2013, ISBN: 9781447235859

New York, New York: Marvel Comics. Fine. 1977. First Edition: First Printing. Comic. Vol. 1.09: KB#007059: The Uncanny Inhumans #9. Scarce, Out Of Print, Book. Classic, Brightly Colored,… More...

New York, New York: Marvel Comics. Fine. 1977. First Edition: First Printing. Comic. Vol. 1.09: KB#007059: The Uncanny Inhumans #9. Scarce, Out Of Print, Book. Classic, Brightly Colored, Collectible Comic in Very Fine / Fine Condition. Original Price 30c. Comic has New Back Board and Bag. Also is mailed with heavy cardboard on front and back sides as well, for protection. Book is complete with very smooth front and back covers. Grand Comics Database: "Synopsis: Two missiles are shot at the Inhumans. The second one is destroyed just before it hits and the wreckage points to the Fantastic Four as the ones firing it. The Inhumans go to confront them but before things can go to far Triton finds out that Maximus was behind the attacks. - Characters: F: Inhumans [Black Bolt; Medusa; Gorgon; Karnak; Triton; Crystal; Lockjaw]; GS: Fantastic Four [Invisible Girl; Human Torch [Johnny Storm]; Thing; Mr. Fantastic]; Franklin Richards; V: Maximus; Centarius (I); Stallior; Aireo [Aeolus]; Timberius; Leonus.": 6.75 x 10.25 in.: 32 pages ., Marvel Comics, 1977, 5, Keys Pops Publication A near fine oversized photocover glossy softcover . Cover photos of: The Monkees, Herb Albert and the Tijuana Brass, Andy Williams, Bob Lind, Gwen Virden as Sweet Charity, Julie Andrews, and Frank Sinatra. An unusual compilation of sheet music for v ocal, piano, guitar and organ. 1967.., Keys Pops Publication, 0, PIA. Good. / BOOK (MOOK) / / 21 x 14.8 x 2.6 cm / 0.5 kg, PIA, 2.5, Picador, 2013. Trade Paperback. New. Trade Paperback. 311 pages. *** PUBLISHING DETAILS: Picador, 2013. *** CONDITION: This book is in new condition. More specifically: Covers have no creasing or wear. Spine is uncreased. . Pages are clean and unmarked and in excellent condition. *** ABOUT THIS BOOK: Once upon a time there were professional film makers and professional critics. They didn't always agree, but there was a mutual respect. It is very different now. Starting with the celebrated TV fight between Ken Russell and Alexander Walker (the former hit the latter with a rolled up copy of his Evening Standard review!) and ending with his own admission to Steven Spielberg of a major error of judgement, Mark Kermode takes us on a journey across the modern cinematic landscape. We are all critics now and, as the professional role diminishes, the democratic opportunities of the internet have created a new monster. Relying on speed of response, rather than considered reaction, these new critics have stolen the thunder of their paid up counterparts. But there is a dark side, the shocking deceptions hidden behind the facade of our digital world's new and supposedly democratic alternative, "the honest, unmediated audience response". Mark questions the future of any and all genuinely impartial criticism when reviews are systemically corrupted by bribery, vote-rigging, cyber-stalking, and sock-puppetry. And he asks that crucial question, what kind of films would we have if we listened to what the audience thinks it wants? *** Quantity Available: 3. Category: Sociology & Culture; ISBN/EAN: 9781447235859. Inventory No: 20050210.. 9781447235859, Picador, 2013, 6<

2013, ISBN: 9781447235859

Picador, 2013. Trade Paperback. New. 311 pages. Multiple copies of this title available. Covers have no creasing or wear. Spine is uncreased. Pages are clean and unmarked and in exce… More...

Picador, 2013. Trade Paperback. New. 311 pages. Multiple copies of this title available. Covers have no creasing or wear. Spine is uncreased. Pages are clean and unmarked and in excellent condition. Once upon a time there were professional film makers and professional critics. They didn't always agree, but there was a mutual respect. It is very different now. Starting with the celebrated TV fight between Ken Russell and Alexander Walker (the former hit the latter with a rolled up copy of his Evening Standard review!) and ending with his own admission to Steven Spielberg of a major error of judgement, Mark Kermode takes us on a journey across the modern cinematic landscape. We are all critics now and, as the professional role diminishes, the democratic opportunities of the internet have created a new monster. Relying on speed of response, rather than considered reaction, these new critics have stolen the thunder of their paid up counterparts. But there is a dark side, the shocking deceptions hidden behind the facade of our digital world's new and supposedly democratic alternative, "the honest, unmediated audience response". Mark questions the future of any and all genuinely impartial criticism when reviews are systemically corrupted by bribery, vote-rigging, cyber-stalking, and sock-puppetry. And he asks that crucial question, what kind of films would we have if we listened to what the audience thinks it wants? Quantity Available: 3. Category: Sociology & Culture; ISBN/EAN: 9781447235859. Inventory No: 20050210.. 9781447235859, Picador, 2013, 6<