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Men, Women, and Chain Saws: Gender in the Modern Horror Film - Carol J. Clover
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Carol J. Clover:
Men, Women, and Chain Saws: Gender in the Modern Horror Film - Paperback

ISBN: 0691006202

[SR: 487661], Paperback, [EAN: 9780691006208], Princeton University Press, Princeton University Press, Book, [PU: Princeton University Press], Princeton University Press, Do the pleasures of horror movies really begin and end in sadism? So the public discussion of film assumes, and so film theory claims. Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero, who suffers fright but rises to vanquish the forces of oppression. Clover, a medievalist, had written extensively on the literature and culture of early northern Europe, especially the Old Norse sagas. From her expertise in formulaic narrative grew her interest in contemporary cinema, which is, after all, yet another form of oral storytelling. Men, Women, and Chain Saws investigated the appeal of horror cinema, in particular the phenomenal popularity of those "low" genres that feature female heroes and play to male audiences: slasher, occult, and rape-revenge films. Such genres seem to offer sadistic pleasure to their viewers, and not much else. Clover, however, argued the reverse: that these films are designed to align spectators not with the male tormentor, but with the female tormented--with the suffering, pain, and anguish that the "final girl," as Clover calls the victim-hero, endures before rising, finally, to vanquish her oppressor. The book has found an avid readership from students of film theory to major Hollywood filmmakers, and the figure of the final girl has been taken up by a wide range of artists, inspiring not just filmmakers but also musicians and poets., Before Men, Women, and Chain Saws, most film critics assumed that horror (especially slasher) films entail a male viewer sadistically watching the plight of a female victim. Carol Clover argues convincingly that both male and female viewers not only identify with the victim, but experience, through the actions of the "final girl," a climactic moment of female power. As the Boston Globe writes, Men, Women, and Chain Saws "challenges simplistic assumptions about the relationship between gender and culture... [Clover] suggests that the 'low tradition' in horror movies possesses positive subversive potential, a space to explore gender ambiguity and transgress traditional boundaries of masculinity and femininity." Be forewarned, though: Clover addresses an academic audience, so her language can be heavy going. Related title: The Dread of Difference: Gender and the Horror Film by Barry Keith Grant, 521000, Performing Arts, 1474, Dance, 11160393011, Individual Directors, 1099186, Magic & Illusion, 271614011, Reference, 2154, Theater, 1, Arts & Photography, 1000, Subjects, 283155, Books, 4495, History & Criticism, 4484, Movies, 86, Humor & Entertainment, 1000, Subjects, 283155, Books, 194810011, Genre Films, 4484, Movies, 86, Humor & Entertainment, 1000, Subjects, 283155, Books, 194811011, Theory, 4484, Movies, 86, Humor & Entertainment, 1000, Subjects, 283155, Books

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Men, Women, and Chain Saws : Gender in the Modern Horror Film - Carol J. Clover
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Men, Women, and Chain Saws : Gender in the Modern Horror Film - used book

ISBN: 0691006202

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Do the pleasures of horror movies really begin and end in sadism? So the public discussion of film assumes, and so film theory claims. Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero, who suffers fright but rises to vanquish the forces of oppression. Clover, a medievalist, had written extensively on the literature and culture of early northern Europe, especially the Old Norse sagas. From her expertise in formulaic narrative grew her interest in contemporary cinema, which is, after all, yet another form of oral storytelling.Men, Women, and Chain Sawsinvestigated the appeal of horror cinema, in particular the phenomenal popularity of those "low" genres that feature female heroes and play to male audiences: slasher, occult, and rape-revenge films. Such genres seem to offer sadistic pleasure to their viewers, and not much else. Clover, however, argued the reverse: that these films are designed to align spectators not with the male tormentor, but with the female tormented--with the suffering, pain, and anguish that the "final girl," as Clover calls the victim-hero, endures before rising, finally, to vanquish her oppressor. The book has found an avid readership from students of film theory to major Hollywood filmmakers, and the figure of the final girl has been taken up by a wide range of artists, inspiring not just filmmakers but also musicians and poets. arts music and photography,criticism and theory,feminist theory,genre films,history and criticism,humor and entertainment,literature and fiction,movies,performing arts,politics and social sciences Movies, Princeton University Press

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Men, Women, and Chain Saws: Gender in Modern Horror Film - Carol J. Clover
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Carol J. Clover:
Men, Women, and Chain Saws: Gender in Modern Horror Film - new book

