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Defining Cinema Rutgers Depth of Field Series - Peter Lehman
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Peter Lehman:
Defining Cinema Rutgers Depth of Field Series - Paperback

1982, ISBN: 9780813523026

ID: 13064848

Indiana University Press, Bloomington: 1982. Softcover. Reading copy. A brilliantly syncretic work that relates cinema to a wider context of modern thought. Draws from the theories of Kracauer, McLuhan, and Metz to explain the essence of the evolution of film poetics and stylistics in the 1960s and seventies. Includes an Index. ISBN: 0253202930., Indiana University Press, Bloomington: 1982, Good. Used Good- May not include CD-ROM access code or companion materials. We ship from multiple locations. Prompt customer service.R5, Rutgers University Press. Paperback. New. Paperback. 232 pages. Dimensions: 9.1in. x 6.0in. x 0.6in.Defining Cinema is the first book to bring together leading theorists and scholars to discuss the importance of film theory to cinema studies. Peter Lehman introduces the volume by explaining what constitutes film theory and outlining the major positions within the field by placing these five theorists and their work within a historical perspective. Andre Bazin and Siegfried Kracauer represent realist film theories, and Sergei Eisenstein represents a formalist position. Noel Burch and Christian Metz are contemporary theorists who have moved beyond the classical realist-formalist opposition. Burchs theory encompasses films and styles praised by both Bazin and Eisenstein, and Metz helped bring semiotics and psychoanalytic theory to prominence in the field. The commentaries by contemporary film scholars range from attacking to defending to explicating the various theorists. Dudley Andrew gives an impassioned defense of Bazin, while Noel Carroll offers a sharp critique of Kracauer. Vance Kepley, Jr. , explicates Eisensteins theories in relationship to his films and shows the legacy of his works in film history. Edward Branigan analyzes Burchs early writings in a manner that reveals its daring, rigor, and importance. Robert T. Eberwein traces the shift in Metzs work from the early phase based in linguistics and semiotics to the later work based in psychoanalytic theory. Taken together, the essays show that film theory is a lively area of inquiry and debate rather than a simple history of right and wrong positions. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN., Rutgers University Press

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Defining Cinema (Mixed media product)
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Defining Cinema (Mixed media product) - new book

1997, ISBN: 0813523028

ID: 15580176578

[EAN: 9780813523026], Neubuch, [PU: Rutgers University Press, United States], Performing Arts|Film|General, Performing Arts|Film|History & Criticism, Language: English . Brand New Book. Defining Cinema is the first book to bring together leading theorists and scholars to discuss the importance of film theory to cinema studies. Peter Lehman introduces the volume by explaining what constitutes film theory and outlining the major positions within the field by placing these five theorists and their work within a historical perspective. Andre Bazin and Siegfried Kracauer represent realist film theories, and Sergei Eisenstein represents a formalist position. Noel Burch and Christian Metz are contemporary theorists who have moved beyond the classical realist-formalist opposition. Burch s theory encompasses films and styles praised by both Bazin and Eisenstein, and Metz helped bring semiotics and psychoanalytic theory to prominence in the field. The commentaries by contemporary film scholars range from attacking to defending to explicating the various theorists. Dudley Andrew gives an impassioned defense of Bazin, while Noel Carroll offers a sharp critique of Kracauer. Vance Kepley, Jr., explicates Eisenstein s theories in relationship to his films and shows the legacy of his works in film history. Edward Branigan analyzes Burch s early writings in a manner that reveals its daring, rigor, and importance. Robert T. Eberwein traces the shift in Metz s work from the early phase based in linguistics and semiotics to the later work based in psychoanalytic theory. Taken together, the essays show that film theory is a lively area of inquiry and debate rather than a simple history of right and wrong positions.

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Defining Cinema (Mixed media product)
book is out-of-stock
(*)
Defining Cinema (Mixed media product) - new book

1997, ISBN: 0813523028

ID: 15579190276

[EAN: 9780813523026], Neubuch, [PU: Rutgers University Press, United States], Performing Arts|Film|General, Performing Arts|Film|History & Criticism, Language: English . Brand New Book. Defining Cinema is the first book to bring together leading theorists and scholars to discuss the importance of film theory to cinema studies. Peter Lehman introduces the volume by explaining what constitutes film theory and outlining the major positions within the field by placing these five theorists and their work within a historical perspective. Andre Bazin and Siegfried Kracauer represent realist film theories, and Sergei Eisenstein represents a formalist position. Noel Burch and Christian Metz are contemporary theorists who have moved beyond the classical realist-formalist opposition. Burch s theory encompasses films and styles praised by both Bazin and Eisenstein, and Metz helped bring semiotics and psychoanalytic theory to prominence in the field. The commentaries by contemporary film scholars range from attacking to defending to explicating the various theorists. Dudley Andrew gives an impassioned defense of Bazin, while Noel Carroll offers a sharp critique of Kracauer. Vance Kepley, Jr., explicates Eisenstein s theories in relationship to his films and shows the legacy of his works in film history. Edward Branigan analyzes Burch s early writings in a manner that reveals its daring, rigor, and importance. Robert T. Eberwein traces the shift in Metz s work from the early phase based in linguistics and semiotics to the later work based in psychoanalytic theory. Taken together, the essays show that film theory is a lively area of inquiry and debate rather than a simple history of right and wrong positions.

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Defining Cinema (Rutgers Depth of Field Series) - Peter Lehman
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Peter Lehman:
Defining Cinema (Rutgers Depth of Field Series) - used book

ISBN: 0813523028

ID: 4439699

Defining Cinema is the first book to bring together leading theorists and scholars to discuss the importance of film theory to cinema studies. Peter Lehman introduces the volume by explaining what constitutes film theory and outlining the major positions within the field by placing these five theorists and their work within a historical perspective. Andre Bazin and Siegfried Kracauer represent realist film theories, and Sergei Eisenstein represents a formalist position. Noel Burch and Christian Metz are contemporary theorists who have moved beyond the classical realist-formalist opposition. Burch's theory encompasses films and styles praised by both Bazin and Eisenstein, and Metz helped bring semiotics and psychoanalytic theory to prominence in the field. The commentaries by contemporary film scholars range from attacking to defending to explicating the various theorists. Dudley Andrew gives an impassioned defense of Bazin, while Noel Carroll offers a sharp critique of Kracauer. Vance Kepley, Jr., explicates Eisenstein's theories in relationship to his films and shows the legacy of his works in film history. Edward Branigan analyzes Burch's early writings in a manner that reveals its daring, rigor, and importance. Robert T. Eberwein traces the shift in Metz's work from the early phase based in linguistics and semiotics to the later work based in psychoanalytic theory. Taken together, the essays show that film theory is a lively area of inquiry and debate rather than a simple history and criticism,humor and entertainment,movies,theory Movies, Rutgers University Press

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Defining Cinema - Peter Lehman
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Peter Lehman:
Defining Cinema - new book

1997, ISBN: 9780813523026

ID: 1194048

Media-Kombination, Sonstige Produkte, [PU: Rutgers University Press]

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