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Mists of Regret: Culture and Sensibility in Classic French Film - Dudley Andrew
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Dudley Andrew:
Mists of Regret: Culture and Sensibility in Classic French Film - new book

ISBN: 9780691008837

ID: 978069100883

Just before World War II, French cinema reached a high point that has been dubbed the style of poetic realism. Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carné, Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made. Beyond giving a rich view of the life and worth of cinema in France, Andrew contributes substantially to our knowledge of how films are dealt with in history. Where earlier studies have treated the masterpieces of this era either in themselves or as part of the vision of their creators, and where certain recent scholars have reacted to this by dissolving the masterpieces back into the system of entertainment that made them possible, Andrew stresses the dialogue of culture and cinema. In his view, the films open questions that take us into the culture, while our understanding of the culture gives energy, direction, and consequence to our reading of the films. The book demonstrates the value of this hermeneutic approach for one set of texts and one period, but it should very much interest film theorists and film historians of all sorts. Dudley Andrew, Books, Entertainment, Mists of Regret: Culture and Sensibility in Classic French Film Books>Entertainment, Princeton University Press

Indigo.ca
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Mists of Regret - Dudley Andrew
(*)
Dudley Andrew:
Mists of Regret - new book

ISBN: 9780691008837

ID: 1996735068

Just before World War II, French cinema reached a high point that has been dubbed the style of ´´poetic realism.´´ Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carné, Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made. Beyond giving a rich view of the life and worth of cinema in France, Andrew contributes substantially to our knowledge of how films are dealt with in history. Where earlier studies have treated the masterpieces of this era either in themselves or as part of the vision of their creators, and where certain recent scholars have reacted to this by dissolving the masterpieces back into the system of entertainment that made them possible, Andrew stresses the dialogue of culture and cinema. In his view, the films open questions that take us into the culture, while our understanding of the culture gives energy, direction, and consequence to our reading of the films. The book demonstrates the value of this hermeneutic approach for one set of texts and one period, but it should very much interest film theorists and film historians of all sorts. Culture and Sensibility in Classic French Film Buch (fremdspr.) Bücher>Fremdsprachige Bücher>Englische Bücher, Princeton University Press

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Mists of Regret: Culture and Sensibility in Classic French Film
(*)
Mists of Regret: Culture and Sensibility in Classic French Film - new book

ISBN: 9780691008837

ID: 978069100883

Just before World War II, French cinema reached a high point that has been dubbed the style of "poetic realism." Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carné, Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made. Beyond giving a rich view of the life and worth of cinema in France, Andrew contributes substantially to our knowledge of how films are dealt with in history. Where earlier studies have treated the masterpieces of this era either in themselves or as part of the vision of their creators, and where certain recent scholars have reacted to this by dissolving the masterpieces back into the system of entertainment that made them possible, Andrew stresses the dialogue of culture and cinema. In his view, the films open questions that take us into the culture, while our understanding of the culture gives energy, direction, and consequence to our reading of the films. The book demonstrates the value of this hermeneutic approach for one set of texts and one period, but it should very much interest film theorists and film historians of all sorts. Books List_Books, [PU: Princeton University Press]

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Mists of Regret
(*)
Mists of Regret - new book

ISBN: 9780691008837

ID: 9780691008837

Just before World War II, French cinema reached a high point that has been dubbed the style of "poetic realism." Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carné, Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made. Beyond giving a rich view of the life and worth of cinema in France, Andrew contributes substantially to our knowledge of how films are dealt with in history. Where earlier studies have treated the masterpieces of this era either in themselves or as part of the vision of their creators, and where certain recent scholars have reacted to this by dissolving the masterpieces back into the system of entertainment that made them possible, Andrew stresses the dialogue of culture and cinema. In his view, the films open questions that take us into the culture, while our understanding of the culture gives energy, direction, and consequence to our reading of the films. The book demonstrates the value of this hermeneutic approach for one set of texts and one period, but it should very much interest film theorists and film historians of all sorts. Books, [PU: Princeton University Press]

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Mists of Regret: Culture and Sensibility in Classic French Film - Dudley Andrew
(*)
Dudley Andrew:
Mists of Regret: Culture and Sensibility in Classic French Film - Paperback

ISBN: 9780691008837

ID: 9780691008837

Mists of Regret: Culture and Sensibility in Classic French Film Mists-of-Regret-Culture-and-Sensibility-in-Classic-French-Film~~Dudley-Andrew Movies & TV>Film Studies>Film Studies Paperback, Princeton University Press

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Details of the book
Mists of Regret

Just before World War II, French cinema reached a high point that has been dubbed the style of "poetic realism." Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carne, Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made.Beyond giving a rich view of the life and worth of cinema in France, Andrew contributes substantially to our knowledge of how films are dealt with in history. Where earlier studies have treated the masterpieces of this era either in themselves or as part of the vision of their creators, and where certain recent scholars have reacted to this by dissolving the masterpieces back into the system of entertainment that made them possible, Andrew stresses the dialogue of culture and cinema. In his view, the films open questions that take us into the culture, while our understanding of the culture gives energy, direction, and consequence to our reading of the films. The book demonstrates the value of this hermeneutic approach for one set of texts and one period, but it should very much interest film theorists and film historians of all sorts.

Details of the book - Mists of Regret


EAN (ISBN-13): 9780691008837
ISBN (ISBN-10): 0691008833
Paperback
Publishing year: 1995
Publisher: Princeton University Press
384 Pages
Weight: 0,617 kg
Language: eng/Englisch

Book in our database since 2007-11-01T05:46:31-04:00 (New York)
Detail page last modified on 2019-08-09T07:04:42-04:00 (New York)
ISBN/EAN: 0691008833

ISBN - alternate spelling:
0-691-00883-3, 978-0-691-00883-7


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