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No Author Better Served, The Correspondence of Samuel Beckett and Alan Schneider - Samuel Beckett, Alan Schneider
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Samuel Beckett, Alan Schneider:
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2000, ISBN: 9780674003859

ID: 1001004000980038

For Alan Schneider, directing Endgame, Samuel Beckett lays out the play's philosophy, then adds: "Don't mention any of this to your actors!" He claimed he couldn't talk about his work, but Beckett proves remarkably forthcoming in these pages, which document the thirty-year working relationship between the playwright and his principal producer in the United States. The correspondence between Beckett and Schneider offers an unparalleled picture of the art and craft of theater in the hands of two masters. It is also an endlessly enlightening look into the playwright's ideas and methods, his remarks a virtual crib sheet for his brilliant, eccentric plays. Alan Schneider premiered five of Beckett's plays in the United States, including Waiting for Godot, Krapp's Last Tape,and Endgame, and directed a number of revivals. Preparing for each new production, the two wrote extensive letters--about intended tone, conception of characters, irony and verbal echoes, staging details for scenes, delivery of individual lines. From such details a remarkable sense of the playwright's vision emerges, as well as a feel for the director's task. Of Godot, Beckett wrote to Schneider, "I feel my monster is in safe keeping." His confidence in the director, and Schneider's persistent probing for a surer understanding of each play, have produced a marvelous resource: a detailed map of Beckett's work in conception and in production. The correspondence starts in December 1955, shortly after their first meeting, and continues to Schneider's accidental death in March 1984 (when crossing a street to mail a letter to Beckett). The 500 letters capture the world of theater as well as the personalities of their authors. Maurice Harmon's thorough notes provide a helpful guide to people and events mentioned throughout., For Alan Schneider, directing Endgame, Samuel Beckett lays out the play's philosophy, then adds: "Don't mention any of this to your actors!"He claimed he couldn't talk about his work, but Beckett proves remarkably forthcoming in these pages, which document the thirty-year working relationship between the playwright and his principal producer in the United States. The correspondence between Beckett and Schneider offers an unparalleled picture of the art and craft of theater in the hands of two masters. It is also an endlessly enlightening look into the playwright's ideas and methods, his remarks a virtual crib sheet for his brilliant, eccentric plays.Alan Schneider premiered five of Beckett's plays in the United States, including Waiting for Godot, Krapp's Last Tape,and Endgame, and directed a number of revivals. Preparing for each new production, the two wrote extensive letters--about intended tone, conception of characters, irony and verbal echoes, staging details for scenes, delivery of individual lines. From such details a remarkable sense of the playwright's vision emerges, as well as a feel for the director's task. Of Godot, Beckett wrote to Schneider, "I feel my monster is in safe keeping." His confidence in the director, and Schneider's persistent probing for a surer understanding of each play, have produced a marvelous resource: a detailed map of Beckett's work in conception and in production.The correspondence starts in December 1955, shortly after their first meeting, and continues to Schneider's accidental death in March 1984 (when crossing a street to mail a letter to Beckett). The 500 letters capture the world of theater as well as the personalities of their authors. Maurice Harmon's thorough notes provide a helpful guide to people and events mentioned throughout. Inhoud: Taal: Engelstalig; Bindwijze: Paperback; Verschijningsdatum: oktober 2000; Aantal pagina's: 512 pagina's; Illustraties: Nee; ISBN13: 9780674003859; Betrokkenen: Auteur: Samuel Beckett | Alan Schneider; Uitgever: Harvard University Press; EAN: Overige kenmerken: Extra groot lettertype: Nee; , Engelstalig | Paperback | 9780674003859 | 512 pagina's, Boeken, Literatuur & Romans, Literaire non-fictie, Boeken, Taal & Journalistiek, Boeken, Kunst, Cultuur & Architectuur, Uitvoerende kunst, Harvard University Press

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No Author Better Served: Correspondence of Samuel Beckett & Alan Schneider - Maurice Harmon
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No Author Better Served: Correspondence of Samuel Beckett & Alan Schneider - new book

