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Epic and Empire: Politics and Generic Form from Virgil to Milton - Quint, David
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Quint, David:
Epic and Empire: Politics and Generic Form from Virgil to Milton - used book

ISBN: 9780691015200

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Alexander the Great, according to Plutarch, carried on his campaigns a copy of the "Iliad," kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the "Aeneid" as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the "Aeneid" itself, Camoes's "Lusiadas," Tasso's "Gerusalemme liberata") and the countervailing epic of the defeated and of republican liberty (Lucan's "Pharsalia," Ercilla's "Araucana," and d'Aubigne's "Les tragiques"). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates "Paradise Lost" and "Paradise Regained" within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, "Alexander Nevsky." Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, "Epic and Empire" provides new models for exploring the relationship between ideology and literary form. Epic and Empire: Politics and Generic Form from Virgil to Milton Quint, David, Princeton University Press

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Epic and Empire: Politics and Generic Form from Virgil to Milton - David Quint
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David Quint:
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ISBN: 9780691015200

ID: 678695779

Alexander the Great, according to Plutarch, carried on his campaigns a copy of the ´´Iliad,´´ kept alongside a † on a more pronounced ideological level, ancient Romans looked to the ´´Aeneid´´ as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors´ side (the ´´Aeneid´´ itself, Camoes´s ´´Lusiadas,´´ Tasso´s ´´Gerusalemme liberata´´) and the countervailing epic of the defeated and of republican liberty (Lucan´s ´´Pharsalia,´´ Ercilla´s ´´Araucana,´´ and d´Aubigne´s ´´Les tragiques´´). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with ´´romance,´´ the story told of and by the defeated.Quint situates ´´Paradise Lost´´ and ´´Paradise Regained´´ within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein´s epic film, ´´Alexander Nevsky.´´ Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, ´´Epic and Empire´´ provides new models for exploring the relationship between ideology and literary form. Politics and Generic Form From Virgil to Milton Buch (fremdspr.) Bücher>Fremdsprachige Bücher>Englische Bücher, Princeton University Press

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Epic and Empire - David Quint
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David Quint:
Epic and Empire - new book

ISBN: 9780691015200

ID: 862944318

Alexander the Great, according to Plutarch, carried on his campaigns a copy of the ´´Iliad,´´ kept alongside a † on a more pronounced ideological level, ancient Romans looked to the ´´Aeneid´´ as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors´ side (the ´´Aeneid´´ itself, Camoes´s ´´Lusiadas,´´ Tasso´s ´´Gerusalemme liberata´´) and the countervailing epic of the defeated and of republican liberty (Lucan´s ´´Pharsalia,´´ Ercilla´s ´´Araucana,´´ and d´Aubigne´s ´´Les tragiques´´). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with ´´romance,´´ the story told of and by the defeated.Quint situates ´´Paradise Lost´´ and ´´Paradise Regained´´ within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein´s epic film, ´´Alexander Nevsky.´´ Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, ´´Epic and Empire´´ provides new models for exploring the relationship between ideology and literary form. Politics and Generic Form from Virgil to Milton Buch (fremdspr.) Taschenbuch 25.01.1993 Bücher>Fremdsprachige Bücher>Englische Bücher, Princeton University Press, .199

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Epic and Empire - David Quint
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David Quint:
Epic and Empire - new book

ISBN: 9780691015200

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Alexander the Great, according to Plutarch, carried on his campaigns a copy of the ´´Iliad,´´ kept alongside a † on a more pronounced ideological level, ancient Romans looked to the ´´Aeneid´´ as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors´ side (the ´´Aeneid´´ itself, Camoes´s ´´Lusiadas,´´ Tasso´s ´´Gerusalemme liberata´´) and the countervailing epic of the defeated and of republican liberty (Lucan´s ´´Pharsalia,´´ Ercilla´s ´´Araucana,´´ and d´Aubigne´s ´´Les tragiques´´). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with ´´romance,´´ the story told of and by the defeated.Quint situates ´´Paradise Lost´´ and ´´Paradise Regained´´ within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein´s epic film, ´´Alexander Nevsky.´´ Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, ´´Epic and Empire´´ provides new models for exploring the relationship between ideology and literary form. Politics and Generic Form from Virgil to Milton Buch (fremdspr.) Bücher>Fremdsprachige Bücher>Englische Bücher, Princeton University Press

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Epic and Empire
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Epic and Empire - new book

ISBN: 9780691015200

ID: 9780691015200

Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form. Books, [PU: Princeton University Press]

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Epic and Empire: Politics and Generic Form from Virgil to Milton

Alexander the Great, according to Plutarch, carried on his campaigns a copy of the "Iliad," kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the "Aeneid" as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the "Aeneid" itself, Camoes's "Lusiadas," Tasso's "Gerusalemme liberata") and the countervailing epic of the defeated and of republican liberty (Lucan's "Pharsalia," Ercilla's "Araucana," and d'Aubigne's "Les tragiques"). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated.Quint situates "Paradise Lost" and "Paradise Regained" within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, "Alexander Nevsky." Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, "Epic and Empire" provides new models for exploring the relationship between ideology and literary form.

Details of the book - Epic and Empire: Politics and Generic Form from Virgil to Milton


EAN (ISBN-13): 9780691015200
ISBN (ISBN-10): 0691015201
Paperback
Publishing year: 1993
Publisher: PRINCETON UNIV PR
448 Pages
Weight: 0,608 kg
Language: eng/Englisch

Book in our database since 22.03.2007 13:18:39
Book found last time on 02.11.2017 18:19:25
ISBN/EAN: 0691015201

ISBN - alternate spelling:
0-691-01520-1, 978-0-691-01520-0


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