
ISBN: 9780691027142
In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. Asking such questions as 'what is a musical work' and 'what constitutes music,' Nattiez draws from philosophy, anthropology, music analysis, and history to propose a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. He reviews issues raised by the notion of the musical sign, and shows how Peircian semiotics, with its image of a chain or web of meanings, applies to a consideration of music's infinite and unstable potential for embodying meaning. In exploring the process of ascribing meaning to music, Nattiez reviews writings on the psychology of music, non-Western metaphorical descriptions, music-analytical prose, and writings in the history of musical aesthetics. A final analytical chapter on the Tristan chord suggests that interpretations of music are cast in terms of analytical plots shaped by transcendent principles, and that any semiological consideration of music must account for these interpretive narratives. Bücher > Fremdsprachige Bücher > Englische Bücher 229 x 154 x 21 mm , Princeton University Press, Taschenbuch, Princeton University Press
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ISBN: 9780691027142
In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. Asking such questions as "what is a musical work" and "what constitutes music," Nattiez draws from philosophy, anthropology, music analysis, and history to propose a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. He reviews issues raised by the notion of the musical sign, and shows how Peircian semiotics, with its image of a chain or web of meanings, applies to a consideration of music's infinite and unstable potential for embodying meaning.In exploring the process of ascribing meaning to music, Nattiez reviews writings on the psychology of music, non-Western metaphorical descriptions, music-analytical prose, and writings in the history of musical aesthetics. A final analytical chapter on the Tristan chord suggests that interpretations of music are cast in terms of analytical plots shaped by transcendent principles, and that any semiological consideration of music must account for these interpretive narratives. Media > Book, [PU: Princeton University Press]
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ISBN: 9780691027142
Paperback, [PU: Princeton University Press], Examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. This book proposes a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. It also reviews issues raised by the notion of the musical sign., Theory Of Music & Musicology, Theory Of Music & Musicology
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1990, ISBN: 0691027145
Kartoniert / Broschiert MUSIC / History & Criticism, Musikgeschichte, Protège-cahier 11, [PU:Princeton University Press]
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1990, ISBN: 9780691027142
Toward a Semiology of Music, Buch, Softcover, [PU: Princeton University Press], Princeton University Press, 1990
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ISBN: 9780691027142
In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceive… More...

Jean-Jacques Nattiez:
Music and Discourse : Toward a Semiology of Music by Jean-Jacques Nattiez - used bookISBN: 9780691027142
In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceive… More...

ISBN: 9780691027142
Paperback, [PU: Princeton University Press], Examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. This boo… More...
1990, ISBN: 0691027145
Kartoniert / Broschiert MUSIC / History & Criticism, Musikgeschichte, Protège-cahier 11, [PU:Princeton University Press]
1990, ISBN: 9780691027142
Toward a Semiology of Music, Buch, Softcover, [PU: Princeton University Press], Princeton University Press, 1990
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Details of the book - Music and Discourse
EAN (ISBN-13): 9780691027142
ISBN (ISBN-10): 0691027145
Hardcover
Paperback
Publishing year: 1990
Publisher: Princeton University Press
292 Pages
Weight: 0,476 kg
Language: eng/Englisch
Book in our database since 2007-05-27T11:11:49-04:00 (New York)
Detail page last modified on 2022-07-19T16:46:09-04:00 (New York)
ISBN/EAN: 0691027145
ISBN - alternate spelling:
0-691-02714-5, 978-0-691-02714-2
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