ISBN: 0674003853

Pasta blanda, [EAN: 9780674003859], Harvard Univ Pr, Harvard Univ Pr, Book, [PU: Harvard Univ Pr], Harvard Univ Pr, For Alan Schneider, directing Endgame, Samuel Beckett lays out the play's philosophy, then adds: "Don't mention any of this to your actors!"He claimed he couldn't talk about his work, but Beckett proves remarkably forthcoming in these pages, which document the thirty-year working relationship between the playwright and his principal producer in the United States. The correspondence between Beckett and Schneider offers an unparalleled picture of the art and craft of theater in the hands of two masters. It is also an endlessly enlightening look into the playwright's ideas and methods, his remarks a virtual crib sheet for his brilliant, eccentric plays.Alan Schneider premiered five of Beckett's plays in the United States, including Waiting for Godot, Krapp's Last Tape,and Endgame, and directed a number of revivals. Preparing for each new production, the two wrote extensive letters--about intended tone, conception of characters, irony and verbal echoes, staging details for scenes, delivery of individual lines. From such details a remarkable sense of the playwright's vision emerges, as well as a feel for the director's task. Of Godot, Beckett wrote to Schneider, "I feel my monster is in safe keeping." His confidence in the director, and Schneider's persistent probing for a surer understanding of each play, have produced a marvelous resource: a detailed map of Beckett's work in conception and in production.The correspondence starts in December 1955, shortly after their first meeting, and continues to Schneider's accidental death in March 1984 (when crossing a street to mail a letter to Beckett). The 500 letters capture the world of theater as well as the personalities of their authors. Maurice Harmon's thorough notes provide a helpful guide to people and events mentioned throughout., 9535958011, Dirección y Producción, 9535956011, Teatro, 9535742011, Arte y Fotografía, 9298577011, Categorías, 9298576011, Libros, 9569855011, Actores y Actrices, 9569854011, Arte y Literatura, 9569853011, Biografías y Memorias, 9298577011, Categorías, 9298576011, Libros, 9569856011, Artistas, 9569854011, Arte y Literatura, 9569853011, Biografías y Memorias, 9298577011, Categorías, 9298576011, Libros, 9569857011, Autores, 9569854011, Arte y Literatura, 9569853011, Biografías y Memorias, 9298577011, Categorías, 9298576011, Libros, 9575666011, Literatura y Ficción, 9575667011, Acción y Aventura, 9575668011, Clásicos de Ficción, 9575669011, Crítica y Teoría Literarias, 9575670011, Cuentos, 9575671011, Estados Unidos, 9575685011, Ficción Contemporánea, 9575699011, Ficción de Mujeres, 9575701011, Ficción Histórica, 9575702011, Ficción Infantil y Juvenil, 9575718011, Ficción Literaria, 9575686011, Ficción por Género, 9575719011, Ficción Religiosa, 9575725011, Horror, 9575730011, Humor, 9575731011, Mashups, 9575732011, Mundial, 9575752011, Poesía, 9575789011, Teatro, 9298577011, Categorías, 9298576011, Libros, 9647827011, Arte, Cine y Fotografía, 9647825011, Libros en Idiomas Extranjeros, 9298577011, Categorías, 9298576011, Libros, 9647830011, Biografías y Hechos Reales, 9647825011, Libros en Idiomas Extranjeros, 9298577011, Categorías, 9298576011, Libros, 9647847011, Literatura y Ficción, 9647825011, Libros en Idiomas Extranjeros, 9298577011, Categorías, 9298576011, Libros

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No Author Better Served – The Correspondence of Samuel Beckett & Alan Schne - Maurice Harmon
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No Author Better Served – The Correspondence of Samuel Beckett & Alan Schne - new book

