1986, ISBN: 0306802597

[EAN: 9780306802591], Neubuch, [PU: Grand Central Publishing Mär 1986], POP ARTS / CULTURE; PERFORMING FILM & VIDEO DIRECTION PRODUCTION; HISTORY CRITICISM; INDIVIDUAL DIRECTOR (SEE ALSO … More...

[EAN: 9780306802591], Neubuch, [PU: Grand Central Publishing Mär 1986], POP ARTS / CULTURE; PERFORMING FILM & VIDEO DIRECTION PRODUCTION; HISTORY CRITICISM; INDIVIDUAL DIRECTOR (SEE ALSO BIOGRAPHY AUTOBIOGRAPHY ENTERTAINMENT ARTS), Neuware - Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself,his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950-1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard's career. With commentary by Tom Milne and Richard Roud, and an extensive new foreword by Annette Michelson that reassesses Godard in light of his later films, here is an outrageous self-portrait by a director who, even now, continues to amaze and bedevil, and to chart new directions for cinema and for critical thought about its history., Books<

2022, ISBN: 9780306802591

gewerbliches Angebot, [SC: 0.00], Neuware, [PU: Grand Central Publishing], 213x137x19 mm, 300, [GW: 340g], [ED: Taschenbuch], DE, Neuware - Jean-Luc Godard, like many of his European cont… More...

gewerbliches Angebot, [SC: 0.00], Neuware, [PU: Grand Central Publishing], 213x137x19 mm, 300, [GW: 340g], [ED: Taschenbuch], DE, Neuware - Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself,his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950-1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard's career. With commentary by Tom Milne and Richard Roud, and an extensive new foreword by Annette Michelson that reassesses Godard in light of his later films, here is an outrageous self-portrait by a director who, even now, continues to amaze and bedevil, and to chart new directions for cinema and for critical thought about its history., Banküberweisung, PayPal, Skrill/Moneybookers, Selbstabholung und Barzahlung, Offene Rechnung (Vorkasse vorbehalten)<

2022, ISBN: 9780306802591

gewerbliches Angebot, [SC: 0.00], Neuware, [PU: Grand Central Publishing], 213x137x19 mm, 300, [GW: 340g], [ED: Taschenbuch], DE, Neuware - Jean-Luc Godard, like many of his European cont… More...

gewerbliches Angebot, [SC: 0.00], Neuware, [PU: Grand Central Publishing], 213x137x19 mm, 300, [GW: 340g], [ED: Taschenbuch], DE, Neuware - Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself,his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950-1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard's career. With commentary by Tom Milne and Richard Roud, and an extensive new foreword by Annette Michelson that reassesses Godard in light of his later films, here is an outrageous self-portrait by a director who, even now, continues to amaze and bedevil, and to chart new directions for cinema and for critical thought about its history., Banküberweisung, Kreditkarte, PayPal, Internationaler Versand<

ISBN: 9780306802591

Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazet… More...

Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself-his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950-1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard's career. With commentary by Tom Milne and Richard Roud, and an extensive new foreword by Annette Michelson that reassesses Godard in light of his later films, here is an outrageous self-portrait by a director who, even now, continues to amaze and bedevil, and to chart new directions for cinema and for critical thought about its history. Trade Books>Trade Paperback>Movies & TV>Film Reference>Film Ref, Grand Central Publishing Core >1<

1986, ISBN: 9780306802591

gewerbliches Angebot, [SC: 0.00], Neuware, [PU: Grand Central Publishing], 300, [GW: 340g], [ED: Taschenbuch], Revised edition, DE, Jean-Luc Godard, like many of his European contemporari… More...

gewerbliches Angebot, [SC: 0.00], Neuware, [PU: Grand Central Publishing], 300, [GW: 340g], [ED: Taschenbuch], Revised edition, DE, Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself,his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950-1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard's career. With commentary by Tom Milne and Richard Roud, and an extensive new foreword by Annette Michelson that reassesses Godard in light of his later..., Banküberweisung, PayPal, [CT: Sonstiges / Sonstiges]<