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Fragments of the Feminine Sublime in Friedrich Schlegel and James Joyce - Ginette Verstraete
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Ginette Verstraete:
Fragments of the Feminine Sublime in Friedrich Schlegel and James Joyce - new book

ISBN: 9780791436288

ID: 688663644

This is the first book to extensively study Joyce´s work in the context of Germanic Romantic literary theory. It illustrates how Joyce´s modern and postmodern innovation of the novel finds its theoretical roots in Friedrich Schlegel´s conception of the Romantic, fragmentary novel. Verstraete discusses the relevance of Schlegel´s early Romanticism to the young Joyce´s essays on symbolic-realistic drama and argues that what has traditionally been described as Joyce´s personal appropriation of Hegel´s dialectics can better be understood in terms of Schlegel´s ironic approach to philosophy. She relates Schlegel´s concepts of irony and of the fragment to his feminist critique of nineteenth-century bourgeois art, and of Kant´s categories of the beautiful and the sublime. She argues that Schlegel´s ironization of the sublime yields a rhetorical subversion of the opposition between male artist and female model, art and reality, as well as between the sublime and the beautiful. Verstraete illustrates this critical and political force of what she calls the ´´feminine sublime´´ at work in Schlegel´s essays on Greek comedy and in his novel Lucinde. The book demonstrates how the Romantic (feminine) sublime, as the site where autonomous art generates its own critique, offers us the tools with which to interpret Joyce´s postmodern innovations of Romantic art. Fragments of the Feminine Sublime in Friedrich Schlegel and James Joyce Bücher > Fremdsprachige Bücher > Englische Bücher Taschenbuch 01.01.1998 Buch (fremdspr.), State Univ Of Ny Pr, .199

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Fragments of the Feminine Sublime in Friedrich Schlegel and James Joyce - Ginette Verstraete
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Ginette Verstraete:
Fragments of the Feminine Sublime in Friedrich Schlegel and James Joyce - new book

ISBN: 9780791436288

ID: 800400582

This is the first book to extensively study Joyce´s work in the context of Germanic Romantic literary theory. It illustrates how Joyce´s modern and postmodern innovation of the novel finds its theoretical roots in Friedrich Schlegel´s conception of the Romantic, fragmentary novel. Verstraete discusses the relevance of Schlegel´s early Romanticism to the young Joyce´s essays on symbolic-realistic drama and argues that what has traditionally been described as Joyce´s personal appropriation of Hegel´s dialectics can better be understood in terms of Schlegel´s ironic approach to philosophy. She relates Schlegel´s concepts of irony and of the fragment to his feminist critique of nineteenth-century bourgeois art, and of Kant´s categories of the beautiful and the sublime. She argues that Schlegel´s ironization of the sublime yields a rhetorical subversion of the opposition between male artist and female model, art and reality, as well as between the sublime and the beautiful. Verstraete illustrates this critical and political force of what she calls the ´´feminine sublime´´ at work in Schlegel´s essays on Greek comedy and in his novel Lucinde. The book demonstrates how the Romantic (feminine) sublime, as the site where autonomous art generates its own critique, offers us the tools with which to interpret Joyce´s postmodern innovations of Romantic art. Fragments of the Feminine Sublime in Friedrich Schlegel and James Joyce Buch (fremdspr.) Bücher>Fremdsprachige Bücher>Englische Bücher, State Univ Of Ny Pr

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Verstraete, Ginette:
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ISBN: 9780791436288

[ED: Taschenbuch], [PU: STATE UNIV OF NY PR], This is the first book to extensively study Joyce's work in the context of Germanic Romantic literary theory. It illustrates how Joyce's modern and postmodern innovation of the novel finds its theoretical roots in Friedrich Schlegel's conception of the Romantic, fragmentary novel. Verstraete discusses the relevance of Schlegel's early Romanticism to the young Joyce's essays on symbolic-realistic drama and argues that what has traditionally been described as Joyce's personal appropriation of Hegel's dialectics can better be understood in terms of Schlegel's ironic approach to philosophy. She relates Schlegel's concepts of irony and of the fragment to his feminist critique of nineteenth-century bourgeois art, and of Kant's categories of the beautiful and the sublime. She argues that Schlegel's ironization of the sublime yields a rhetorical subversion of the opposition between male artist and female model, art and reality, as well as between the sublime and the beautiful. Verstraete illustrates this critical and political force of what she calls the "feminine sublime" at work in Schlegel's essays on Greek comedy and in his novel Lucinde. The book demonstrates how the Romantic (feminine) sublime, as the site where autonomous art generates its own critique, offers us the tools with which to interpret Joyce's postmodern innovations of Romantic art. Versandfertig in 2-4 Wochen, DE, [SC: 0.00], Neuware, gewerbliches Angebot, offene Rechnung (Vorkasse vorbehalten)

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Fragments of the Feminine Sublime in Friedrich Schlegel and James Joyce (Suny Series on the Sublime) (Suny Series, Sublime) - Ginette Verstraete
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Ginette Verstraete:
Fragments of the Feminine Sublime in Friedrich Schlegel and James Joyce (Suny Series on the Sublime) (Suny Series, Sublime) - Paperback

1998, ISBN: 9780791436288

ID: 14143578221

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Details of the book
Fragments of the Feminine Sublime in Friedrich Schlegel and James Joyce

This is the first book to extensively study Joyce's work in the context of Germanic Romantic literary theory. It illustrates how Joyce's modern and postmodern innovation of the novel finds its theoretical roots in Friedrich Schlegel's conception of the Romantic, fragmentary novel. Verstraete discusses the relevance of Schlegel's early Romanticism to the young Joyce's essays on symbolic-realistic drama and argues that what has traditionally been described as Joyce's personal appropriation of Hegel's dialectics can better be understood in terms of Schlegel's ironic approach to philosophy. She relates Schlegel's concepts of irony and of the fragment to his feminist critique of nineteenth-century bourgeois art, and of Kant's categories of the beautiful and the sublime. She argues that Schlegel's ironization of the sublime yields a rhetorical subversion of the opposition between male artist and female model, art and reality, as well as between the sublime and the beautiful. Verstraete illustrates this critical and political force of what she calls the "feminine sublime" at work in Schlegel's essays on Greek comedy and in his novel Lucinde. The book demonstrates how the Romantic (feminine) sublime, as the site where autonomous art generates its own critique, offers us the tools with which to interpret Joyce's postmodern innovations of Romantic art.

Details of the book - Fragments of the Feminine Sublime in Friedrich Schlegel and James Joyce


EAN (ISBN-13): 9780791436288
ISBN (ISBN-10): 0791436284
Hardcover
Paperback
Publishing year: 1998
Publisher: ST UNIV OF NEW YORK
288 Pages
Weight: 0,386 kg
Language: eng/Englisch

Book in our database since 03.06.2007 23:08:41
Book found last time on 01.09.2017 22:57:59
ISBN/EAN: 0791436284

ISBN - alternate spelling:
0-7914-3628-4, 978-0-7914-3628-8


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