2010, ISBN: 9780262513920

New York: Artforum, 2005. Fine copy. First Edition. Soft Cover. Fine. Magazine/Periodical., Artforum, 2005, 5, London: Art 21 Limited, 2002. Text: EN. Approx. 90 p.; ill.; 21,5 x 28 cm; 3… More...

New York: Artforum, 2005. Fine copy. First Edition. Soft Cover. Fine. Magazine/Periodical., Artforum, 2005, 5, London: Art 21 Limited, 2002. Text: EN. Approx. 90 p.; ill.; 21,5 x 28 cm; 370 g. Fine. First Edition. Soft Cover. Fine. Magazine/Periodical., Art 21 Limited, 2002, 5, London: G+B Magazines Unlimited, 1999. Text: EN. Approx. 90 p.. ill.; 21 x 28 cm; 370 g. Fine copy. First Edition. Soft Cover. Fine. Magazine/Periodical., G+B Magazines Unlimited, 1999, 5, London: G+B Magazines Unlimited, 1997. Text: EN. Approx. 90 p.. ill.; 21 x 28 cm; 370 g. Fine copy. First Edition. Soft Cover. Fine. Magazine/Periodical., G+B Magazines Unlimited, 1997, 5, Whitechapel / MIT Press, 2010. French flaps|Softcover. Very Good +. ART Why chance remains a key strategy in artists' investigations into the contemporary world. The chance situation or random event-whether as a strategy or as a subject of investigation-has been central to many artists' practices across a multiplicity of forms, including expressionism, automatism, the readymade, collage, surrealist and conceptual photography, fluxus event scores, film, audio and video, performance, and participatory artworks. But why-a century after Dada and Surrealism's first systematic enquiries-does chance remain a key strategy in artists' investigations into the contemporary world? The writings in this anthology examine the gap between intention and outcome, showing it to be crucial to the meaning of chance in art. The book provides a new critical context for chance procedures in art since 1900 and aims to answer such questions as why artists deliberately set up such a gap in their practice; what new possibilities this suggests; and why the viewer finds the art so engaging.Artists surveyed include Vito Acconci, Bas Jan Ader, Francis Al s, William Anastasi, John Baldessari, Walead Beshty, Mark Boyle, George Brecht, Marcel Broodthaers, John Cage, Sophie Calle, Tacita Dean, Stan Douglas, Marcel Duchamp, Brian Eno, Fischli & Weiss, Ceal Floyer, Huang Yong Ping, Douglas Huebler, Allan Kaprow, Alison Knowles, Jiri Kovanda, Jorge Macchi, Christian Marclay, Cildo Meireles, Robert Morris, Bruce Nauman, Yoko Ono, Gabriel Orozco, Cornelia Parker, Robert Rauschenberg, Gerhard Richter, Daniel Spoerri, Wolfgang Tillmans, Keith Tyson, Jennifer West, Ceryth Wyn Evans, La Monte Young Writers include Paul Auster, Jacquelynn Baas, Georges Bataille, Daniel Birnbaum, Claire Bishop, Guy Brett, Benjamin H. D. Buchloh, Stanley Cavell, Lynne Cooke, Fei Dawei, Gilles Deleuze, Anna Dezeuze, Russell Ferguson, Branden W. Joseph, Siegfried Kracauer, Jacques Lacan, Susan Laxton, Sarat Maharaj, Midori Matsui, John Miller, Alexandra Munroe, Gabriel Perez Barreiro, Jasia Reichardt, Julia Robinson, Eric L. Santner, Sarah Valdez, Katharina Vossenkuhl238 p. ; 21 cm.Includes bibliographical references and index.#240124ART THEORYChance in artArts, Modern -- 20th centuryArts, Modern -- 21st century Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA. French flaps|Softcover Very Good +, Whitechapel / MIT Press, 2010, 3<

2010, ISBN: 9780262513920

Whitechapel / MIT Press, 2010. French flaps|Softcover. Very Good +. ART Why chance remains a key strategy in artists' investigations into the contemporary world. The chance situation o… More...

Whitechapel / MIT Press, 2010. French flaps|Softcover. Very Good +. ART Why chance remains a key strategy in artists' investigations into the contemporary world. The chance situation or random event-whether as a strategy or as a subject of investigation-has been central to many artists' practices across a multiplicity of forms, including expressionism, automatism, the readymade, collage, surrealist and conceptual photography, fluxus event scores, film, audio and video, performance, and participatory artworks. But why-a century after Dada and Surrealism's first systematic enquiries-does chance remain a key strategy in artists' investigations into the contemporary world? The writings in this anthology examine the gap between intention and outcome, showing it to be crucial to the meaning of chance in art. The book provides a new critical context for chance procedures in art since 1900 and aims to answer such questions as why artists deliberately set up such a gap in their practice; what new possibilities this suggests; and why the viewer finds the art so engaging.Artists surveyed include Vito Acconci, Bas Jan Ader, Francis Al s, William Anastasi, John Baldessari, Walead Beshty, Mark Boyle, George Brecht, Marcel Broodthaers, John Cage, Sophie Calle, Tacita Dean, Stan Douglas, Marcel Duchamp, Brian Eno, Fischli & Weiss, Ceal Floyer, Huang Yong Ping, Douglas Huebler, Allan Kaprow, Alison Knowles, Jiri Kovanda, Jorge Macchi, Christian Marclay, Cildo Meireles, Robert Morris, Bruce Nauman, Yoko Ono, Gabriel Orozco, Cornelia Parker, Robert Rauschenberg, Gerhard Richter, Daniel Spoerri, Wolfgang Tillmans, Keith Tyson, Jennifer West, Ceryth Wyn Evans, La Monte Young Writers include Paul Auster, Jacquelynn Baas, Georges Bataille, Daniel Birnbaum, Claire Bishop, Guy Brett, Benjamin H. D. Buchloh, Stanley Cavell, Lynne Cooke, Fei Dawei, Gilles Deleuze, Anna Dezeuze, Russell Ferguson, Branden W. Joseph, Siegfried Kracauer, Jacques Lacan, Susan Laxton, Sarat Maharaj, Midori Matsui, John Miller, Alexandra Munroe, Gabriel Perez Barreiro, Jasia Reichardt, Julia Robinson, Eric L. Santner, Sarah Valdez, Katharina Vossenkuhl238 p. ; 21 cm.Includes bibliographical references and index.#240124ART THEORYChance in artArts, Modern -- 20th centuryArts, Modern -- 21st century Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA. French flaps|Softcover Very Good +, Whitechapel / MIT Press, 2010, 3<

2010, ISBN: 0262513927

[EAN: 9780262513920], Gebraucht, sehr guter Zustand, [PU: The MIT Press], MIT Press, 2010. Trade paperback in VG condition; a nice clean copy., Books