ISBN: 0674003853

Capa comum, [EAN: 9780674003859], Harvard University Press, Harvard University Press, Book, [PU: Harvard University Press], Harvard University Press, For Alan Schneider, directing Endgame, Samuel Beckett lays out the play's philosophy, then adds: "Don't mention any of this to your actors!" He claimed he couldn't talk about his work, but Beckett proves remarkably forthcoming in these pages, which document the thirty-year working relationship between the playwright and his principal producer in the United States. The correspondence between Beckett and Schneider offers an unparalleled picture of the art and craft of theater in the hands of two masters. It is also an endlessly enlightening look into the playwright's ideas and methods, his remarks a virtual crib sheet for his brilliant, eccentric plays. Alan Schneider premiered five of Beckett's plays in the United States, including Waiting for Godot, Krapp's Last Tape,and Endgame, and directed a number of revivals. Preparing for each new production, the two wrote extensive letters--about intended tone, conception of characters, irony and verbal echoes, staging details for scenes, delivery of individual lines. From such details a remarkable sense of the playwright's vision emerges, as well as a feel for the director's task. Of Godot, Beckett wrote to Schneider, "I feel my monster is in safe keeping." His confidence in the director, and Schneider's persistent probing for a surer understanding of each play, have produced a marvelous resource: a detailed map of Beckett's work in conception and in production. The correspondence starts in December 1955, shortly after their first meeting, and continues to Schneider's accidental death in March 1984 (when crossing a street to mail a letter to Beckett). The 500 letters capture the world of theater as well as the personalities of their authors. Maurice Harmon's thorough notes provide a helpful guide to people and events mentioned throughout. , 7882627011, Inglês e Outras Línguas, 7882717011, Administração, Negócios e Economia, 7882695011, Arte, Cinema e Fotografia, 7882696011, Artesanato, Casa e Estilo de Vida, 7882697011, Autoajuda, 7882698011, Biografias e Histórias Reais, 7882699011, Ciências Tecnológicas, 7882700011, Computação, Informática e Mídias Digitais, 7882712011, Crônicas, Humor e Entretenimento, 7882704011, Direito, 7882705011, Educação, Referência e Didáticos, 13985688011, Engenharia e Transporte, 7882706011, Erótico, 7882703011, Esportes e Lazer, 7882707011, Fantasia, Horror e Ficção Científica, 13986228011, Gastronomia e Culinária, 7882702011, HQs, Mangás e Graphic Novels, 7882711011, História, 7882713011, Infantil e Infantojuvenil, 7882709011, LGBT/GLS, 7882715011, Literatura e Ficção, 7882716011, Medicina, 7882701011, Policial, Suspense e Mistério, 7882718011, Política, Filosofia e Ciências Sociais, 7882720011, Religião e Espiritualidade, 7882721011, Romance, 7882722011, Saúde e Família, 7882724011, Turismo e Guias de Viagem, 7841278011, Categorias, 6740748011, Livros

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No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider - Samuel Beckett, Alan Schneider
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Samuel Beckett, Alan Schneider:
No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider - new book

ISBN: 9780674003859

ID: 978067400385

For Alan Schneider, directing Endgame, Samuel Beckett lays out the play''s philosophy, then adds: Don''t mention any of this to your actors!He claimed he couldn''t talk about his work, but Beckett proves remarkably forthcoming in these pages, which document the thirty-year working relationship between the playwright and his principal producer in the United States. The correspondence between Beckett and Schneider offers an unparalleled picture of the art and craft of theater in the hands of two masters. It is also an endlessly enlightening look into the playwright''s ideas and methods, his remarks a virtual crib sheet for his brilliant, eccentric plays.Alan Schneider premiered five of Beckett''s plays in the United States, including Waiting for Godot, Krapp''s Last Tape,and Endgame, and directed a number of revivals. Preparing for each new production, the two wrote extensive letters--about intended tone, conception of characters, irony and verbal echoes, staging details for scenes, delivery of individual lines. From such details a remarkable sense of the playwright''s vision emerges, as well as a feel for the director''s task. Of Godot, Beckett wrote to Schneider, I feel my monster is in safe keeping. His confidence in the director, and Schneider''s persistent probing for a surer understanding of each play, have produced a marvelous resource: a detailed map of Beckett''s work in conception and in production.The correspondence starts in December 1955, shortly after their first meeting, and continues to Schneider''s accidental death in March 1984 (when crossing a street to mail a letter to Beckett). The 500 letters capture the world of theater as well as the personalities of their authors. Maurice Harmon''s thorough notes provide a helpful guide to people and events mentioned throughout. Samuel Beckett, Alan Schneider, Books, Entertainment, No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider Books>Entertainment, [PU: Harvard University Press]

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No Author Better Served - Samuel Beckett
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ISBN: 9780674003859

Paperback, [PU: HARVARD UNIVERSITY PRESS], He claimed he couldn't talk about his work, but Samuel Beckett proves remarkably forthcoming in this text, which documents the 30-year working relationship between the playwright and Alan Schneider, his principal producer in the United States., Theatre Studies

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Details of the book
No Author Better Served: The Correspondence of Samuel Beckett & Alan Schneider

Samuel Beckett claimed he couldn't talk about his work, but he proves remarkably forthcoming in these pages, which document the thirty-year working relationship between the playwright and his principal producer in the United States, Alan Schneider. The 500 letters capture the world of theater as well as the personalities of their authors.

Details of the book - No Author Better Served: The Correspondence of Samuel Beckett & Alan Schneider


EAN (ISBN-13): 9780674003859
ISBN (ISBN-10): 0674003853
Paperback
Publishing year: 2000
Publisher: HARVARD UNIV PR
486 Pages
Weight: 0,744 kg
Language: eng/Englisch

Book in our database since 03.05.2007 22:05:37
Book found last time on 27.08.2018 23:25:43
ISBN/EAN: 0674003853

ISBN - alternate spelling:
0-674-00385-3, 978-0-674-00385-9


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