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Why Docudrama?: Fact-fiction on Film and TV - Alan Rosentahl
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Alan Rosentahl:
Why Docudrama?: Fact-fiction on Film and TV - Paperback

ISBN: 0809321874

ID: 16397247837

[EAN: 9780809321872], Nieuw boek, [SC: 5.72], [PU: Southern Illinois University Press], Literary Criticism|Drama, Performing Arts|Film|General, Performing Arts|Film|History & Criticism, Performing Arts|Film|Reference, Technology|Television & Video, BRAND NEW, Why Docudrama?: Fact-fiction on Film and TV, Alan Rosentahl, When the 1990 English docudrama "Who Bombed Birmingham?" cast serious doubt on the guilt of six men convicted of bombing two British pubs in 1974, Prime Minister Margaret Thatcher declared that "a television programme alters nothing". But, as Alan Rosenthal concludes, Thatcher was wrong. The film engendered a new inquiry that led to the release of the convicted men. Rosenthal notes that docudrama wields more influence than the average documentary and that "reality-based stories taken from topical journalism are the most popular drama genre on US and British television today". This three-part collection of diverse and provocative essays addresses the dominant questions and controversies the genre poses. Defining and examining the rationale of docudrama, the nine essayists in the first part discuss the history and development of docudrama on TV and in film; they also consider the place of truth in docudrama, the main critiques of the form, and the audience's susceptibilities and expectations. In investigating the actual film-making process, the eight essays in the second part focus on how "docudrama as a 'commodity' is created in the United States and England". Part essay, part case study, and part interview, this section also explores how Hollywood and the commercial networks as well as producers and writers work and think. The final part presents an in-depth critique of a number of controversial docudramas that have helped form and shape public opinion, including "Battleship Potemkin", "Roots", "Reds", "JFK", "Mississippi Burning", "Schindler's List" and "In the Name of the Father". In addition to Rosenthal, the contributors are John Corner, George F. Custen, David Edgar, Leslie Fishbein, George MacDonald Fraser, Todd Gitlin, Douglas Gomery, Richard Grenier, Sumiko Higashi, Tom W. Hoffer, Jerry Kuehl, Steve Lipkin, Yosefa Loshtinsky, Ian McBride, Richard Alan Nelson, Conor Cruise O'Brien, Derek Paget, Robert A. Rosenstone, Betsy Sharkey, Irene Shubik, Jeff Silverman, D.J. Wenden, Sita Williams and Leslie Woodhead.

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Why Docudrama?: Fact-Fiction on Film and TV - Rosenthal, Alan / Rosenthal, Allen
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Rosenthal, Alan / Rosenthal, Allen:
Why Docudrama?: Fact-Fiction on Film and TV - used book

1990, ISBN: 9780809321872

ID: 3357137

When the 1990 English docudrama Who Bombed Birmingham? cast serious doubt on the guilt of six men convicted of bombing two British pubs in 1974, Prime Minister Margaret Thatcher declared that a "television program alters nothing." But, as Alan Rosenthal concludes, Thatcher was wrong. The film engendered a new inquiry that led to the release of the convicted men. Rosenthal notes that docudrama wields more influence than the average documentary and that "reality-based stories taken from topical journalism are the most popular drama genre on U.S. and British television today." This three-part collection of diverse and provocative essays addresses the dominant questions and controversies the genre poses. Defining and examining the rationale of docudrama, the nine essayists in the first part discuss the history and development of docudrama on TV and in film; they also consider the place of truth in docudrama, the main critiques of the form, and the audience's susceptibilities and expectations. In investigating the actual filmmaking process, the eight essays in the second part focus on how "docudrama as a 'commodity' is created in the United States and England." Part essay, part case study, and part interview, this section also explores how Hollywood and the commercial networks as well as producers and writers work and think. The final part presents an in-depth critique of a number of controversial docudramas that have helped form and shape public opinion, including "Battleship Potemkin, Roots, Reds, JFK, Mississippi Burning, Schindler"'"s List," and "In the Name of the Father." In addition to Rosenthal, the contributors are John Corner, George F. Custen, David Edgar, Leslie Fishbein, George MacDonald Fraser, Todd Gitlin, Douglas Gomery, Richard Grenier, Sumiko Higashi, Tom W. Hoffer, Jerry Kuehl, Steve Lipkin, Yosefa Loshitsky, Ian McBride, Richard Alan Nelson, Conor Cruise O'Brien, Derek Paget, Robert A. Rosenstone, Betsy Sharkey, Irene Shubik, Jeff Silverman, D. J. Wenden, Sita Williams, and Leslie Woodhead. Why Docudrama?: Fact-Fiction on Film and TV Rosenthal, Alan / Rosenthal, Allen, Southern Illinois University Press

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Why Docudrama?: 1938-1939, Experience and Education, Freedom and Culture, Theory of Valuation, and Essays: Fact-fiction on Film and TV - Alan Rosenthal, Allen Rosenthal
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Alan Rosenthal, Allen Rosenthal:
Why Docudrama?: 1938-1939, Experience and Education, Freedom and Culture, Theory of Valuation, and Essays: Fact-fiction on Film and TV - Paperback

