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Robert Rauschenberg - Branden W. Joseph
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Branden W. Joseph:
Robert Rauschenberg - new book

2003, ISBN: 9780262100960

ID: 9780262100960

Robert Rauschenberg: Hardback: MIT Press: 9780262100960: 17 Jan 2003: Critical essays on the artist Robert Rauschenberg, focusing on the important period of his development in the 1950s and 1960s. From the moment art historian Leo Steinberg championed his work in opposition to Clement Greenberg's rigid formalism, Robert Rauschenberg has played a pivotal role in the development and understanding of postmodern art. Challenging nearly all the prevailing assumptions about the visual arts of his time, he pioneered the postwar revival of collage, photography, silkscreen, technology, and performance. This book focuses on Rauschenberg's work during the critical period of the 1950s and 1960s. It opens with a newly prefaced version of Leo Steinberg's "Reflections on the State of Criticism," the first published version of his famous 1972 essay, "Other Criteria," which remains the single most important text on Rauschenberg. Rosalind Krauss's "Rauschenberg and the Materialized Image" builds on Steinberg's essay, arguing that Rauschenberg's work represents a decisive shift in contemporary art. Douglas Crimp's "On the Museum's Ruins" examines Rauschenberg's silkscreens in the context of the modern museum. Helen Molesworth's "Before Bed" uses psychoanalytic and economic structures to examine the artist's Black Paintings of the early 1950s. A second essay by Krauss, "Perpetual Inventory," revisits both her and Steinberg's articles of nearly twenty-five years earlier. Finally, Branden Joseph's "A Duplication Containing Duplications" views Rauschenberg's silkscreens in relation to the artist's interests in technology, particularly television. Individual Artists, Art Monographs, , , , Robert Rauschenberg, Branden W. Joseph, 9780262100960, MIT Press Ltd, , , , ,, [PU: MIT Press]

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Robert Rauschenberg (October Files) - Rauschenberg, Robert
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Rauschenberg, Robert:
Robert Rauschenberg (October Files) - used book

1972, ISBN: 0262100967

ID: 9289728

From the moment art historian Leo Steinberg championed his work in opposition to Clement Greenberg's rigid formalism, Robert Rauschenberg has played a pivotal role in the development and understanding of postmodern art. Challenging nearly all the prevailing assumptions about the visual arts of his time, he pioneered the postwar revival of collage, photography, silkscreen, technology, and performance. This book focuses on Rauschenberg's work during the critical period of the 1950s and 1960s. It opens with a newly prefaced version of Leo Steinberg's "Reflections on the State of Criticism," the first published version of his famous 1972 essay, "Other Criteria," which remains the single most important text on Rauschenberg. Rosalind Krauss's "Rauschenberg and the Materialized Image" builds on Steinberg's essay, arguing that Rauschenberg's work represents a decisive shift in contemporary art. Douglas Crimp's "On the Museum's Ruins" examines Rauschenberg's silkscreens in the context of the modern museum. Helen Molesworth's "Before Bed" uses psychoanalytic and economic structures to examine the artist's Black Paintings of the early 1950s. A second essay by Krauss, "Perpetual Inventory," revisits both her and Steinberg's articles of nearly twenty-five years earlier. Finally, Branden Joseph's "A Duplication Containing Duplications" views Rauschenberg's silkscreens in relation to the artist's interests in technology, particularly television. art,arts music and photography,biographies,education and reference,history,history and criticism,individual artists,reference and collections Individual Artists, The MIT Press

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Robert Rauschenberg (October Files) - Rauschenberg, Robert
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Rauschenberg, Robert:
Robert Rauschenberg (October Files) - used book

