2001, ISBN: 9780415082440

US: HARPERCOLLINS PUBLISHERS, 1999. Very Good. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains unda… More...

US: HARPERCOLLINS PUBLISHERS, 1999. Very Good. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. James Cameron's Titanic chronicles the cinematic re-creation of the most le gendary ocean disaster of all time as seen through the eyes of a master sto ryteller. Set against the ship's fateful maiden voyage, Cameron's much-anti cipated motion picture epic weaves a rich human tapestry of romance, herois m, tragedy and greed. Within these pages is a detailed look at the monumental effort by thousands of artists and craftsmen to accurately re-create the 'ship of dreams,' including the full-size exterior replica of the ship and the 17-million-gallon tank facility designed to sink her; a wealth of detailed interior spaces; new discoveries from Cameron's 1995 dives to the wreck, some two-and-a-half miles below the ocean surface; studies of the ornate wardrobe, makeup and hairstyles that defined the look of the 'Gilded Age'; an overview of the film's groundbreaking visual-effects work; and in-depth interviews with cast and crew, all referenced to the historic events of the Titanic's maiden, and final, voyage., HARPERCOLLINS PUBLISHERS, 1999, 3, Baltimore, MD: Johns Hopkins University Press; A PAJ Book, 2001 xii, 280 pages, illustrations; 24 cm. Tight, clean copy. Video artist. Includes a selection of Lucier's previously unpublished writings and drawings, along with essays, reviews, interviews, and photographs of her installations and performances. "I arrived at video through performance, sculpture, photography, theater, music--mediums that evolve in time, involve a frame, and are three-dimensional. A video installation deals with time and space and placement and framing, sound, picture, movement, stillness--but in a single medium." --Mary Lucier. "Internationally recognized for her visually elegant, thought-provoking video art, Mary Lucier was a sculptor, photographer, and performance artist before she turned to video in 1973. In Mary Lucier, the first book published on Lucier's work, Melinda Barlow brings together a selection of Lucier's previously unpublished writings and drawings along with essays, reviews, interviews, and photographs of her ephemeral installations and performances to create an absorbing portrait of one of America's most accomplished video pioneers. Since 1970, when Lucier exhibited her first series of photographs in New York, she has been intriguing viewers with an aesthetic that perceives humanity and technology as equally organic, one whose unique blend of conceptual rigor and sensual lyricism is as compelling as it is deeply moving. Whether exploring the limitations of video technology, investigating America's complex relation to landscape, or examining how people in different places survive catastrophe, Lucier's work has been concerned with the most basic human issues: the cycles of birth, death, and regeneration the necessity of memory and the inevitability of decay. / Melinda Barlow is an assistant professor of film studies at the University of Colorado at Boulder. She is currently at work on a full-length study of the video installations of Mary Lucier." - Publisher.. Paperback. Fine. 8vo - over 7¾" - 9¾" tall. Collectible., Johns Hopkins University Press; A PAJ Book, 2001, 5, Routledge, London, 1992. First Edition. Paperback. Near Fine/N/A. white titles spine; "John O'Toole takes the reader through a lively, fascinating account of the relationships between the playwright, the elements of dramatic art, and the other artists involved in this most interactive of creative processes. In doing so he demonstrates - with clarity and wit - how dramatic meaning emerges, in locations from the theatre to the classroom. Areas covered include: A - the dramatic context; B - roles and relationships; C - the drama space; D - language, movement and gesture & E - tension and the audience. This is an essential book for every student of drama who wants to understand how theatre and performance operate ."; including notes & index - 260 pages. Size: 8vo - over 7¾" - 9¾" tall. Quantity Available: 1. Category: Theatre & Plays; Performance; Literature & Literary. ISBN: 0415082447. ISBN/EAN: 9780415082440. Pictures of this item not already displayed here available upon request. Inventory No: LIT00023. . 9780415082440, Routledge, 1992, 4<

1992, ISBN: 9780415082440

Routledge, London, 1992. First Edition. Paperback. Near Fine/N/A. white titles spine; "John O'Toole takes the reader through a lively, fascinating account of the relationshi… More...

Routledge, London, 1992. First Edition. Paperback. Near Fine/N/A. white titles spine; "John O'Toole takes the reader through a lively, fascinating account of the relationships between the playwright, the elements of dramatic art, and the other artists involved in this most interactive of creative processes. In doing so he demonstrates - with clarity and wit - how dramatic meaning emerges, in locations from the theatre to the classroom. Areas covered include: A - the dramatic context; B - roles and relationships; C - the drama space; D - language, movement and gesture & E - tension and the audience. This is an essential book for every student of drama who wants to understand how theatre and performance operate ."; including notes & index - 260 pages. Size: 8vo - over 7¾" - 9¾" tall. Quantity Available: 1. Category: Theatre & Plays; Performance; Literature & Literary. ISBN: 0415082447. ISBN/EAN: 9780415082440. Inventory No: LIT00023. . 9780415082440, Routledge, 1992, 4<

1992, ISBN: 9780415082440

paperback, Access codes and supplements are not guaranteed with used items. May be an ex-library book., D'occasion, bon état, [PU: Routledge]