ISBN: 9780691006208

ID: 978069100620

Do the pleasures of horror movies really begin and end in sadism? So the public discussion of film assumes, and so film theory claims. Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero, who suffers fright but rises to vanquish the forces of oppression. Clover, a medievalist, had written extensively on the literature and culture of early northern Europe, especially the Old Norse sagas. From her expertise in formulaic narrative grew her interest in contemporary cinema, which is, after all, yet another form of oral storytelling. Men, Women, and Chain Saws investigated the appeal of horror cinema, in particular the phenomenal popularity of those low genres that feature female heroes and play to male audiences: slasher, occult, and rape-revenge films. Such genres seem to offer sadistic pleasure to their viewers, and not much else. Clover, however, argued the reverse: that these films are designed to align spectators not with the male tormentor, but with the female tormented--with the suffering, pain, and anguish that the final girl, as Clover calls the victim-hero, endures before rising, finally, to vanquish her oppressor. The book has found an avid readership from students of film theory to major Hollywood filmmakers, and the figure of the final girl has been taken up by a wide range of artists, inspiring not just filmmakers but also musicians and poets. Carol J. Clover, Books, Entertainment, Men, Women, and Chain Saws: Gender in Modern Horror Film Books>Entertainment, Princeton University Press

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Men, Women, and Chain Saws: Gender in Modern Horror Film - Carol J. Clover
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Carol J. Clover:
Men, Women, and Chain Saws: Gender in Modern Horror Film - Paperback

ISBN: 0691006202

[SR: 178447], Taschenbuch, [EAN: 9780691006208], Princeton University Press, Princeton University Press, Book, [PU: Princeton University Press], Princeton University Press, Before Men, Women, and Chain Saws, most film critics assumed that horror (especially slasher) films entail a male viewer sadistically watching the plight of a female victim. Carol Clover argues convincingly that both male and female viewers not only identify with the victim, but experience, through the actions of the "final girl," a climactic moment of female power. As the Boston Globe writes, Men, Women, and Chain Saws "challenges simplistic assumptions about the relationship between gender and culture... [Clover] suggests that the 'low tradition' in horror movies possesses positive subversive potential, a space to explore gender ambiguity and transgress traditional boundaries of masculinity and femininity." Be forewarned, though: Clover addresses an academic audience, so her language can be heavy going. Related title: The Dread of Difference: Gender and the Horror Film by Barry Keith Grant, 64307011, Geschichte & Kritik, 64299011, Filme, 64226011, Unterhaltung & Kultur, 54071011, Genres, 52044011, Fremdsprachige Bücher

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Men, Women, and Chain Saws: Gender in Modern Horror Film - Carol J. Clover
book is out-of-stock
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Carol J. Clover:
Men, Women, and Chain Saws: Gender in Modern Horror Film - Paperback

ISBN: 0691006202

[SR: 443541], Paperback, [EAN: 9780691006208], Princeton University Press, Princeton University Press, Book, [PU: Princeton University Press], 1993-04-11, Princeton University Press, Clover, Carol J, 512778, Modernism, 512776, Criticism & Theory, 91, Art, Architecture & Photography, 1025612, Subjects, 266239, Books, 772162, Cultural History, 772188, Local & Urban History, 772192, London, 271405, Multicultural History, 65, History, 1025612, Subjects, 266239, Books, 270447, Criticism & Theory, 270433, Film, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 513004, Horror, 512986, Film Genres, 270433, Film, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 270524, Performing Arts, 270541, Circus, 274080, Comedy & Stand-up, 270525, Dance, 270542, Magic, 270564, Musicals, 515318, Plays & Drama, 270568, Puppetry, 270562, History, 515316, Stagecraft, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 515342, Horror, 515338, TV Genres, 270584, Television, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books

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Details of the book
Men, Women, and Chain Saws: Gender in Modern Horror Film

Do the pleasures of horror movies really begin and end in sadism? So the public discussion of film assumes, and so film theory claims. Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero, who suffers fright but rises to vanquish the forces of oppression.

Details of the book - Men, Women, and Chain Saws: Gender in Modern Horror Film


EAN (ISBN-13): 9780691006208
ISBN (ISBN-10): 0691006202
Paperback
Publishing year: 1993
Publisher: PRINCETON UNIV PR
276 Pages
Weight: 0,386 kg
Language: eng/Englisch

Book in our database since 19.05.2007 21:26:03
Book found last time on 18.09.2017 16:41:50
ISBN/EAN: 0691006202

ISBN - alternate spelling:
0-691-00620-2, 978-0-691-00620-8


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