1972, ISBN: 0262100967

ID: 9289728

From the moment art historian Leo Steinberg championed his work in opposition to Clement Greenberg's rigid formalism, Robert Rauschenberg has played a pivotal role in the development and understanding of postmodern art. Challenging nearly all the prevailing assumptions about the visual arts of his time, he pioneered the postwar revival of collage, photography, silkscreen, technology, and performance. This book focuses on Rauschenberg's work during the critical period of the 1950s and 1960s. It opens with a newly prefaced version of Leo Steinberg's "Reflections on the State of Criticism," the first published version of his famous 1972 essay, "Other Criteria," which remains the single most important text on Rauschenberg. Rosalind Krauss's "Rauschenberg and the Materialized Image" builds on Steinberg's essay, arguing that Rauschenberg's work represents a decisive shift in contemporary art. Douglas Crimp's "On the Museum's Ruins" examines Rauschenberg's silkscreens in the context of the modern museum. Helen Molesworth's "Before Bed" uses psychoanalytic and economic structures to examine the artist's Black Paintings of the early 1950s. A second essay by Krauss, "Perpetual Inventory," revisits both her and Steinberg's articles of nearly twenty-five years earlier. Finally, Branden Joseph's "A Duplication Containing Duplications" views Rauschenberg's silkscreens in relation to the artist's interests in technology, particularly television. arts music and photography,biographies,education and reference,history,history and criticism,individual artists,reference and collections Individual Artists, The MIT Press

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Robert Rauschenberg - Joseph, Branden W.
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Joseph, Branden W.:
Robert Rauschenberg - used book

1972, ISBN: 9780262100960

ID: 795455

From the moment art historian Leo Steinberg championed his work in opposition to Clement Greenberg's rigid formalism, Robert Rauschenberg has played a pivotal role in the development and understanding of postmodern art. Challenging nearly all the prevailing assumptions about the visual arts of his time, he pioneered the postwar revival of collage, photography, silkscreen, technology, and performance. This book focuses on Rauschenberg's work during the critical period of the 1950s and 1960s. It opens with a newly prefaced version of Leo Steinberg's "Reflections on the State of Criticism," the first published version of his famous 1972 essay, "Other Criteria," which remains the single most important text on Rauschenberg. Rosalind Krauss's "Rauschenberg and the Materialized Image" builds on Steinberg's essay, arguing that Rauschenberg's work represents a decisive shift in contemporary art. Douglas Crimp's "On the Museum's Ruins" examines Rauschenberg's silkscreens in the context of the modern museum. Helen Molesworth's "Before Bed" uses psychoanalytic and economic structures to examine the artist's Black Paintings of the early 1950s. A second essay by Krauss, "Perpetual Inventory," revisits both her and Steinberg's articles of nearly twenty-five years earlier. Finally, Branden Joseph's "A Duplication Containing Duplications" views Rauschenberg's silkscreens in relation to the artist's interests in technology, particularly television. Robert Rauschenberg Joseph, Branden W., MIT Press (MA)

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Robert Rauschenberg - Rauschenberg, Robert; Edited by Branden W. Joseph
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Rauschenberg, Robert; Edited by Branden W. Joseph:
Robert Rauschenberg - hardcover

2002, ISBN: 9780262100960

ID: 735513602

Cambridge: October/The MIT Press, 2002. Hardcover. Near Fine. Hardcover with black cloth boards, 2002, octavo, 163pp., illustrated in b&w. Book near fine with mild rubbing to boards, binding tight, text clean bright and unmarked. No DJ., October/The MIT Press, 2002

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Details of the book
Robert Rauschenberg
Author:

Joseph, Branden W. (ed.)

Title:

Robert Rauschenberg

ISBN:

Details of the book - Robert Rauschenberg


EAN (ISBN-13): 9780262100960
ISBN (ISBN-10): 0262100967
Hardcover
Publishing year: 2002
Publisher: MIT PR
175 Pages
Weight: 0,408 kg
Language: eng/Englisch

Book in our database since 26.05.2007 22:53:05
Book found last time on 19.05.2017 19:42:05
ISBN/EAN: 0262100967

ISBN - alternate spelling:
0-262-10096-7, 978-0-262-10096-0


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