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Part I The Death of Marat I'M LOOKING at Jacques-Louis David's 1793 oil painting, The Death of Marat, printed in an art book. The Jacobin revolutionary Jean-Paul Marat lies murdered in his bath. His head is wrapped in a towel, like a turban, and his hand, draped alongside the tub, holds a pen. Marat has expiredbloodiednestled between the colors of white and green. The work exudes calm and quiet. You can almost hear a requiem. The fatal knife lies abandoned at the bottom of the canvas. I've already tried to make a copy of this painting several times. The most difficult part is Marat's expression; he always comes out looking too sedate. In David's Marat, you can see neither the dejection of a young revolutionary in the wake of a sudden attack nor the relief of a man who has escaped life's suffering. His Marat is peaceful but pained, filled with hatred but also with understanding. Through a dead man's expression David manages to realize all of our conflicting innermost emotions. Seeing this painting for the first time, your eyes initially rest on Marat's face. But his face doesn't tell you anything, so your gaze moves in one of two directions: either toward the hand clutching the letter or the hand hanging limply outside of the tub. Even in death, he has kept hold of the letter and the pen. Marat was killed by a woman who had written him earlier, as he was drafting a reply to her letter. The pen Marat grips into death injects tension into the calm and serenity of the scene. We should all emulate David. An artist's passion shouldn't create passion. An artist's supreme virtue is to be detached and cold. Marat's assassin, Charlotte Corday, lost her life at the guillotine. A young Girondin, Corday decided that Marat must be eliminated. It was July 13, 1793; she was twenty-five years old. Arrested immediately after the incident, Corday was beheaded four days later, on July 17. Robespierre's reign of terror was set in motion after Marat's death. David understood the Jacobins' aesthetic imperative: A revolution cannot progress without the fuel of terror. With time that relationship inverts: The revolution presses forward for the sake of terror. Like an artist, the man creating terror should be detached, cold-blooded. He must keep in mind that the energy of the terror he releases can consume him. Robespierre died at the guillotine. I close my art book, get up, and take a bath. I always wash meticulously on the days I work. After my bath, I shave carefully and go to the library, where I look for clients and scan through potentially helpful materials. This is slow, dull work, but I plod through it. Sometimes I don't have a single client for months. But I can survive for half a year if I find just one, so I don't mind putting long hours into research. Usually I read history books or travel guides at the library. A single city contains tens of thousands of lives and hundreds of years of history, as well as the evidence of their interweavi Fiction Fiction eBook, Houghton Mifflin Harcourt
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[SR: 381683], Paperback, [EAN: 9780156030809], Harcourt, Harcourt, Book, [PU: Harcourt], Harcourt, In the fast-paced, high-urban landscape of Seoul, C and K are brothers who have fallen in love with the same woman—Se-yeon—who tears at both of them as they all try desperately to find real connection in an atomized world. A spectral, nameless narrator haunts the edges of their lives as he tells of his work helping the lost and hurting find escape through suicide. Dreamlike and beautiful, the South Korea brought forth in this novel is cinematic in its urgency and its reflection of contemporary life everywhere—far beyond the boundaries of the Korean peninsula. Recalling the emotional tension of Milan Kundera and the existential anguish of Bret Easton Ellis, I Have the Right to Destroy Myself achieves its author’s greatest wish—to show Korean literature as part of an international tradition. Young-ha Kim is a young master, the leading literary voice of hi, 10311, World Literature, 10313, African, 271599011, Asian, 16004541, Australia & Oceania, 10324, Canadian, 10425, Caribbean & Latin American, 271600011, European, 16004751, Jewish, 265787, Middle Eastern, 10433, Russian, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 10129, Contemporary, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 10491, Psychological Thrillers, 10484, Thrillers & Suspense, 18, Mystery, Thriller & Suspense, 1000, Subjects, 283155, Books, 468236, Literature, 491406, American Literature, 491394, Creative Writing & Composition, 491408, English Literature, 491404, Literary Theory, 684272011, World Literature, 468206, Humanities, 465600, New, Used & Rental Textbooks, 2349030011, Specialty Boutique, 283155, Books
Last Page Books-Dallas
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Harcourt. 2007. Paperback. Very Good. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. In the fast-paced, high-urban landscape of Seoul, C and K are brothers who have fallen in love with the same woman-Se-yeon-who tears at both of them as they all try desperately to find real connection in an atomized world. A spectral, nameless narrator haunts the edges of their lives as he tells of his work helping the lost and hurting find escape through suicide. Dreamlike and beautiful, the South Korea brought forth in this novel is cinematic in its urgency and its reflection of contemporary life everywhere-far beyond the boundaries of the Korean peninsula. Recalling the emotional tension of Milan Kundera and the existential anguish of Bret Easton Ellis, I Have the Right to Destroy Myself achieves its author's greatest wish-to show Korean literature as part of an international tradition. Young-ha Kim is a young master, the leading literary voice of his generation., Harcourt, 2007
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A digital copy of "I Have the Right to Destroy Myself" by Young-Ha Kim. Download is immediately available upon purchase! 9780156030809,0156030802,have,right,destroy,myself,young-ha eBook, Ingram Book Co.
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I Have the Right to Destroy Myself
Details of the book - I Have the Right to Destroy Myself
EAN (ISBN-13): 9780156030809
ISBN (ISBN-10): 0156030802
Publishing year: 2007
Publisher: HARVEST BOOKS
Weight: 0,150 kg
Book in our database since 02.12.2007 22:35:43
Book found last time on 29.12.2016 21:33:37
ISBN - alternate spelling:
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