effect of new scientific processes, new papers and materials, and the growth of the audience for printed art, along with the establishment of fine workshop facilities and close collaboration between artists and technicians. She considers the intellectual influence of minimalist and conceptual art and comments upon the political and social implications of the artist's search for widespread communication of creative expression. More than a hundred works are illustrated, representing such artists as Jennifer Bartlett, Joseph Beuys, David Hockney, Jasper Johns, Ellsworth Kelly, Joan Miro, and Andy Warhol." - Publisher.. Paperback. Very Good. 8vo., Museum of Modern Art, 1980, 3<

1980, ISBN: 9780870705410

New York: Museum of Modern Art, 1980. 144 pages, illustrations (some colour); 23 cm. Firm binding, clean inside copy. Foreedge lightly soiled. Age toning. OVERSIZE! No priority/internatio… More...

New York: Museum of Modern Art, 1980. 144 pages, illustrations (some colour); 23 cm. Firm binding, clean inside copy. Foreedge lightly soiled. Age toning. OVERSIZE! No priority/international, except by special arrangement. "The explosive development of the practice and technology of printed art has been a fundamental characteristic of the art of the 1960s and 1970s. Never in the past have had so many artists devoted so much of their creative energy to the production of fine prints and to innovative work with printed materials, to the media of multiplication rather than the arts of the unique work. This book is an international survey of diverse styles and techniques of the period: the revival of traditional lithography and etching; the development and intensive use of silkscreen processes; the refinement of aquatint; adaptations of photographically induced images; experimentation with Xerox, rubber stamp, blueprint, and other commercial methods. Miss Castleman discusses the effect of new scientific processes, new papers and materials, and the growth of the audience for printed art, along with the establishment of fine workshop facilities and close collaboration between artists and technicians. She considers the intellectual influence of minimalist and conceptual art and comments upon the political and social implications of the artist's search for widespread communication of creative expression. More than a hundred works are illustrated, representing such artists as Jennifer Bartlett, Joseph Beuys, David Hockney, Jasper Johns, Ellsworth Kelly, Joan Miro, and Andy Warhol." - Publisher.. Paperback. Very Good. 8vo., Museum of Modern Art, 1980, 3<

1980, ISBN: 9780870705410

New York: Museum of Modern Art (MoMA), 1980. Paperback. Very Good. Unmarked. Soft corner crease on back cover. Exhibition catalog. An international survey that included Jennifer Bartlet… More...

New York: Museum of Modern Art (MoMA), 1980. Paperback. Very Good. Unmarked. Soft corner crease on back cover. Exhibition catalog. An international survey that included Jennifer Bartlett, Joseph Beuys, David Hockney, Jasper Johns, Ellsworth Kelly, Andy Warhol and others. 144p. 105 illustrations, 15 in color. Bibliography. Measures 9 inches square., Museum of Modern Art (MoMA), 1980, 3<

1984, ISBN: 9780870705410

New York: Museum of Modern Art, 1984. Square softcover, 144 pages including "105 illustrations (15 in color)"; very clean and unmarked. . First Thus. Soft Cover. Very G… More...

New York: Museum of Modern Art, 1984. Square softcover, 144 pages including "105 illustrations (15 in color)"; very clean and unmarked. . First Thus. Soft Cover. Very Good ++., Museum of Modern Art, 1984, 3<