ISBN: 0809321874

[SR: 230280], Taschenbuch, [EAN: 9780809321872], Southern Illinois Univ Pr, Southern Illinois Univ Pr, Book, [PU: Southern Illinois Univ Pr], Southern Illinois Univ Pr, Why Docudrama? When the 1990 English docudrama Who Bombed Birmingham? cast serious doubt on the guilt of six men convicted of bombing two British pubs in 1974, Prime Minister Margaret Thatcher declared that a "television program alters nothing." But, as Alan Rosenthal concludes, Thatcher was wrong. The film engendered a new inquiry that led to the release of the convicted men.Rosenthal notes that docudrama wield... Full description, 59670011, Kunst & Fotografie, 1319947031, Anleitungen, 60357011, Architektur, 60261011, Darstellende Künste, 336963011, Design & Verzierungskunst, 59671011, Fotografie, 60177011, Geschichte & Kritik, 60168011, Malen, 60153011, Mode, 60226011, Museen & Sammlungen, 336964011, Nachschlagewerke, 55554011, Religiös, 60179011, Schulen, Strömungen & Stile, 60223011, Skulptur, 60342011, Zeichnen, 54071011, Genres, 52044011, Fremdsprachige Bücher, 64309011, Nachschlagewerke, 64299011, Filme, 64226011, Unterhaltung & Kultur, 54071011, Genres, 52044011, Fremdsprachige Bücher, 64600011, Fernsehen, 56818011, Biografien, 64602011, Führer & Rezensionen, 64603011, Geschichte & Kritik, 1321811031, Nachschlagewerke, 1321810031, Regie & Produktion, 64606011, Serien, 64605011, Verfassen von Drehbüchern, 64226011, Unterhaltung & Kultur, 54071011, Genres, 52044011, Fremdsprachige Bücher

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Why Docudrama?: 1938-1939, Experience and Education, Freedom and Culture, Theory of Valuation, and Essays: Fact-fiction on Film and TV - Alan Rosenthal, Allen Rosenthal
book is out-of-stock
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Alan Rosenthal, Allen Rosenthal:
Why Docudrama?: 1938-1939, Experience and Education, Freedom and Culture, Theory of Valuation, and Essays: Fact-fiction on Film and TV - Paperback

ISBN: 0809321874

[SR: 230280], Taschenbuch, [EAN: 9780809321872], Southern Illinois Univ Pr, Southern Illinois Univ Pr, Book, [PU: Southern Illinois Univ Pr], Southern Illinois Univ Pr, Why Docudrama? When the 1990 English docudrama Who Bombed Birmingham? cast serious doubt on the guilt of six men convicted of bombing two British pubs in 1974, Prime Minister Margaret Thatcher declared that a "television program alters nothing." But, as Alan Rosenthal concludes, Thatcher was wrong. The film engendered a new inquiry that led to the release of the convicted men.Rosenthal notes that docudrama wield... Full description, 59670011, Kunst & Fotografie, 1319947031, Anleitungen, 60357011, Architektur, 60261011, Darstellende Künste, 336963011, Design & Verzierungskunst, 59671011, Fotografie, 60177011, Geschichte & Kritik, 60168011, Malen, 60153011, Mode, 60226011, Museen & Sammlungen, 336964011, Nachschlagewerke, 55554011, Religiös, 60179011, Schulen, Strömungen & Stile, 60223011, Skulptur, 60342011, Zeichnen, 54071011, Genres, 52044011, Fremdsprachige Bücher, 64309011, Nachschlagewerke, 64299011, Filme, 64226011, Unterhaltung & Kultur, 54071011, Genres, 52044011, Fremdsprachige Bücher, 64600011, Fernsehen, 56818011, Biografien, 64602011, Führer & Rezensionen, 64603011, Geschichte & Kritik, 1321811031, Nachschlagewerke, 1321810031, Regie & Produktion, 64606011, Serien, 64605011, Verfassen von Drehbüchern, 64226011, Unterhaltung & Kultur, 54071011, Genres, 52044011, Fremdsprachige Bücher

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Why Docudrama? - Alan Rosentahl
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Alan Rosentahl:
Why Docudrama? - Paperback

1998, ISBN: 9780809321872

ID: 776682

Softcover, Buch, [PU: Southern Illinois University Press]

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Details of the book
Why Docudrama?: Fact-Fiction on Film and TV

Rosenthal notes that reality-based stories taken from topical journalism are the most popular drama genre on U.S. and British television today. This three-part collection of diverse and provocative essays addresses the dominant questions and controversies the genre poses.

Details of the book - Why Docudrama?: Fact-Fiction on Film and TV


EAN (ISBN-13): 9780809321872
ISBN (ISBN-10): 0809321874
Paperback
Publishing year: 1999
Publisher: SOUTHERN ILLINOIS UNIV PR
416 Pages
Weight: 0,630 kg
Language: eng/Englisch

Book in our database since 05.04.2007 12:18:54
Book found last time on 27.03.2017 18:18:25
ISBN/EAN: 0809321874

ISBN - alternate spelling:
0-8093-2187-4, 978-0-8093-2187-2


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